The book was finally finished, and I thought about it, and I wanted to write something for myself, so I did what I wanted to do, just like when I wrote the beginning of this book.

I am grateful to the editor for giving me the opportunity to try to write about those ideas.

First of all, this book is an attempt, to write about the genre of Western Fantasy Extraordinary Promotion, you can see all kinds of such traces in the early stage, and the author is also very obsessive-compulsive and requires himself to pursue logic and reasonableness, so he writes the rules and regulations at a glance.

At that time, the author had read other books, and they all felt that the lack of some details in those books was regrettable, and it could not be brought into that world deeply.

But it wasn't until the author himself wrote out those trivial details that he felt that the plot rhythm of the whole book could be called a collapse, whether it was the connection between each event, or the expectations when changing the map every time, or the direction of the protagonist's character in the final mission, it seemed that he made mistakes along the way, and there were many places that were handled very badly.

The most obvious is that the protagonist returns to his hometown from out of town and then leaves his hometown to look for other promotion opportunities. The author of this paragraph feels that he has written a lot of mistakes, which can be said to express the absurdity of that set of settings and the cycle of fate, forcibly sacrificing the outburst of emotions and the conflict of characters, so there is no way to gradually pull across the back.

For example, if the book is written about LOL League of Legends games, and the author forcibly writes the protagonist as a CSGO player, then the book is not far from collapse.

The right thing to do is that if this book is about LOL esports competitions, then the protagonist should be a LOL master, or a player who wholeheartedly wants to get started with LOL. And this book gave the protagonist too much "freedom" and "options" in the early days, while trying to give the protagonist's plot a sense of epic and fatalistic, and on the other hand, wanting to add some group portraits, the result became that the main line rhythm was fast and slow, and the branch rhythm was written halfway through the search for this person, and it was obvious that the protagonist had no need to form a team at all, and the whole plot seemed inexplicable.

Because when conceiving the plot, the imagination is the perfect plot and scene.

But in fact, when you write it out by typing, it forms all kinds of far-fetched and uncomfortable reading.

In this case, the author thinks that the author is incompetent, and without that ability, he should not write this way for a set of settings and rational structures.

Because this will lead to a terrible plot direction, it is better to start with the simplest framework.

For example, write a good fight against the landlord's shuffle and play cards and the end, the logic and psychological activities of the three players, and then the end of the game. It's better than the author's bells and whistles playing a bunch of settings, and finally playing around and breaking down the whole paragraph.

Later, I noticed that the plot and the setting end were too big.,Accelerate the throttle to let the main line end.,It's a little operation that the author of this spicy chicken can do.,Modification and revision can't be adjusted.,When the book begins to struggle with logic and reasonableness at the beginning.,It can't get up at the climax.,The trough can't be pressed down.,The more you write, the more it's like a war report.,The setting of the entire extraordinary system is not well displayed.,Set for the sake of setting.,It can only be regarded as a writing lesson.。

Maybe the reading experience is okay at the beginning, but it will really collapse later. It's like the foundation of a tall building has a problem, it is not suitable for writing so long, not to mention that the author is still there struggling with the sense of reasonableness of the time and date, thinking that so many words have passed, and the date is not appropriate before it is advanced - this inexplicable creative idea.

In fact, it doesn't matter if the time pushes or not, other authors don't write carefully in this regard, most of them because writing this kind of thing takes up space, unless there is a necessary reason, otherwise this kind of rules and regulations is that the author simply writes to make himself uncomfortable, in pursuit of some reasonable but unnecessary-useless details.

The novel has limited space, and the result of wanting to write anything is a mess of trivial things, and those so-called details have become chicken ribs that delay the rhythm.

If this street book can be signed and put on the shelves, then all readers of this book must be responsible (rightfully crossed).

However, at the beginning, I chose the theme of fantasy and Western fantasy, and I wanted to imitate the works of some great gods, so it is really not surprising that the writing collapsed like this.

Seriously, the beginning full of confidence, then to the difference between what I wrote and what I imagined, and then to the reader's confusion and lack of reading, the author wants to pursue reasonableness and finish it, this time is really like going to prison, even if it is a writing lesson, this feeling is too suffocating, and my hair is scratched off.

I can only comfort myself by saying that through the necessary action of practicing writing, I can confirm my limited ability and what parts I am good at writing, and strive to touch the threshold of 500 next time.

fell into the kind of person who didn't know whether to write the details, didn't write and couldn't hang up with the preset foreshadowing in front, wrote the rhythm into a mess, and the characters were all on the scene, and the protagonist had no change in action.

And the author has to want to update every day, and the more he writes, the more chaotic he becomes, so he has to give up the branch line and step on the accelerator to push the main line.

It's like a crappy juggler, who finds that his strength is limited in the middle of playing, and finds that he can't get up in tune in the middle of singing, so he can only end the performance while the big stack of spiral plates has not broken to the ground, and lower the key and finish singing quickly. lest a large wave of hard water be forced, and finally collapse more completely.

Although it's written like this, it's no different from a total collapse, and I don't have the face to say this. However, the foreshadowing and fate settings before and after, echoing the stalks, are generally hung up, but it is not as happy as I imagined, and it does not have the sense of surprise when it is revealed.

This dish of dumpling vinegar can be said to be the source of the idea of the whole plot, the concept formula, and the core intention of the collapse of this book.

If the novel is written like this, the exquisite short story should be more suitable, and the long story is really deadly, the reader is uncomfortable to watch, and the author also writes anticlimactic.

Instead of writing like this, it is better to tell clearly what happened, what abilities the protagonist has, what role the ability has, what friends the protagonist has, and what the protagonist wants to do.

The so-called street fighters may all come from this.

Even if the last book accidentally became popular, but I didn't know how it became popular, and then the next one was inexplicable, it was completely normal. Because the author suddenly thinks of the whole idea, the whole plot and style start to go crazy, then for the reader, the book is hopeless (just like the author has a whim, planning to make the plot funny and happy, but some readers of this book say that the protagonist's character has collapsed and the book has been replaced).

Here is an explanation, in fact, this book has not been replaced, which round of this kind of street book will be replaced to help write? It's purely that the author's ability is not enough to write off, I feel that the atmosphere is too stressful, I don't know how to use the plot and bridges to pull up the emotions, I feel that the plot is too flat, and I don't know how to balance it.

The daily writing is too daily, completely unrelated to the main line, and there is no proper control over the proportion of space.

The main line is too stiffly written, and what the protagonist must do seems to have contradictions and conflicts with the protagonist's character design, which directly leads to the lack of intensity of the plot and the lack of emotional persuasion, and then the big and small details begin to collapse, except for the dialogue, they all fall back and forth, and I don't even know where to start repairing the revision.

Writing this, I would also like to thank the readers of this book for having the patience and time to read such a dish of novels written by the author, so that the author also knows the shortcomings of this book and the direction that needs to be denied.

It has to be said that the ideas of the reader's perspective are problematic. For example, this is unreasonable, those details are not written, why the plot of millions of words has only been in the past week, why has the same routine been used, why the pattern is so small, why other forces have not reacted, how the villain has reduced his intelligence, etc.

Once the real author begins to struggle with these, it will be a collapse and a collapse, and the original unsmooth plot will be worse, and it will be super constipated to write, and the bigger the spread, the more difficult it will be to end.

And now, the author can only strive to avoid these mistakes in the next book, so as to bring readers a better reading experience.

The author really doesn't have the ability to write this kind of Western fantasy long story.,I shouldn't touch it again until I master this ability.,Even writing pure attribute data streams is better than this.。

In the next book, I will abandon these immature thoughts and thoughts, and concentrate on telling the stories of small people, no matter how small the pattern is, no matter how short-sighted, the author can accept it.

Even if it is a small person protagonist who has graduated and is unemployed, the philistine selfishly sets up a stall and opens a shop to make a living, in order to be with the person he likes, in order to live an ideal life. The characters and plots set up on this main line, or the golden fingers of cooking, business, and mood favorability display, and the neighbors, peers, customers, friends, opponents, and urban management that you know are much stronger than the idea of forcibly "extraordinary promotion" + "group like teammates" + "saving the world" written and written.

It belongs to only seeing the highlights of the great gods, and does not have the ability of the great gods. And if you are not sure about the protagonist of the fun man mode and feel that it is not long to write, it is to promote the strengths and avoid the weaknesses is inevitable, and there are shortcomings everywhere that are hopeless, and hard writing will collapse.

Betting all the highlights on a set of settings is indeed a bad job that can only be thought of by hitting the streets, and both the market and the reader author have proved that this set of gameplay is not good.

It's true that you can't be pure self-congratulatory if you don't pursue grades, but if you want to pursue a little achievement, it's a waste of expression to play like this again.

The experience of writing is accumulated step by step, and the profound lessons are like this illusion shattered, falling back into reality and finding yourself powerless with the embarrassment of the shaky plot. Maybe in the future, there will be people who will re-talk about the problems that the author has said, and dwell on those seemingly important details, but it is actually a choice between the author and the reader and a compromise on the plot.

Finally, the book is over, and the hasty ending is also a kind of ending, and the author is really overloaded and doesn't know how to balance the outline at the beginning, so he can only speed up the writing according to the direction of the original story.

If someone reads this testimonial first, and is interested in continuing to read this book, the author of this book is not responsible for any plot explanation or responsibility for this book, and there are basically explanations in the book.

In short, the next book can be said after the internal investment, and then start when you are more prepared, I believe that there is always a way to improve and learn after the lack of cognition, and strive to be better next time than this time.

(If you are identified by the editor as a bastard who can't eat the full attendance award, and you can't get through the street when you sign a contract, there is no such person for the time being, please don't worry, this is a normal experience for street writers)

Finally, it's over!