Chapter 834 835 Unintelligible Patterns

Shi Lao's seismic research not only covers many major categories such as earth dragons and celestial phenomena, earth dragons and climate, earth dragons and animals and plants, but also the causal relationship between earth dragons and volcanic eruptions, and earth dragons and mountain dragons and water dragons......

These records have given me a lot of inspiration and inspiration.

I also saw the spirit of the Shenzhou that the most familiar people conquered the sky.

That's right.

The spirit of our Shenzhou, from ancient times to the present, is that man will conquer the sky!

It is, it will be, and it will be!

Among the notes, there are seven mountain drawings that are very peculiar.

These seven mountain maps are not the most common maps of geological formations. Rather, it is the oldest mountain map.

With Shi Lao's ability, he would definitely not draw this kind of picture.

These seven pictures are remnants of ancient books.

I've never seen it in any books.

Looking at Shi Lao's annotation, these seven mountain-shaped maps should be the calculation and research of the seven mountains of the Shan Hai Jing.

It can be seen that Shi Lao is also quite obsessed with the Classic of Mountains and Seas, and has also done in-depth and detailed research.

Picking up the last notebook, my hands shook inexplicably.

It's a diary!

Shi Lao wrote a diary after his retirement.

The first dozen pages are devoted to drafts and sketches of the Ground Goose Plan. The complexity of the content and the huge plan made me feel shocked and amazed.

On page 18, I saw a line about me: "On September 29th, the students of the junior class reported for duty. Ground mirrors. Child teacher. Sharp."

On page 19, Shi Lao recorded: "The child teacher did not report on time. Contact Cao. Unsuccessful. It may have been sacrificed."

On page 20: "The goggle was stolen and missing, and its whereabouts are unknown. The Last Dragon......" ap.

On page 21, Shi Lao's words became sloppy and strong, and he looked a little excited: "The child teacher has returned." Cao has been contacted. Make a good file."

At the bottom are six repetitive words and countless exclamation points: "Test, test, test!"

Page 22: "The child master catches the sword and the sun god needle."

Page 23: "My time is short, and there is no time for the child teacher to return."

Page 24: "Baofang Prefecture." Leave the spark."

The more you turn back, the less notes are recorded, and judging from the handwriting, Shi Lao's health at this time is already very poor, and he can't hold a pen.

Turning to the last page, Shi Lao's notes were only a few crooked numbers and patterns.

The motif is a goose. A goose that doesn't look like four.

It can be seen that this should have been painted when Shi Lao was awake during his stay in the ICU.

A few numbers on a small page and the goose, Shi Lao didn't know how long he had been drawing.

My heart ached, and I didn't realize that the cigarette was broken and my hand was burned.

Suddenly, my mind flashed and I got up and went straight to the president's office.

The office had been ruined by the Yu Linwei and Eight Places, and most of the bulky old-fashioned desks had been smashed and set on fire.

All that was left of the empty room was chicken feathers.

I turned on the flashlight and walked to Shi Lao's original desk, and I carried the trophy Zizhu and tapped it lightly on the ground.

Slowly, I straightened up and looked up at the roof.

Raising the purple bamboo, I began to count silently from the first ceiling at the door, and stopped counting to the seventh.

Then count silently from the vertical ceiling, align with the horizontal ceiling coordinates, and follow the footsteps.

Stand still and shine a flashlight directly overhead.

After a while, I made a herringbone ladder to climb up and pry open the first ceiling.

Then, according to the coordinates of the ground goose marked by Shi Lao, I took down the other eight ceilings one by one.

The flashlight was held up next to each other and shot straight into the roof of the room next to each of the vacant ceilings.

Noticing nothing out of the ordinary, I cast my gaze on the ground.

Then I went over the nine ceilings one by one.

After another failure, I put nine ceilings together.

The moonlight from the west entered the house, and in an instant I saw a pattern appear on the nine ceilings.

It was a pattern I'd never seen before.

The first time I saw the pattern, I thought of the most mysterious and incomplete animal face pattern on Simu Wufangding.

But then I denied this speculation.

My mind immediately flooded with the bird ornament on the golden scepter in Sanxingdui.

I then denied this speculation.

I froze in place, and countless patterns of countless civilization artifacts in Shenzhou came to my mind, but none of them matched this pattern.

The patterns on the Shenzhou bronzes cannot be the four categories of gluttony, kuilong, panyu and kuifeng.

There are also human figures, but this one is clearly not.

The unexpected discovery made me interested, so I took a pen and paper and reproduced the pattern with the moonlight and a flashlight, and sat on the spot to ponder it carefully.

I read a lot of books.

Thanks to the juvenile class, the books I read are all rare books that other ordinary professors and doctoral supervisors can't see in their lives.

When I was four years old, I played the 6,000-year-old Jiahu bone flute.

When I was eight years old, I played Wu Zetian's Indulgence Jane.

At the age of ten, I participated in the restoration of Li Qi's tiara.

When I was fifteen years old, I looked at all the 100,000 pieces of Wu Jian unearthed in Zoumalou.

That year, the Lion Rock Han Tomb was opened, and countless bamboo slips had just been restored, and I saw the original manuscript at the first time.

That year, the tomb of the monarch of the Western Zhou Dynasty was excavated, and the next day various bronze ornamental rubbings appeared on my desk.

That year, the keels of Zhou Tianzi's tomb, which had been stolen for many years, were recovered, and on the same second day, these keels were sent to the juvenile class.

That year, the seal unearthed from the burial pit of Emperor Yangling of the Han Dynasty, I saw the photo that night.

That year, a new archaeological discovery was made in the Hill of Death, and I saw the relevant information only a month later.

The study of bronzes by the ancestors of Shenzhou became popular as early as the Song Dynasty.

The ancestors of the rich families of the past dynasties were full of food and had nothing to do to do this aspect of tracing back to the origin, and although the experience left behind was a slush claw, it was enough to shock future generations.

In this piece of identification, I think that the only person in the world who can beat me is Old Man Cao.

Digging graves, too.

Feng Shui Geoscience?

Old man Cao, that's scum.

Now my only Achilles' heel is my memory and calculating.

With the A4 paper in hand, I looked at it for five hours.

I don't understand this pattern!