When He Shuyuan wrote this song, he wrote it from Su Yuanchao's point of view, and sang it with Su Yuanchao's experience and feelings, which was an open-minded sense of sadness, and He Shuyuan believed that Su Yuanchao could read it.

Although Sun Zhe is behind the escort, He Shuyuan also hopes that it is because the works occupy most of the reasons.

At the end of the song, the applause lasted for a long time.

On Party A's seat, Su Yuanchao also clapped his hands and nodded.

He Shuyuan was very crisp, smiled shyly after singing, bowed and stepped off the stage.

He knew that there was almost no suspense in this scene, and he and Sun Zhe spent two days writing this song, one of which was spent guessing how Tang Zhichu would write it.

In the face of Su Yuanchao, there seem to be only two directions, one is this symbolic theme, and the other is the theme of criticism and irony.

The former wrote it himself, and it is impossible for a crushing work to be born on such a quality, after all, folk song arrangement is also those routines.

What about the critical irony? That's even more subjective, do you still have to use Su Yuanchao's mouth to help you criticize sarcasm?

Therefore, He Shuyuan retreated from the stage and was particularly simple.

The audience didn't understand, this was the time when Tang Zhichu's popularity exploded at its peak, and when Tang Zhichu stood on the stage, the spotlight came down.

The audience was in a trance for a moment, because Tang Zhichu's outfit returned to the simple, loose denim with shirt when he was in love.

After the trance, applause and screams rang out, but there were still people shouting Chen Siyang vaguely.

Tang Zhichu stood in the same position as He Shuyuan, he and Su Yuanchao also had a brief look at each other, just for a second or so, Tang Zhichu closed his eyes.

On the other side, Su Yuanchao himself was stunned, and he had a feeling that he was quite proud.

Su Yuanchao has a strong curiosity about Tang Zhichu.

Of course, Lian Zong's outrageous thing is one thing, and second, since he is a smart person, why do he still want to enter the game?

Everyone understands people, so why bother?

However, when the prelude sounded and letters appeared on the big screen, Su Yuanchao was stunned.

Not only Su Yuanchao was stunned, but the musicians in the background were also stunned.

Guo Yuanchao

Composer: Tang Zhichu

Composer: Tang Zhichu

He Shuyuan's previous poem is a symbolic idea, what is established is a feeling, atmosphere and sustenance, Tang Zhichu is a bit ruthless, it is directly Guo Yuanchao, isn't that Su Yuanchao changing his surname?

Can you still write by name?

Just a song title, and someone in the background can't sit still.

The intro is also not complicated, with guitar bass plus percussion and drums.

It wasn't until he was singing that Tang Zhichu opened his eyes and looked directly at Su Yuanchao opposite.

You say you know their world

Three sad songs, buy everything

Buy Kunlun to settle down

Penglai put thoughts

Buy people's quarrel brewing soup

Tang Zhichu deliberately lowered his voice and said slowly.

is just one paragraph, which directly summarizes Su Yuanchao's most famous dinner table incident.

Yes, back then, when Su Yuanchao was playing yin and yang folk music, a large number of people were saying that he would flip the table when he was full, right?

Backstage, the older musicians almost instantly had a smile that they understood.

"Damn. Xiao Tang deserves to be Xiao Tang, no wonder he dares to name Guo Yuanchao, not Su Yuanchao is already giving face to Lao Su! ”

"Hahaha, why do I feel a little murderous?"

"No, he just said it, and he didn't take it subjectively, and continued to listen."

Listening from Su Yuanchao's point of view, how does it feel? Dream back to the past!

And Tang Zhichu sang it in a more compelling way.

Su Yuanchao straightened up unconsciously, and then stared at the big screen tightly.

Buy the raven of the princess's grave

The wood of the incident and the hemp of the east window

Buy a boat in the Rouge River and sing a fishing song

The law of all things in the golden world

You and I will be forgotten alike

Guo Yuanchao

You're sick like mine

The wind and the moon are hard to pull and clutch

Hearing this, Su Yuanchao's brows became tighter and tighter, because there was an allusion, but before he could digest it, he was attracted by the next sentence.

Why does Su Yuanchao think that good commercial music should be bred in national culture? This is his answer, because this is something that the music of any country in the world cannot give, the meaning and artistic conception of the lyrics.

Listening to Tang Zhichu singing the three words Guo Yuanchao, Su Yuanchao did have a feeling that he was calling himself, your illness is the same as mine, it is difficult to pull the wind and moon, and he is not angry.

Su Yuanchao smiled bitterly, how dare you write.

Fengyue is really difficult to pull, and there is no commotion in separation, and by now, Su Yuanchao is already a passerby.

To put it simply, life is not taken care of, and art is not achieved.

However, Tang Zhichu used a sentence that your illness is the same as mine.

is not only the decoration of creative techniques, but also another care for face, Su Yuanchao can understand.

If He Shuyuan is a symbolic theme, Tang Zhichu is also the same, and at the same time he also takes into account the criticality and takes care of Su Yuanchao's self-esteem.

I didn't have time to think about it, and the next sentence came again.

After all, the floor is a teenager

Freedom sooner or later chaos for the rest of your life

You and I haven't seen each other in front of the mountain

Don't meet after the mountain

Until this sentence was finished, Su Yuanchao was completely stunned, and the long interlude seemed to be giving him time to comb up.

You love the upper floors and love freedom, but what about the rest of your life?

You and I haven't met in front of the mountain, and don't meet behind the mountain.

To Su Yuanchao's ears, this is exactly the most arrogant part of Tang Zhichu, writing the current situation of Su Yuanchao sentence by point, and the second sentence buddy didn't want to write about you, you made it up.

Like thunder, it didn't disperse in his ears for a long time, and it took a long time for Su Yuanchao to spit out a mouthful of turbidity.

Backstage, more than half of the people were dumbfounded.

Several of them are reading, the floor is a teenager after all, and the freedom will be chaotic sooner or later.

To put it bluntly, this is a mainstream attitude towards life at the moment, just live in the moment, as for the rest of your life? I'll take care of you.

And who is the forerunner of this attitude to life? It is Su Yuanchao's group of people

But when your present moment becomes the rest of your life, do you miss your freedom the most?

"Mrs. Absolutely, look at Teacher Su's face."

"Hey, that's a song, it's a murderous knife."

After all, the floor is a teenager

Freedom sooner or later chaos for the rest of your life

You and I haven't seen each other in front of the mountain

Don't meet after the mountain

When Tang Zhichu sang this in the second stanza, there was a short pause.

Why are there two paragraphs of foreshadowing? It's so that the person who hears the song can fall into a brief reflection or bring in a certain emotion.

After a short pause, Tang Zhichu held the microphone with both hands and directly pulled out two octaves on the spot.

In fact

You and I are the same

It will be forgotten

Guo Yuanchao

You're sick like mine

The wind and the moon are hard to pull and clutch

After all, the floor is a teenager

Freedom sooner or later chaos for the rest of your life

You and I haven't seen each other in front of the mountain

Don't meet after the mountain

You and I haven't seen each other in front of the mountain

Don't meet after the mountain

The signature high-pitched burst of continuity, like a word that woke up the dreamer, made everyone's spine tingle inexplicably, and then burst into tears.

Don't be afraid, you and I are the same.

The wind and the moon are difficult to pull, and the clutch is not commotionous.

Not to mention the audience, Su Yuanchao himself burst into tears.

Although Tang Zhichu's arrogance made him inexplicably a little ashamed.

Especially the words repeated later, you and I haven't met in front of the mountain, don't meet behind the mountain.

To Su Yuanchao's ears, Tang Zhichu was saying that he knew the mess behind him.

Since we haven't seen each other in front of the mountain, we won't meet behind the mountain.

Su Yuanchao couldn't help himself for a long time, he didn't expect a ballad to be so powerful, like a mellow rock song.

Backstage, I don't know who took the lead, and a group of young musicians began to make worship gestures.

This is Tang Zhichu's answer sheet handed over when everyone is not optimistic.

Someone whispered, "He wrote the ballad as a knife."

(End of chapter)