"Fujiwara, please help me contact the copyright owner of these songs, we plan to use these songs in the background music of our next show, and we need a written permission."

"Leave it to me." Kei Fujiwara took the song list neatly.

Producer Kobayashi patted Kei Fujiwara on the shoulder with satisfaction and left.

Just over a week after the training period, a boss had already begun to assign tasks to Kei Fujiwara.

This made other internships more or less envious of the same period.

Is this kid too bad?

Fujiwara Kei is a veteran of the crew after all, and there are still some essential differences between him and these stunned young people who have just entered the society, and he is better in terms of experience.

Kobayashi's producer's name is Kobayashi Shuzo, who is in his fifties, but he has gray hair and is considered a veteran producer.

Although Fujiwara Kei learned about it privately, this veteran agent doesn't seem to have any particularly eye-catching works, and he is old, and he also belongs to the kind of producer who has come up with seniority, but for the current Fujiwara Kei, being able to get the attention of this producer's predecessor may provide a lot of convenience in the future.

The reason why Kobayashi Shuzo has an impression of Fujiwara Kei is also a coincidence. Two days ago, Fujiwara Kei saw Kobayashi Shuzo walking in front from a distance, and his state seemed to be a little wrong, and his hands subconsciously leaned against the wall.

Kei Fujiwara listened to his colleague's small talk before, and knew that the producer seemed to have a problem with low blood sugar, so without saying a word, he quickly took two pieces of fruit hard candy from the pantry next to him, rushed up, helped Kobayashi Shuzo, handed him the candy, and then helped him to the rest room.

Shuzo Kobayashi thanked Kei Fujiwara and made a good first impression.

In the days that followed, as a senior producer, Shuzo Kobayashi asked Kei Fujiwara a few small questions related to filming to test his professionalism.

In fact, these questions are more or less over-outlined, and Kei Fujiwara, as a newcomer with no actual shooting experience, is logically unable to answer.

This can be regarded as a small "difficulty" for Kobayashi Shuzao as a senior in the workplace, but it is indeed out of kindness to teach something.

But what I didn't expect was that Kei Fujiwara answered perfectly, which was beyond Kobayashi's expectations. A recent graduate who can answer these somewhat out-of-the-ordinary questions is obviously working hard in this area.

And Fujiwara Kei pretended not to be able to answer the last two questions in order to satisfy Kobayashi Shuzo a little, and humbly asked the other party for advice. Shuzo Kobayashi answered Kei Fujiwara as a senior, and he was even more satisfied with the young man.

Later, from time to time, Kobayashi Shuzokai gave Fujiwara Kei some simple tasks, but Fujiwara Kei completed them perfectly, which made Kobayashi producers very satisfied.

After a few days, after the training period, Kei Fujiwara was given a new job assignment.

His place of work has changed, and his new place of work is the production base of the Fukuyama TV headquarters.

There are only six of the most influential TV stations in Ben, NHK is a state-owned enterprise, and there are five major private TV stations with the largest influence and broadcast range.

In the world of Kei Fujiwara, the five major broadcasters are: Fuji, TBS Broadcasting, TV Komoto, TV Asahi, and TV Tokyo.

Among them, TV Tokyo, in terms of scale, financial strength, and broadcast scope, cannot be compared with the other four. However, it is slightly less than the above, and it is more than enough than the bottom, so it is also considered by me to be the other four famous civil television stations.

In the world of Kei Fujiwara, in addition to the name of the state-run NHK, the five major broadcasters have become: Fukuyama TV, Tokyo TV Broadcasting TTV, RB broadcaster NBC, Star TV and Higashijima United TV.

And Fukuyama TV is supposed to be a otherworldly version of Fuji TV.

Kei Fujiwara arrived at Fukuyama TV early in the morning, and soon the same people arrived one after another, and a colleague from the human resources department said that an executive director would come and take them to the filming site.

After a while, a young man with a somewhat rickety back walked over and whispered, "You are the employees of the high-level production dispatch." ”

The group stood up, and only then did Fujiwara Kei notice that this person was the same person he met on the subway that day.

His dark circles were still thick, and he looked at everyone present: "Hello, my name is Taro Nishimura, and I am the executive director of "In the Name of Love", please come with me." ”

Suddenly, he looked at Kei Fujiwara and tilted his head: "We seem to have met?" ”

Kei Fujiwara nodded: "Yes, on the subway." ”

Taro Nishimura yawned, didn't say anything more, and took them around the TV headquarters like a tour guide, giving them a brief introduction to each unit.

There are many studios in the production base in Tokyo, as well as a complex of buildings that resemble the Edo period, which are mainly used for the filming of costume Taiga dramas, similar to those in Yokoden.

The larger costume drama production base is in Kyoto, and the scale of the base here and the one in Kyoto cannot be compared, so it can only be regarded as improvised.

Kei Fujiwara and others passed by a shooting scene, and everyone couldn't help but stick their heads out to look over there, and Kei Fujiwara was no exception.

Although it was not the first time he had seen the filming scene, the way he shot TV in the 90s was definitely different from that of later generations, so he also turned his head to look.

In front of the camera, a man hugged a woman in a white nightgown and said, "Mrs. Kurosawa, your husband's company's finances have been very tight recently, and the president has decided to fire a group of ordinary employees who are older and have no special skills, what should I do, Mr. Kurosawa may lose his job, and the mortgage on this house has not been paid off for 30 years, right?" You don't want him to lose his job, do you? ”

"No, no! Mr. Yamamoto, it is immoral for you to do this! ”

"My wife's mouth is really hard, what I feel is different from what you say."

"No, no, ah~"

Fujiwara Kei subconsciously opened his mouth wide, Nishimura Taro glanced at the place, and said without being salty or light: "Oh, they are filming night dramas, and the taste must be a little heavier, if you like it, you can watch it for a while." ”

Taro Nishimura is actually serious, a newcomer, he is always a little curious about the shooting scene, anyway, his crew hasn't started up yet, so it's normal for them to watch the work of other groups for a while.

But when the newcomers heard that the seniors of Nishimura were sarcastic about them, they quickly withdrew their gaze and stood still.

Nishimura Taro looked at them at this time, and said with some envy in his tone: "I really envy them, you can shoot as much as you want." Unlike us, you have to pay attention to the content of the broadcast at all times, otherwise you will be troubled by the people in the censorship and supervision department......"

There is no government-level censorship on this TV program, it is all internal censorship, and as long as there is no problem with the internal censorship, it can be broadcast.

But after all, the right to censorship is in one's own hands, and the standards should naturally be appropriately loosened. The prime time and afternoon files will be seen by teenagers, so they naturally don't dare to shoot the three-way content, but the late-night files are different.

Adhering to the principle that everything is not prohibited by law, in order to attract audiences, the content is often stimulating. What XX ward, what eight-foot adult parade, what while XX singing KTV, as long as you don't really shoot it into a reed, the censorship department will not ban you from broadcasting.

In fact, strictly speaking, it is impossible to completely ban minors from watching these adult-oriented content in the late night time, and teenagers can also see it if they want to watch it.

Then look at it. You must know that pornographic magazines can be sold in convenience stores, so why can't adult programs be broadcast on TV stations?

The TV is in the living room of your own family, and the family can't control it, so don't expect the TV station hundreds of miles away to have any universal way to block the children's eyes. There is no grading measure that perfectly distinguishes children from adults.

Don't rely on society for everything! Take care of your own children!

Taro Nishimura brought everyone to the set, and a nice voice came from not far away: "Hard work, everyone, when will we start filming." ”

When she turned her head, she saw that Arima Guixiang had already put on her makeup, and her agent asked the director sitting in front of the supervisor.

"Wow, it's Miss Arima......"

"She's prettier than on TV, and she's skinner."

"Because the TV screen will widen people."

Fujiwara Kei looked at Arima Katsura with a calm smile on her face, beautiful and beautiful, but this woman gave her a very indifferent feeling, like a cold jade Guanyin enshrined in the ancestral hall, which is easy to make people stay away, which is completely opposite to her sweet and lovely image in front of the camera.