"Fujiwara-kun, the results of the quick report are out, do you need me to inform you?"

"Yes, Mr. Itagaki, how did it turn out."

"Seventh, not too high, but not low either, in the middle."

There are a total of thirteen long serials and two short stories in "Qiankun Spring and Autumn", and "White Night Walking" is just stuck in a middle position.

However, the beginning of "White Night Walking" is indeed not particularly fascinating, in other words, the writing method of articles in this era does not pay attention to "preemptive", but there is no need to spit out the selling points to the reader, and the reader is still patient.

It's too rushed, and it won't attract readers.

"The results of the quick report are just a reference, after a while, I'll tell you when Xiaozheng counts out." Kazuhiko Itagaki said.

"Okay, I'm sorry for you."

After hanging up, Kei Fujiwara returned to the set.

After passing by a group of people at the same time, Fujiwara Kei subconsciously greeted everyone, but for some reason, the group actively ignored him, and only one of them turned his head and smiled at him.

Kei Fujiwara also lowered his head and smiled, but he didn't care too much, similar things had been experienced in his previous life, which was normal.

He continued to play with Youma Guixiang, and Youma Guixiang took out the script and read the lines to him word by word.

The plot seems to be developing in the direction of bitterness, and there are a lot of crying scenes with Ma Guixiang next, and there is a characteristic of Ma Guixiang's performance of crying scenes, that is, he likes to purse his lips, widen his eyes, tears are pouring down, and then his shoulders tremble non-stop.

In fact, this is Arima Guixiang's usual performance method, and it has formed a path dependence.

Many actors, especially those with good acting skills, will have this kind of path dependence. Because they are already proficient enough in performance methods, they have even formed their own unique style, and style is a thing that is difficult to change once it is formed.

This is the "one face of a thousand" performance method.

In fact, there are no obvious advantages and disadvantages between the two methods of "one face of a thousand people" and "one face of a thousand people", and both methods have given birth to great actors.

For example, Stephen Chow, Jackie Chan, and Jim Carrey are actors with a thousand faces;

and Leung Jiahui, Ren Dahua, and Zhang Yi belong to actors with thousands of faces.

The one-size-fits-all approach focuses on highlighting personal style and makes it easy for the audience to remember an actor, but this method also has a drawback, that is, it is easy to make the audience feel bored.

For example, an actor in Kei Fujiwara's previous life, nicknamed Jia Qian Jushi, belongs to the category of although his acting skills are very good, but he has formed a style, and his performance is routine, and he is often criticized for playing who is playing himself.

Therefore, Fujiwara Kei has been persuading the actors he cooperated with in his previous life, unless you plan to become an actor with an obvious personal style like Stephen Chow, you should try to choose the way of "thousands of people and thousands of faces", and remember not to bring one acting skill to all occasions.

Fujiwara Kei wanted to warn Arima Katsura like this, but after thinking about it, he didn't say it.

After all, he is still just an AD on assignment, just a stand-in for the actor, don't really think of yourself as a senior. It's okay to give some comments on the script, but he is not qualified to point out the performance problems of a popular actor.

What's more, this drama has been played for most of the time, and it was so "crying" before, and it is not appropriate to suddenly change the style.

Arima Guixiang cried and cried, and suddenly trembled more intensely.

Not only the shoulders are shaking, but the whole body is trembling.

Kei Fujiwara was stunned for a moment, she trembled as if she had an epileptic seizure. However, Yu Guang swept to the side and found that Ma Guixiang's agent was also shaking.

He looked down at his hands and saw that they were not the only ones shaking.

"The earthquake ......"

It is said that it is an earthquake-prone country, and earthquakes and other things are simply commonplace. He said that he has always been trained to deal with natural disasters, and he will not be in a hurry when he encounters such things.

After a short period of stunned, Arima Guixiang and her agent reacted and began to evacuate quickly outside the studio.

The crew had a total of more than 100 people, and they all evacuated quickly after sensing the earthquake, but the whole process was very orderly, there was no pushing and stampeding, and the evacuation process was very efficient.

However, a discordant voice rang in my ears.

Wataru Sato was so anxious that he let out a shrill voice like a shemale: "Protect the camera!" ”

The cameramen hurriedly ran out with the cameras, these cameras and lenses are the most precious assets of the crew, and when necessary, many staff members are willing to protect them with their own skulls.

Fujiwara Kei turned his head to see that there was a lone camera ten meters away from him, so he ran over and planned to escape with him.

However, he accidentally bumped into Arima Katsuka, and Fujiwara Kei didn't care about any gentlemanly demeanor in this matter, so he grabbed Arima Katsunaka's arm and dragged her away.

At this moment, a lampstand staggered down, just facing the place where Kasuka Arima had just stood, and the base of the lampstand rubbed against the floor with a piercing and sharp sound.

Fujiwara Kei also dodged the lampstand sideways, but he was still rubbed by the lampstand, and Fujiwara Kei's sleeve cracked a huge hole with a "stab", exposing the flesh, leaving a white scratch on the arm, slightly itchy.

Arima Katsura was startled, and subconsciously got into Fujiwara Kei's arms like a frightened cat, and after reacting, she stepped back slightly and thanked Fujiwara Kei: "Thank you, are you okay?" ”

As soon as the words fell, Arima Guixiang was stunned, her hands were covered with blood.

What's going on? Am I hurt?

Kei Fujiwara picked up the camera, and without saying a word, quickly evacuated the building with Katsura Arima.

At this time, Arima Katsura found out that it was not her who was injured, but Kei Fujiwara. A large cut was made in Kei Fujiwara's arm, and the flesh was turned out, revealing muscle and fat, and blood continued to spill out.

Kei Fujiwara's lips were also white in pain, but his face was expressionless, and when he left the set, he just found a direct drinking tap to rinse the wound, and then waited for the doctor in the infirmary of the TV station.

Wait for the ambulance, the earthquake is sudden, there must be a lot of injured, and if you have a small injury and a serious injury, the ambulance will be blinded.

"Fujiwara-kun, you're seriously injured...... Arima Katsuraka walked over, her face was a little pale, and she began to stutter a little when she spoke.

Fujiwara Kei glanced at it and said, "It's not a big deal, I'll just go to the hospital to deal with it myself in a while." ”

Arima Katsuna's face became a little defeated, "Thank you, you ...... to save me"

Kei Fujiwara didn't speak, and lowered his head to hide his embarrassment. It's really because of you, but it's not because of saving you, I originally thought you were in the way and wanted to pull you aside, but I didn't expect it...... Alas, bad luck.

After the injured were treated urgently, Kei Fujiwara went to the hospital at the same time as several others to tetanus and stitch up the wound.

Taro Nishimura told Kei Fujiwara that during this time, he could recuperate in the hospital and pay his basic salary, and the company was a little humane in this regard. Of course, they are also afraid of legal punishment and injured employees smashing the glass of high-rise cars.

The epicenter of this earthquake was in Saitama, and Tokyo was also affected, and Kei Fujiwara didn't know if there was such an earthquake in the original world, and it was really difficult to count the number of earthquakes in Tokyo.

The next day, instead of going to the TV station to report on his work, Kei Fujiwara went home to rest, and the TV station and production company gave the injured employee a few days off.

In the evening, Kei Fujiwara bought a bowl of beef soba noodles downstairs at his house, rubbed his chopsticks open, and was just about to eat when something suddenly came to mind.

"Beef is a hair thing...... Can you eat it? ”

In fact, in his previous life, Kei Fujiwara didn't care much about the concept of traditional Chinese medicine such as "hair things", but since he came to Tokyo, he has become alone and has begun to cherish life very much, and he is not very daring to take risks.

Kei Fujiwara looked at the steaming soba noodles in front of him, and hesitated, wouldn't it be too wasteful to throw it away like this.

Just when he hesitated, the doorbell thought again, and Fujiwara Kei got up and opened the door, only to see Arima Katsura wearing sunglasses and standing outside the door with her agent.