After the official filming began, Hideaki Shibasaki became the busiest person in the crew.

Kei Fujiwara wanted to help, but as a screenwriter, it was inevitable that he would be disgusted by pointing fingers at the director's work. So when filming the scene, Kei Fujiwara just watched from the sidelines, even if he had a different idea from Hideaki Shibasaki, he held his chest and didn't say a word.

But afterwards, Kei Fujiwara handed a storyboard script he had written to Hideaki Shibasaki, and when Hideaki Shibasaki opened it and looked at it, he was a little surprised: "Fujiwara-sensei, you wrote this?"

"Hmm." Kei Fujiwara nodded, adding, "Because I have a habit of writing, I first imagine a picture in my mind before I write it."

It is the director's job to create a storyboard script, which is equivalent to the narration of the picture, and the scenes, scenes, stunts, and music must be written clearly.

Write a storyboard script first, and shoot it directly when you are officially shooting to improve efficiency.

"You don't have to follow my shooting when you shoot officially, it's just for your reference, to save your time, or is it mainly based on your ideas." Kei Fujiwara said.

"Okay, I'll go back." Hideaki Shibasaki said.

At first, Shibasaki Hideaki didn't pay much attention to it, and not long after, when he was about to write a plot story, he suddenly got a little stuck in a dialogue line.

He smoked two cigarettes, perhaps because he was too tired, and there was always no way to come up with a picture in his mind that matched the plot, when his hand shook, and the cigarette ash accidentally fell on a document next to him.

Shibasaki Hideaki took a look and found that it was a storyboard script written by Kei Fujiwara, so he extinguished the cigarette, picked it up with the idea of relaxing his brain, and turned a page casually.

At first, it was just a casual look, and it flipped quickly. The main reason is that I don't think Kei Fujiwara can write any practical storyboard scripts, but I flip through them and gradually slow down.

It's very professional......

Hideaki Shibasaki was a little surprised, and then turned to the place where he had just been stuck to see how Kei Fujiwara wrote the sub-shot of this paragraph.

After watching it, the corresponding picture quickly appeared in Shibasaki's mind. Shibasaki Hideaki was silent for a while, then picked up the pen and carried what Kei Fujiwara had written into his script......

Compared with the storyboard script created by Shibasaki Hideaki grass, Kei Fujiwara gave the final version of the picture direction, of course, it should be more mature.

At the beginning, Shibasaki Hideaki did just use what Fujiwara Kei gave as a reference, but then the number of references became more and more, and gradually formed a dependence, and I wanted to take a look at it when I had nothing to do.

Later, whenever the shooting deadline was approaching, Shibasaki Hideaki simply used it directly. Of course, that's for later......

The progress of the script or something, it's not a problem at all. In addition to the one or two episodes that are being filmed, Kei Fujiwara now has four episodes in his hands.

The script was written too quickly, and it also caused the worries of Yui Mizuhara and the others, why don't you think about it again? Don't compromise on the quality of the script in order to rush the work!

This is probably the first producer in the whole book to dislike the screenwriter for writing too fast.

Copying is naturally much simpler and faster than original, but it is not completely without work, and due to the difference between the two worlds, many things have to be read.

There are a lot of references to current popular elements in the play, and since the version has been changed, it has to be changed.

There is also the setting of the heroine Xiaonan, because Arima Guixiang's age is much younger than Tomoko Yamaguchi when filming this drama, so it must also be changed.

In addition to the script, there is also a soundtrack.

There are many classic soundtracks of "Long Vacation", such as "LA· LA· LALOVESONG", and "DeeperAndDeeper".

After all, music is not Kei Fujiwara's old profession, he doesn't even know staves, and he can't write songs, but he has a good pitch and can sing these songs.

But forget it after thinking about it, don't underestimate the musicians in this world, hey, there are many classic songs that can be used, and they are also very appropriate in the play, no worse than the original tracks.

But there is a piece of music that he is reluctant to give up and wants to bring to this world.

This song is "hereeareagain".

You may not know which song it is just by listening to the name, but you can usually remember it when you have to say the lines.

"Crooked, where are you going?"

"Go to work."

"Is it okay not to go to work?"

"If you don't go to work, you will support me."

「……」

"Crooked!"

"I'll raise you!"

Do you remember?

This song is a classic soundtrack for the king of comedy, a good song can't be a charcoal in the snow, and bad movies with divine comedy abound.

But it does add to the cake.

The song "hereeareagain" is set in the context of the king of comedy, it is simply a stroke of genius, Fujiwara Kei has heard all kinds of pop music and pure music, and he can't think of a second song that can replace this song in the movie "The King of Comedy".

And this song was first from "Long Holiday", and was later bought by Zhou and Li and used in the movie. "The King of Comedy" not only uses the soundtrack of "Long Vacation", but in fact, the characters of the male and female protagonists are also similar to "Long Vacation".

In a word, it is a depressed little person.

In "The King of Comedy", it is a drunken girl who runs out of tricks.

"The Long Vacation" is a pianist who has no ambition and a model who can't find a job.

Perhaps, in the context of the Great Depression, only the stories of small people can better touch the hearts of the people of this era, right?

"Long Vacation" is not just a romance film, or rather, a story, if you want to tell love well, you can't just talk about love.

If you want to talk about the love between Yang Guo and Xiaolongnu, you must not only write about their love, but also write about the sinister nature of the rivers and lakes, and write about Yang Guo's love for flower poison; wrote that the little dragon girl was humiliated (*** Gobi); Written in addition to their love, there is also a woman who cut her hair and became a nun and never married. To write about the miserable lives of other women to show their love.

If you want to tell the love between Yin Tianqiu and Liu Piaopiao, you can't just write about the night they watched the sea, but you have to write that Yin Tianqiu called a friend and asked Miss Sleep how much; It should be written that he took out all his net worth to pay for "prostitution"; To write that when Yin Tianqiu and Du Juaner were dancing on the dance floor, Liu Piaopiao was beaten by the eldest brother and had a blue nose and swollen face......

Tell the story of life and love well, and naturally tell it well.

Any good work must contain a unique emotion, and "hereeareagain" is also a perfect fit for the story of "The Long Vacation".

"Fujiwara-sensei, I'm here."

When he was stunned, Aoi Kono stood behind him and whispered.

She subconsciously kept a certain distance from Fujiwara Kei, and she didn't know what Fujiwara-sensei suddenly brought her to do.

The main creator of the opposite sex generally sees a small actor alone, and there is often nothing good...... It is possible to make very excessive demands. The seniors in the circle warned her like this.

Kono Aoi thinks that Fujiwara Kei is not like such a person, and he is young and promising, handsome, and the girls in the circle want to pounce on him so much, they should not use force against her.

But that's not good, what if he's just looking for excitement?

Fujiwara Kei looked back at Aoi Kono, stood up, and asked, "Thank you for your hard work, Kono, I want to trouble you with something."

Kono Aoi subconsciously swallowed his saliva: "What's the matter?"

"Kono, I'll hum a song, can you compose it into a piano piece?"

Kono Aoi was relieved and said, "There should be no problem, but if Fujiwara-sensei goes out of tune, then there is no way."

…… You don't have to be so realistic.

"That's good."

They borrowed an instrument room from Fukuyamadai, with Aoi Kono sitting at the piano while Kei Fujiwara cleared his throat and hummed in front of her.

"Pedal Pedal, Pedal Pedal......

Aoi Kono listens to the song, eye

His eyes lit up, and he turned his head to look at Kei Fujiwara: "Fujiwara-sensei, is this a piece you made?"

"It's not." Fujiwara Kei directly vetoed it, he is a person who can't even recognize the stave, if he can compose, it is easy to be faked.

But what if someone else did it? Who do you say? If you don't admit that this song is your own, what if someone suddenly pops up claiming that he is the original author?

Thinking of this, Fujiwara Kei said, "This is a song I heard when I was a child, and the author is my deceased mother."