"The Lonely Gourmet" soon entered the publicity period, and Fujiwara Kei specially instructed Yui Mizuhara not to deliberately emphasize that Sima Keita is the screenwriter of this drama when promoting.

The reason is very simple, now the fans he has accumulated are all fans of "White Night Walking" and fans of "Long Vacation", "Lonely Foodie" and these two works have completely different styles, and fans who come here will only feel disappointed when they see it, and it may hurt the reputation of this show when the time comes.

Yui Mizuhara agreed, and did not deliberately emphasize the identity of the screenwriter in any promotional resources, so even though many viewers have seen the advertisement for this show, they don't notice that the screenwriter of this late-night drama is the same person as the screenwriter of "Long Vacation".

The audience doesn't know, but that doesn't mean the peers don't know. The imminent release of Kei Fujiwara's new drama immediately aroused the alarm of the broadcasting industry, especially the other five major television stations.

But when I learned that Kei Fujiwara's new drama turned out to be just a late-night drama, I was very puzzled.

The success of "Long Vacation" made Kei Fujiwara directly among the first-line screenwriters, and it stands to reason that even if he wants to cooperate with the most senior director, require the show to be broadcast on the prime time on the weekend, and let the TV station pour the most publicity resources, the station's senior management should not hesitate to satisfy him.

But why is his new work just a late-night drama? Could it be that he had a conflict with the leaders of the stage and was put in small shoes?

People at other TV stations were puzzled, but even the top management of Fukuyama TV found it incomprehensible.

Director Yoshida Kashi was also a little depressed, the success of "Long Vacation" not only made Kei Fujiwara an all-round author and a talented screenwriter, but also brought him great glory and the trust of the TV station's shareholders.

The newspaper group and major shareholders behind the TV station praised him one after another, believing that it was an extremely wise decision for him to keep Kei Fujiwara in time, which shows that it was extremely correct to let him be the director.

After "Long Vacation" was cleaned up at the historic level, Yoshida Kashi also wanted Kei Fujiwara to come up with another new drama, strike while the iron was hot, as long as Kei Fujiwara opened his mouth, don't say anything about the ninth day of the month, and he can choose any weekend prime time. Even if he has a crush on someone else's time, as long as the other party's results fluctuate, it is not impossible to discuss whether he will immediately cut in half and let Fujiwara Kei get on the horse.

Unexpectedly, Kei Fujiwara actually proposed to do a late-night drama first, and the plan and script he came up with were also incomprehensible.

As a TV series, there is almost no plot, and it is like a glass of boiled water, can such a drama really get ratings in the late-night file that relies on the crazy friction of the bottom line of human nature?

Yoshida Kashi also euphemistically raised such a question, but the reply given by Shuibo Production made him want to vomit blood: "It's not a big deal if this drama doesn't do well, it's an experimental work, mainly to train the team."

Yoshida Kashi couldn't wait to call Fujiwara Kei to the office and scolded: You mother, *** practice with real money from the TV station? And even if it's a late-night file, it's a late-night file on the weekend, do you know how many producers want this time slot?!

But in the end, you still didn't do it, and as soon as they achieved historic results, you called them to condemn them, which was more or less suspected of suppressing talents.

And this guy heard that his temper is not small, technical talents are often not very obedient to discipline, in case he scolds the street in anger, how can anyone dare to defect to him in the future?

So he endured it, and after some thought, he still approved the production and broadcast of this drama, and determined the broadcast time.

Seeing that the broadcast time of "Lonely Gourmet" is approaching day by day, a new issue of "Spring and Autumn Reward" has also been officially published.

This issue of "Spring and Autumn Awards" is serialized in the second chapter of "Genius Detective Mihand Washing".

Mitarai and childhood friend Miyuki Nanase are invited to a villa to attend a party of members of Miyuki's sister's film club. However, just as the two were wandering on the suspension bridge in front of the villa, they suddenly found a man covered in bandages......

At night, Nanako Toshida was watching this chapter at home alone, and suddenly felt a little chill in the back of her neck, so she subconsciously turned around, but only saw the dark window.

Nanako Tokada always felt like a human face would pop out of the window

came, so he hurriedly ran to close the curtains, and then sat on the bed and put on the quilt to read.

The bandage freak began to hunt down the heroine for some reason, and at the same time, the drawbridge in front of the villa broke, and the entire villa became an island. The people inside can't get out, and the people outside can't get in.

appeared, Blizzard Lodge mode...... Nanako Toshida said in her heart.

Blizzard Mountain Villa mode is the name given by Mr. Sima Guitai in class for this kind of situation, which refers to a group of people trapped in a closed environment, unable to communicate with the outside world due to special circumstances, but people in the crowd began to die mysteriously, and the murderer was among everyone.

Everyone gathered to discuss the bandage freak they had just seen, and just then the bandage freak suddenly appeared, holding a corpse on his chest......

The terrifying atmosphere was rendered very well, and even in the quilt, Nanako Toshida felt a trace of coldness.

This chapter still doesn't reveal the final puzzle, Nanako Tokada closes the magazine, and now suddenly wants to discuss the plot of this chapter with others, so she turns on the computer and enters the reasoning forum again.

Entering the forum again this time, Nanako Toshida subconsciously looked for that familiar ID, that is, Sima Keita's biggest black fan, and was always committed to finding Sima Keita's stubble from various angles.

At first, Nanako Toshida was still angry, but after a long time, she calmed down, and she was curious about what reason that person would use to criticize Sima Keita this time.

But this time he seemed to be late, and his speech was not found in the forum.

Minakami Yukie is working hard to write a book at this time, because in addition to his identity as an Internet troll and book reviewer, he also has an identity as a mystery author.

Only after he has finished writing his own will he have free time to "point" to other people's works.

He was published in a magazine called "Wild Stories", not long after the publication of "Genius Detective Mitarai", and although the two did not contribute to the same magazine, they were also contemporaneous rivals.

If I can defeat Sima Guitai head-on, maybe the reasoning community will recognize my talent...... Minakami Yukie heart road.

Minakami Yukie subconsciously clenched the pen in his hand, and every word he wrote was extremely hard.

It's Saturday, and it's finally time for "The Lonely Foodie" to officially air.

The title of the first episode is "Chicken Skewers in Hamamatsucho, Minato-ku".

What appears on the TV screen is that the streets and newcomers can be seen everywhere, and an uncle-looking ordinary suddenly appears on the screen.

The uncle walked in the crowd, and the voiceover came out of the TV, which was the uncle's heart.

Uncle seems to be a salesperson, but he is not the kind of salesperson who sits at the counter in a department store, but personally delivers the goods that customers want.

At twelve o'clock on Saturday night, many viewers watched the show, but these viewers were divided into three main categories.

The first type is what you think is so good about this kind of drama, an uncle with a passer-by face picks up oranges for his grandmother, then goes to meet customers, and finally finds a random restaurant to eat? Can this also be called a TV series? Isn't this just the daily life of an ordinary social animal who takes a random camera to shoot? It's still Dongdaotai's "Girl's Sick House" that is interesting, and it was decided to change the channel.

The second type of people think that all late-night dramas are too boring, all kinds of meat elements, which are disgusting to watch, and those guys who shoot TV series don't understand that not all audiences have a lewd interest in watching movies! Can you shoot a normal late-night drama for those of us who have high aspirations but can't sleep at night? Well? This one is not bad, it doesn't seem to have that kind of violent and erotic plot, just take a look.

The third group of people was attracted to the shiny chicken skewers that appeared in the opening film at the beginning, so they watched patiently. And when Goro Inohirashira walked into the yakiniku restaurant and enjoyed the food in one gulp, their mouths began to secrete saliva, and there seemed to be a small fire burning in their stomachs.

Damn, *** why do you want to watch this thing in the middle of the night?

Instant noodles, do you still have instant noodles at home?