Yui Mizuhara contacted Inoue's agent and signed a contract with the young actor.

After Inoue Mori settled down again, Kei Fujiwara went to decide on another actor.

The drama "Homeless Child" is not like "The Long Holiday". The long vacation comes and goes, just the stories of a few people, one man, two men, three men, one woman, two women, and three women, and 90% of the time of the whole drama is occupied by them.

And the drama "Homeless Child" has a long story line and complex character relationships, so there are many actors.

It took a lot of time just to audition, but in the end, the actors were confirmed one by one.

However, when looking for a cousin Gongzhao, he encountered some obstacles. This role needs to be played by a teenager, about fifteen years old, but it is always impossible to find a suitable actor to play it.

If you want to find a handsome boy who is fifteen or sixteen years old, there are generally offices that cultivate idols, such as the famous Jacks Agency. There are a lot of cultivation systems in it, and there are many fifteen or sixteen-year-old male idols.

But most of these idols are from singing and dancing, and they are not very good at acting, if it is another role, it is just that, but the role of cousin Gongzhao is very complicated. Can a person who is paralyzed in the lower limbs, who loves and hates his mother, who has not received much acting training, play well?

With a skeptical attitude, Kei Fujiwara asked the staff to find a few idols to try it out, and almost Kei Fujiwara, but it didn't work.

Just when Fujiwara Kei had a headache, Matsumoto Koemon suddenly came to Fujiwara Keiyo for a drink, and the moment he saw Matsumoto Koemon, Fujiwara Kei was stunned.

So the next day, Arima Masai was brought to the set by his father.

"You've used up my sister, you've used my dad, and you still want to use me." Arima Sai looked at Kei Fujiwara with a question mark on his face: "You really have a soft spot for our Arima family." I see, how to say that, love ......."

"Love the house and the black."

"Yes, love house and wu, idiom." Arima Masai nodded and said, "I love a house, even the crows that stop on the house will like it...... Wait, you're treating me and my dad like crows?"

"If you perform well, you won't be paid." Fujiwara Keido, "Although it's not as good as your father, I can give you a relatively high salary at this level."

Arima spread his hands, "I don't care about this, money or anything...... The most vulgar. I'm going to play normally anyway, whether it's good or not, you can do it. My dad asked me to practice eighteen times, and I'm almost tired these days, so I don't have time to run around."

"I'll pay you 200,000 yen per episode, but if you perform well......" Fujiwara Kei lowered his voice, "I'll give you an extra 50,000 yen per episode, and I don't have to go through the company account, your father doesn't know."

Arima Zhai immediately gave a thumbs up, "You are a man who really has vision, you really have vision. To be honest, acting is no longer challenging for me, in fact, my sister is not as good as me when it comes to talent as an actor. I also acted in the movie "The House at the End of the Mountain" when I was a child, have you seen this movie? Did you know that many film critics call me a talented actor?"

After saying that, he added, "You won't lie to me, will you?"

"Of course not." Kei Fujiwara said, but thought to himself, anyway, you don't have many roles in that role, and you won't be able to play it for a while.

"That's good." Arima Zhai rubbed his hands together and said, "When are we going to audition?"

"Now, by the way, you go meet our main actor first." Keido Fujiwara, thinking to himself: Genius actor? Oh, let you see what it means to be a real genius.

Fujiwara Takashi took Mamasai to audition, and specially brought Inoue Mori again, so that the two of them could play against each other, and after Arima Masai saw Inoue Mori, he showed a standard smile with eight teeth: "Hello, little sister."

Inoue Mori took a step back with some trepidation and looked at him nervously.

Arima whispered in Kei Fujiwara's ear, "How can this little girl be so shy? How will you act then, won't you even be able to say your lines when the time comes?"

"You don't have to worry about her."

"Yes, yes, you are the creator, you have the final say."

"Morimata-chan." Fujiwara Kei bent down slightly, and looked at Inoue Mori with a smile, "Wait a minute, will you cooperate with my brother's audition?"

Inoue Mori nodded again.

Kei Fujiwara gave the two a brief explanation of the scene, and then began rehearsals.

As expected, once the performance time officially began, Inoue Mori seemed to be a different person, and he entered the state very quickly, while Arima Masai was a little difficult to adapt to because of the first contact with the role, and some forgot the words.

The first rehearsal didn't play well, and Arima Sai's face was a little embarrassed, "I'm sorry, I'm a little bad today......

Kei Fujiwara grinned, "It's okay, you can do it again."

Arima Masai memorized the lines again, and this time he obviously put a lot of effort into it.

When I started again, Arima Zhai was obviously serious, much better than just now, but it was obviously still not as good as Inoue Mori.

Inoue Mori is the kind of undoubted talent, the kind that God feeds. Even the original little actor Yumi Anda can't compare to her.

Arima Sasai also felt that he was not as good as Inoue Morimata, he was born in a drama family, and he could clearly perceive who the scene was in a play, and when he found that Inoue Morimata's aura was obviously stronger than him, the competitiveness of the heirs of the artistic family was stimulated.

"I want to do it again." Arima said.

"This time it was a good performance." Keido Fujiwara, "I passed the audition, and it would be nice if I could maintain this level after the official start of the film."

"I'm definitely better than that little girl when it's officially filmed." There is a horse in the house.

"Come on, the script is for you, go home and study it well." Kei Fujiwara patted him on the shoulder and said.

The actors are in place one after another. This "Homeless Child" will face up to the biggest challenge he has faced since he decided to implement the "Moon 9" project, so Kei Fujiwara took it more seriously than ever and decided to become involved in directing the drama himself.

Originally, this drama was independently supervised by Kobayashi Shuzo, but now it has become a joint supervision, but he does not object, of course, the opposition is also invalid.

No one doubts Kei Fujiwara's supervisory ability, and it's not the first time he's crossed over, from a writer, to a variety show planner, to a screenwriter, every questioning person's face has been swollen, and Shibasaki Hideaki, who is also a director, believes in his directing ability. You must know that at the time of "Long Vacation", almost half of the storyboard scripts were directly written by Kei Fujiwara.

After signing the contract with the actors, a group of people held a script meeting for three days, and Kei Fujiwara asked the actors to call each other by their names in the group to get closer to the characters.

After the actors almost understood the role, the main creative team also held a planning meeting for several days, and "Homeless Child" was officially launched.

The crew was divided into two by Kei Fujiwara and divided into groups A and B for filming, with Group A mainly filming the heroine "Suzu Aizawa" and Group B mainly filming scenes of other characters.

"Homeless Child" has many characters, and the side story is also more complicated, in addition to the main line of Suzu Aizawa, there are also branches of biological parents, uncles and aunts, and branches of Katashima-sensei......

After the official filming began, the people in Group B also looked a little nervous when they saw Kei Fujiwara, and it seemed that they were far less relaxed and casual than when they worked with Shuzo Kobayashi.

Familiarity increases contempt, and in the same way, strangeness increases majesty. This is a new crew, and many of the people in the crew have never dealt with Kei Fujiwara, but have only heard of him, a young screenwriter.

Fujiwara Kei is not afraid that these people will be despised because of their youth, they have made so many dramas, it would be a bit stupid to have this kind of thought again......

Kei Fujiwara looked at the supervisor and sat silently in the director's chair behind the supervisor.

It's a feeling I've been away from for a long time......