Chapter 170: School Festival (II)
The movie tells the story of a middle-aged waste firewood who accidentally gets a four-leaf clover that can get good luck.
After getting lucky, his life changed drastically, but at the same time, he was not targeted by the gangsters.
The whole movie is thirty minutes, and I have to say, it is really good. Among the student works, it is already second to none.
After the film ended, applause rang out in the screening room.
"Very good!"
"Iwai-kun, you really have the demeanor of a famous director!"
"Encore!"
"Idiot, it's not a concert, what are you shouting encore......
"It seems that Iwai will become the second person to become famous among the class of 90......
The first place is, of course, Kei Fujiwara.
When a boy sitting in the front row heard this, he glanced behind him with dissatisfaction, then stood up and walked to the stage.
The boy was fair-skinned, looked thin, wore a pair of glasses, took the host's microphone and said, "Hello everyone, I'm Tetsuya Iwai. "Lucky" is my directorial work, and in this film, I want to express ...... I'm sorry, I don't have anything to say, I just wanted to tell a story that I found interesting."
This sentence is very appetizing to Kei Fujiwara.
"And this film, which is also the most proud work of all the films I have ever made, is just a test screening today, and soon I will officially send this film to the PEER Film Festival."
"Thank you for your support."
After finishing speaking, Iwai Tetsu also walked down.
The film works continue to be screened, but the audience doesn't seem to pay much attention anymore, and some even leave the theater early, and many people should come for Tetsuya Iwai.
The later works are indeed relatively mediocre and unattractive to the audience, and by the time the last movie is broadcast, the audience has already left half of the scene. And Tetsuya Iwai's box is already heavy.
After Kei Fujiwara left, he thought about it and put a ping pong ball in Iwai's box.
After leaving the theater, several people just wanted to leave, only to see Tetsuya Iwai walking over with a smile.
"Nanako, long time no see." Tetsuya Iwai greeted with a smile.
"Iwai-senpai." Toshida responded.
"Iwai-senpai, you didn't see me." Ogata Mayo is dissatisfied.
"I'm sorry, Mayo." Tetsuya Iwai smiled, "Thank you for coming to see my movie, haha, I almost didn't recognize you when I saw you dressed like this......
"Iwai-senpai's film is very interesting, and this film festival will definitely be a winner!" Ogata Shindai.
"Haha, borrow your auspicious words."
A few people were just about to continue talking about something, when two other students and cameras came over, "Iwai-sensama, we are from the Ministry of Information, and we want to have a brief interview with you, can I ask?"
"Well, of course, you can wait for me, let's have dinner together in the evening."
Nanako Toshida just wanted to refuse, but Tetsuya Iwai stepped aside and began to answer reporters' questions.
"Iwai-sensama, I've just seen your new movie, it's very interesting, I want to ask where you got the inspiration for this story?"
"Haha, from my father. He had always had a habit of buying lottery tickets, but he had always been unlucky, and once he said to himself: it would be nice to find a four-leaf clover that would bring luck. That's where the inspiration for my film comes from."
"Honestly, it's an interesting story. In this movie, you are not only the director, but also the screenwriter, I would like to ask, for a movie, is the director more important, or the screenwriter is more important?"
"That's a sensitive question. The PEER Film Festival I'm going to attend has a slogan called "Cinema is the director's thing". So there has always been a consensus that film is the art of the director, and of course, a good script is also very important."
"But after all, the director is more important." Journalists emphasize the other side's point of view.
"It's not just my opinion, it's the film industry today
consensus." Tetsuya Iwai spread his hands, "After all, film is a comprehensive art that contains profound expression, and it cannot be summed up by a simple script."
The reporter smiled, got closer, and suddenly changed the topic: "Senior Iwai, have you heard of your title on campus? A lot of students call you "the second talent of the class of '90", do you know that?"
Tetsuya Iwai frowned, "I've heard a little."
"Do you agree with that?"
Tetsuya Iwai was a little unhappy in his heart, and he didn't know whether to say yes or no. In fact, he has always been unhappy with this title, the key is that the word "second" is too harsh.
A talented person would not like the evaluation of "second", let alone Tetsuya Iwai, who made a bold statement in his freshman year, that he would become the first person to become famous in the 90th class of the video department.
However, what he didn't expect was that when he was still preparing to enter the graduate school to continue his studies, a person from the same school as himself became a rookie in the literary world.
Not only that, but this person also killed the broadcasting industry and made several hit dramas. has become a hot figure in the mystery literature world and the TV circle.
So Kei Fujiwara naturally became the "first", and even if this movie made him famous in one fell swoop, he couldn't get rid of the title of "second".
Forget it, since you are lagging behind in the timeline, let's find a way to surpass each other in terms of achievement heights! Tetsuya Iwai secretly made up his mind in his heart.
Tetsu Iwai also dodged the question a little: "Genius or something...... There is no shortage of talented people in Eastern Literature and Art."
The reporter continued, "Fujiwara, who is known as the first genius of the class of '90, is a screenwriter, do you think he applies to the theory you just said, that directors are more important than screenwriters?"
Tetsuya Iwai was stunned, and after a long time he said, "Fujiwara is a screenwriter of a TV series, and TV dramas are relatively simple compared to movies. It doesn't need to be too deeply expressed, so for TV dramas, maybe the screenwriter is more important."
As soon as these words came out, I saw that the eyes of the school magazine reporters were shining.
Tetsuya Iwai also felt that it was a bit inappropriate to say that just now, and just wanted to add two more sentences, but the reporter said, "Thank you, Senior Iwai, I have no problem."
Tetsuya Iwai was a little depressed and walked over to Nanako Toshikada, at which point the reporter was aiming for a new interview subject.
He walked up to Kei Fujiwara and asked, "Hello, did you just watch the movie?"
Kei Fujiwara said, "I've finished watching it, and the movie is very exciting."
"Who did you vote for?"
"Lucky."
"What department are you a student in?"
"Imaging and video department."
"What a coincidence." The reporter looked at Kei Fujiwara and then at Tetsuya Iwai, "Are you in the undergraduate class or the graduate class?" What grade are you?"
"I'm in the undergraduate class, I didn't continue my studies, and I've been graduating for a year."
"And what are you doing now?"
"Some superficial artistic creations."
"Huh?" The reporter was stunned, "What's that?"
"TV drama screenwriter."
Mayo Ogata couldn't hold back her laughter, and Nanako Toshida hurriedly pinched her waist.
Tetsuya Iwai's face was a little red, and he wanted to say something, but he didn't have a chance at all.
The reporter smiled: "Haha, it seems that you heard our interview just now, sorry, no offense. But it seems that you don't agree with what Director Iwai just said, do you?"
"I can't say I disagree, and there's no problem with saying that from his standpoint. If I were a director, I would also think that the director is the key to a play. It's a pity that I'm a screenwriter, so I think screenwriters are the soul of a drama. But if I were the scene reporter, I would think that the scene reporter is the core of the crew. You can only do your best if you think your work is important."
The reporter was silent for a moment, this guy was obviously much more oily than Iwai Tetsuya's stunned blue, and he looked like a social person, and asked again, "You
You're a TV drama writer, so do you have any recent releases?"
"There's one."
"Is it convenient to say the name?"
Kei Fujiwara scratched his head: "There's nothing inconvenient, "Homeless Child", Fukuyama Taiyue 9th broadcast, please support a lot."
Inoue Mori also bent down and bowed at this time: "Please support a lot."
The reporter was silent for a moment, his eyes wide, "Are you ...... Kei Fujiwara?"