"Hello two teachers, my name is Meiyi Sato."

Maiyi Zuoto is 16 years old this year, and she still looks like a student, unlike many people who have been engaged in the idol industry for many years.

"Zuoto, how long have you been an idol?"

Mai Sato was a little embarrassed: "Actually, I just got into the stage last month."

"Aren't you reading anymore?"

"Read." "It's just a public institution......

She was embarrassed to say the name of the school, it must have been a school that was not in the stream, the kind full of hooligans, a prison preschool.

"Have you ever acted?"

Mai Sato nodded: "I have been a passerby actor, and I have also studied voice actor for a while."

As she spoke, Mai Sato tried to perform in front of Kei Fujiwara, and recited a voice actor line from the anime.

Kyogokuka, who was watching from the sidelines, admired her heart, she didn't have stage fright at all......

Kei Fujiwara tried to let her perform a lot of scenes, and found that the performance effect has a certain level, although it can't be compared with that kind of actor-level actor, but it can also play well under the camera with a little training.

So the second role, "Fujino", was set for this little idol.

"You two grades are like each other, so you can talk more about each other." Keido Fujiwara.

"Hello." Kyogokuka greeted the other party with some restraint.

"Is the crew ready?" Kei Fujiwara asked.

It is definitely impossible for a crew to have only two directors, a screenwriter, an assistant director, cameraman, editor, scene notes, and so on. Although it is common for some new directors to have multiple positions, it is when the filming budget is not enough to hire manpower, so they have to sacrifice the director's personal energy and shooting time to make up for the lack of manpower.

But for Nagaharu Ohno and Kei Fujiwara, two people with deep pockets, the funding is actually not too much of a problem.

Kei Fujiwara wanted to directly bring in those professionals from the TV station to shoot, these people are experienced, and the older they get, the more demonic they become, and calling them over can save a lot of trial and error costs, which greatly saves time and money.

But after some thought, I still dismissed the idea, and decided to find people in the school to form a crew.

The PEER Film Festival has the nature of supporting newcomers, and it is just that Kei Fujiwara joins as a well-known screenwriter, and if you find some professional teams to participate, it will inevitably cause criticism.

Moreover, Fujiwara Kei just found the director not long ago, claiming that he wanted to shoot a micro-film with his friends, Yoshida Kashi thought that Fujiwara Kei was in charge of the TV station to budget for investment, and directly asked Fujiwara Kei how much budget he wanted at that time.

Kei Fujiwara told Yoshida that he did not want the TV station to invest, and that this was not a commercial work, but a short film with an experimental and public welfare nature, and that it was also created to support new directors, and that he would participate in the PEER Film Festival in the near future.

and Yoshida Kashi reported it, but only because he and Fukuyamatai are still under contract, in order not to be confused about the follow-up copyright, so he notified Taili in advance.

There is no need for investment, and it is still a short film, so Yoshida Kashi didn't care, and directly asked his subordinates to make a supplementary agreement: "Suddenly Looking Back" is an independent copyright work of Kei Fujiwara and has nothing to do with Fukuyamadai.

Since it has nothing to do with Fukuyamadai, Kei Fujiwara is no longer good at using Fukuyamadai's manpower. Although even if it is used, Yoshida Kashi will not say anything, and he will turn a blind eye. But recently, Keiki Fujiwara has made a big move, and the people in the stage are staring at him very closely, especially the people in the production bureau.

Seeing that the "Moon Nine" file is getting fatter and fatter, the production bureau is also a little dissatisfied with his practice of occupying the time slot, if Fujiwara Kei uses the manpower of the station to make his personal movie, there is no guarantee that these people will not chew maggots in their mouths.

Since he couldn't find someone in Taili, Kei Fujiwara set his sights on his alma mater.

Kei Fujiwara, a well-known alumnus, went directly to the film research group of Tokyo University of Literature and Art, claiming to find a few people to make an independent short film.

I heard that Kei Fujiwara was also going to make a movie, and there were many responders within the video department, and Kei Fujiwara selected a few strong majors

, who has had personal works, serves as a cameraman and assistant director.

In the crew, most of the positions are collectively referred to as assistant directors, and responsibilities are determined according to the sequence. The fourth assistant director is responsible for the board and miscellaneous work, the third assistant director is responsible for the scene notes and clerical work, the second assistant director is the person in charge of aesthetic technology, and the chief assistant director is responsible for the cost, schedule and on-site director.

During the interview, Shinyo Ogata and Nanako Tokada also came over, one of them is from the music department, and the other is from the video department, and they also hope to shoot with the group. Because Kei Fujiwara is now a well-known figure in the circle, he has worked in his crew, and he can be written into his job resume.

A small crew, mostly students, was quickly assembled and will officially start shooting tomorrow.

"I heard that Kei Fujiwara is also going to participate in the PEER Film Festival? It's a real fake."

"It's true news, people have already begun to form a crew, and in order to respect the original intention of the film festival to support newcomers, the entire crew is a newcomer except for him."

"Haha, has Fujiwara-senpai finally extended his magic hand to the film industry?"

"But movies and TV series are different after all...... In terms of artistry, the audience has higher demands on films."

"Hey, you guy, don't underestimate the well-known seniors in our video department. People's *** "White Night Walking" is a profound work. Alas, it's just that almost all of his later works are entertainment-oriented works, and I really hope he will come up with another far-reaching work."

"Haha, wasn't there a debate in the school magazine about who is more important, the screenwriter or the director? Fujiwara-senpai is now collaborating with a new director and participating in the film festival, isn't it just to show his strength as a screenwriter?"

"It's really possible if you say that......

Tetsuya Iwai was queuing up to buy yakisoba bread, and when he heard someone talking about Kei Fujiwara, he subconsciously pulled his ears to listen, and then heard that "Kei Fujiwara is also going to participate in the PEER Film Festival", he was stunned at first, but listened more carefully.

After buying yakisoba bread, he walked down the road with his head down, and just happened to see Nanako Toshigata and Shinyo Ogata, and he just wanted to go up and say hello. saw Kei Fujiwara standing beside the two. There are also many students from the video department around, and some of them are even in the same research class as him.

Tetsuya Iwai paused, looked at Kei Fujiwara's side face, and his desire to win the film festival became even stronger.

I thought I would have to wait for at least a few years, but I didn't expect to meet him so soon......

Tetsuya Iwai said in his heart, okay, since that's the case, I'll defeat you head-on!

He looked at Nanako Toshikada's snow-white side face, and strengthened his determination.

He's always been interested in the cute school girl Rigada, and he's confident that he's conquering this cute girl, but since he met Toshida and Kei Fujiwara walking together at the last school festival, his confidence has been shaken a little.

Seeing the adoring eyes that Nanako Toshida showed when she looked at Kei Fujiwara, she was even more angry.

In addition, he was originally known as the first talent in the 90th video department, but because of the birth of "White Night Walking", he was kicked by Kei Fujiwara and became the second place. The superposition of various reasons made Kei Fujiwara gradually become a knot in the heart of this talent.

He must use the PEER Film Festival as an opportunity to remove the knot in his heart in order to make his mind open again.

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