The crew drove to Kanagawa Prefecture.

Kei Fujiwara and Nagaharu Ohno drove out of Tokyo in their respective cars with the crew's personnel and equipment.

Today's weather is very good, although it is a little cloudy, but the wind blows on the body very comfortably, and the whole sky does not see the sun, but there is a bright color like a movie screen.

Today, the main part of the filming is the song in the rain, Tokyo is a highly modern city, and it is difficult to find a field path that fits the scene of the script, so the group came to Kanagawa Prefecture, which is very close to Tokyo.

Kanagawa is very close to Tokyo, but rents are cheap, so many young people who work in Tokyo live here to save money. It's like the relationship between Yanjiao and Beijing.

[It is said that this is a countryside except for Tokyo]. There has always been a saying in this book that Tokyo is called Tokyo, and places outside of Tokyo are called places.

Tokyo is a cosmopolitan city full of technology and modernity, but many cities outside of Tokyo are still rural.

For example, Shizuoka and Kanagawa, which are not far from Tokyo, have many fields.

Nagaharu Ohno was clear about Tokyo and its surroundings, where it was suitable for filming, and where there were scenes full of story, and after understanding the content of the script, he quickly decided on this place.

To create a rain scene, they rented a sprinkler beforehand. The water outlet pipe sprays water into the sky and then falls, and after adjusting the water output, the official shooting begins.

As for what dance to dance and how to dance in the rain in the script, Nagaharu Ohno and Kei Fujiwara have not been decided. If all of it is handed over to Mai Sato to play on the spot, it is not very safe. What if I don't jump well?

At this moment, Arima Katsura suddenly called Fujiwara Kei and told Fujiwara Kei that Dongzhen Pictures had contacted her, hoping that she could play the role of Karasawa Yukiho.

The two made an appointment for dinner, and chatted for a while about the movie version of "White Night Walking" during the meal, and the director initially selected by Dongzhen Pictures was a commercial film director with quite accomplishments.

Kei Fujiwara has seen the director's work, and although the work is indeed not bad, Kei Fujiwara has a bad premonition. Because this director doesn't seem to have filmed suspense themes before, he may not be able to control the story of "White Night Walking".

The story of "White Night Walking" itself is difficult to remake, and so many versions of film and television works are almost not filmed. Because the original work of "White Night Walking" itself is a two-line parallel model, the line and the female protagonist are relatively independent, and there are almost no fragments in the original text that directly intersect between the two.

The past has only appeared in the mouth of the old policeman Sasahara.

But almost all film and television versions directly film the interaction between Yukiho and Ryoji, which more or less destroys the charm of the original book.

Another point is that many film and television versions seem to have a tendency to whitewash the role of "Snow Spike". The work focuses on the pain that Yukiho has suffered, and expresses the relationship between Ryoji and Yukiho as pure and poignant.

In fact, this also weakens the charm of "White Night Walking". Keigo Higashino's white space in "White Night Walking" is actually very large, and the characters are also very complex.

In the case of the character of Yukisui Karasawa, does her evil really stem from her childhood experience? Not necessarily.

….

A person who has been sexually assaulted, after encountering trouble, the first thing that comes to mind is to let people *** or shoot *** women who cause trouble to themselves. People who have suffered ***, but are very obsessed with using *** to mutilate others.

It's hard to say whether Tang Ze Xuesui was traumatized and became a villain, or she was originally a wicked person, but her childhood experience catalyzed the fruits of evil and made her obsessed with the identity of the perpetrator.

In addition to this, there is also the relationship between Yukiho and Ryoji. Whether the two of them relied on each other, or Yukiho's unilateral control of Ryoji, Higashino Keigo didn't make it clear.

[I have known an old book friend for ten years to recommend to me to chase books, @

I have to say that Keigo Higashino's skill in creating the book "White Night Walking" is convincing.

During the meal, Katsura Arima asked about the role of Yukiho Karasawa, and Kei Fujiwara told her what he thought.

Arima Guixiang hurriedly took out a notebook to record it, and nodded incessantly: "I see, that's ......."

Fujiwara Kei looked at her serious appearance and smiled, "It would be nice if that kid in Masai had half of your heart."

"Yes, if I were a boy, [White Crane House] would be mine." There was a lot of resentment in Arima Guixiang's tone.

"By the way, don't you two get along well?"

"Huh?"

"I heard from my mother, I always wanted to visit your crew, but my father forcibly pressed him to practice at home."

Kei Fujiwara almost spit the wine in his mouth back into the glass, and seeing Arima Katsura's strange look, Kei Fujiwara smiled and told her about Arima Masai's crush on Inoue Morimata.

After hearing this, the fire of gossip in Arima Guixiang's eyes burned, "Is that the child who played Ah Ling in "Homeless Child"?"

"Yes, it's a little beauty, too."

Arima Katsura touched her chin and smiled evilly, "This kid ...... Finally have a handle in my hand hahahaha......

"You smile like a middle-aged uncle......

"Go away." Arima Katsuraka said, raising her glass: "I heard that the ratings of "Homeless Child" have surpassed "Gemini Detective"? Congratulations."

Fujiwara Gu smiled and clinked glasses with her, "You're very much my business."

"Yes." Arima Guixiang generously admitted, "After all, it's Engong, thanks to you, my current advertising endorsement has increased a lot......

"Well, that's why." Kei Fujiwara sighed.

Arima Guixiang obviously panicked, the wine in the glass shook slightly, and quickly changed the topic: "By the way, I heard that you have been making a movie recently."

"Micro Film." Kei Fujiwara said, "I plan to participate in the PEER Film Festival in the near future."

"Do you need me to make a cameo?"

"No, because most of the films in the exhibition are newcomers. So this movie doesn't even have professional actors, the film has no commercial intentions, and it doesn't need big stars."

"Hmph, no, no. I don't want to deliver it to my door for free." Arima Katsura angrily stuffed a large piece of barbecued meat into her mouth.

"By the way, what kind of story are you shooting?" Katsura Arima asked.

"A love letter to the creator." Keido Fujiwara.

Arima Guixiang raised her head: "I want to see, when will it be filmed?"

"It's been a month since the finished product was released...... Just in time for the peer film festival's screening deadline."

"It just so happens that I'm free tomorrow, so I'll go to the class." Arima Katsuna said.

"yes, okay." Fujiwara Kei Ying agreed, and suddenly thought of something: "By the way, Katsuna, you are a dancer, right?"

"That's right." Arima Katsuna nodded, as the daughter of [White Crane House], Arima Katsura has been exposed to dance since she was a child, and she performed on stage when she was seven or eight years old.

"Choreographer?"

"I'm not very good at hip-hop. Ballet and classical dance are okay......

"Don't be too professional, be natural, but show the emotions ......of the characters," said Kei Fujiwara, who told her about the plot of "solo dancing in the rain" in the script.

After hearing this, Arima Guixiang thought for a moment and said, "No problem, I'll choreograph the dance today, and I'll go to you tomorrow."

Sima Guitai