Fujiwara Kei also clearly noticed the change in Inoue Mori's body shape, this child just passed his fourteenth birthday not long ago, and in the three months of filming, his head has moved from the chest to the collarbone.

Girls generally stop growing at the age of 16, so this period is the fastest time to grow, one day at a time, and when the shutdown ceremony is approaching, Fujiwara Kei keenly noticed that Inoue Mori began to subconsciously bend his back when he walked again, and it seems that other places besides height have also entered the development period.

However, Kei Fujiwara was not interested in the second part of "Homeless Child", and he didn't mean to start writing for a long time, and the department manager had no choice but to watch Inoue Mori grow taller a little bit with sadness.

The production bureau also came to Kei Fujiwara, and his posture was very low, hoping that Kei Fujiwara could cooperate with the production bureau and provide scripts for the production bureau.

The production bureau also figured it out, and with Fujiwara Kei's momentum, before the expiration of his contract, the water of the production bureau during the [Ninth Month] period could not be poured in at all.

Their water does not come in, but Kei Fujiwara's water can be splashed at any time.

After the historical success of "Homeless Child", Yoshida Kashi and the TV station shareholders have reached their peak of trust in Keikito Fujiwara, and his [Moon Nine] is not even thought about by others. But if Kei Fujiwara had taken a fancy to someone else's time slot, the situation would have been different.

So the production bureau didn't dare to have any ideas about Kei Fujiwara, on the contrary, they were afraid that Kei Fujiwara would have ideas about them.

Fujiwara Kei didn't want to stretch out his hand to other time periods for the time being, but someone took the initiative to find Fujiwara Kei with the concept of cooperation if he couldn't beat it.

A young producer wants to make a drama in the middle of the night, and he wants to shoot a [Kei Fujiwara work]. But he also knew that it was unlikely that Kei Fujiwara would write a drama specifically for himself, so he hoped that the other party could open up the authorization and let him find a screenwriter to write a spin-off of "Renzaburo Furuhata".

Kei Fujiwara agreed, signed a supplementary agreement, and took the license fee according to the proportion of the share. So the late-night drama "Shintaro Imaizumi", which features Renzaburo Furuhata's assistant as the protagonist, began to be officially broadcast in the late-night hours a month later.

The broadcast of such a spin-off drama can also accumulate popularity for the second part of "Renzaburo Furuhata".

Kei Fujiwara was in his office revising the script of "Housewife Mita", when the phone suddenly rang, and the operator of the company on the other end of the phone said: "Fujiwara-sensei, there is a person who said that he is the organizer of the PEER Film Festival, and he wants to talk to you about something, do you want to take it in?"

Kei Fujiwara was stunned for a moment, the organizer of the PEER Film Festival? Could it be that the movie passed the censorship and came to inform it? How can you contact yourself directly?

"Take it in." Kei Fujiwara said directly.

After the earpiece rang twice, the phone was connected, and a man's voice said, "Fujiwara-sensei, we are the organizing committee of the PEEL Film Festival, so I'm sorry to disturb you."

"Don't bother, what's the matter?"

"That's right, we're here to invite you to be a special guest audience of our film festival, to participate in the rating of the films on display, I wonder if you have time?"

Fujiwara Keile is happy, and the co-author is looking for himself to be a judge.

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【Godfather of Tokyo Entertainment】【】

In other words, Kei Fujiwara may have agreed directly, the PEER Film Festival is quite prestigious in Yuben, and its popularity far exceeds that of any college student film festival in China. You can also find some good talent at the festival.

But not this year, his works will also participate in the evaluation of film festivals, how can there be a reason to be a referee and an athlete at the same time.

"I'm really sorry, but it may not work this year, thank you very much for having me." Kei Fujiwara said.

The opposite side is not entangled,

"That's the case, that's a great pity, I'm bothering you, Fujiwara-sensei."

"It's okay...... Wait, I want to ask, is the first round of review of the movie over?"

"Not yet, but soon, the filmmakers will be notified and the list of exhibitors will be announced in a few days

......" replied to the other side, but there was a little strange in my heart, you didn't come, why did you ask so much?

"Okay, thank you." Kei Fujiwara said.

"Dongdong." There was a sudden knock on the office door, Keiichi Fujiwara looked up, a little strange, the person who knocked on the door was rude, no one in the company should do this, who is it?

"Please come in." Kei Fujiwara greeted.

"Dongdong." There was two more knocks on the door, but the man at the door remained silent.

Kei Fujiwara squinted, his brain running at high speed, and smiled, "Masai, come in."

The doorknob turned, and Arima Zhai showed his head behind the door: "How did you guess?"

"No one else is so boring except you."

Arima Saima walked in with his sleeves rolled up, "I heard that "Homeless Child" broke the ratings record, and I came to congratulate you...... It's a TV series I've participated in."

"What are you doing?"

"How sad is that? Can't I come to see you if it's okay? Would you ask my sister that kind of question when she came?"

"Okay, then you see." Fujiwara Kei said with a smile, and continued to bow his head to write his own things, this kid will leave when he is bored here.

Arima Masai looked at Kei Fujiwara's office, and turned around again and again, Kei Fujiwara's office was minimalist and didn't put anything, but there were a lot of potted plants and green plants, and Arima Masai ran to the window to go to the green leaves. After playing for a while, I felt bored again, so I sat directly opposite Kei Fujiwara, took out two tickets from my pocket, and slapped them on the desk.

"This Sunday, I'm having a performance at the Shinjuku Itchikoma Theater, so come and see it, my sister is there."

Kei Fujiwara glanced at the table, "How about two tickets?"

"Hmm...... You can also bring someone else to see it then."

"Okay, I'll take Miss Suwon with me when I go back." Kei Fujiwara opened the drawer and threw the ticket inside.

Arima Zhai suddenly became anxious: "My sister is here, you still bring other women, is this like a word? Aren't you afraid of the Shura Field?"

"And who do you want me to bring?"

「…… It's not that I hope, it's up to you...... Ahem...... By the way, how's that guy in Inoue? Oops, I almost forgot, you can take Inoue with you!"

Kei Fujiwara couldn't help it, put down his pen and looked at him - your acting skills are too bad.

Under the gaze of Kei Fujiwara, Arimamasai's whole face was as red as a tomato, but he still forced himself to say, "You...... Come as far as you can, and forget if you don't have time when the time comes."

This chapter is not finished, click [Next] to continue reading-->>

【Godfather of Tokyo Entertainment】【】

After all, he was still a fifteen or sixteen-year-old child. Fujiwara Kei smiled, stopped teasing him, and said directly, "Okay, I'll try to get there then, even if I can't get there, I'll let the well go up."

"I didn't mean that......" Arima Sai is not stupid, knowing that Kei Fujiwara has seen through everything, and it is superfluous to explain anything again, so he muttered two sentences and left quickly.

Fujiwara Kei contacted Inoue's mother and agent and asked her what the arrangements were for Sunday, and Miss Inoue had no opinion and was very relieved Fujiwara. The broker even agreed directly.

Now Kei Fujiwara is simply a carrier rocket in the broadcasting world, as long as the artist can be tied to the big rocket of Kei Fujiwara, he can be put in the sky as a star. From Aoi Kono, Takara Miyata, to the current Inoue Morimata, there are countless successful eucalyptus examples.

And the agent also hopes that Inoue Mori can have a good relationship with this launch vehicle again, and it would be best if he starred in his two more works and stabilized his position.

After getting the consent of the agent and his mother, Fujiwara Kei also went to ask Inoue Mori if she wanted to go, and Inoue Mori immediately agreed, looking very interested.

On Sunday, Kei Fujiwara put on another mask and hat for Inoue Mori and went to the Koma Theater in Shinjuku.

This theater is a traditional theater in Kabukicho, located on the street of Kabukicho, and is famous for its daily performances of traditional plays, modern operas, and concerts.

Two

After getting off the bus, he walked into the theater and walked to the seat on the ticket stub, where Katsura Arima had already arrived and waved at Keiichi Fujiwara.

Fujiwara Keiya waved his hand to Arima Katsuraka, and just as he was about to walk over, Inoue Mori took the lead again, and ran to Arima Katsura to greet him: "Miss Arima, hello, I'm Inoue Mori, please advise."

Katsura Arima smiled and said, "Hello Mori, I watched "Homeless Child", and your performance was very exciting."

"Thank you for the compliment." Inoue Mori bowed again, and then sat down on the seat next to Katsura Arima. Source: Previous Chapter 197: The Battle Has Just BegunNext Chapter 199: What's Up With Her Today?

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