After the planning meeting, everyone left the planning room.

The moment they left the planning room, everyone subconsciously took a long breath, listening to the heavy panting sound around them, everyone subconsciously looked at the people beside them.

An executive director whispered to the people around him, "Don't hold a man's party tonight......

"But the nightclub has already booked a private room, and Remi-chan has been waiting for many days......

"Forget it, that kind of stunner can only be seen anyway, and you can't eat it. I don't need the deposit, let's go play another day, in case I make that person angry, I'm afraid I won't even be able to see it in the future."

Both of them muttered quietly and gradually walked away.

After just one conversation, the atmosphere of the crew instantly improved a lot, changing the previous free and casual style. The main thing is that no one is reluctant to work now, although the workload is much more than that of employees in other departments of the company, but the income is also several times.

And for the members of the creative team, there is a popular work under his name, but it can add a lot to his resume, many of them have participated in the Yuejiu War several times with Fujiwara Kei, and now even if they jump ship to other companies, they can double their salary with the historical works column in their resumes.

Even if they know that Kei Fujiwara's contract is less than a year, no one dares to despise him, and they all hope that they can stay under him for a longer time, and maybe their qualifications can be improved a lot.

Working with the Yuejiu team for one year is better than five years in other places, this is already the consensus of Shuibo Production and even the entire Fukuyama Terrace.

Soon, the Japanese Drama Academy Awards were also held, which were awarded for the TV dramas of the previous quarter, and "Homeless Child" and "Housewife Mita" happened to be included in the selection scope of this award because of the coincidental broadcast time, and both dramas were nominated.

In the early 90s, it was jointly organized by several TV publications, because there are many institutions and figures with status in the broadcasting industry, so it has become one of the most important TV drama awards in just a few years.

These four are the four most important awards in the field of TV dramas in the Japanese broadcasting industry, except for the uncrowned king of the historical ranking of ratings, these four awards are the most authoritative and credible.

Therefore, for the creators of a drama, they all hope to win the "Best Work Award" among these four awards in the same drama as much as possible.

With each additional award, the show is like an extra crown on its head. Ambitious actors all won four crowns as the goal of the award.

However, the work that has won all four awards at the same time has not yet appeared, of course, this is also because the Academy Award has not yet been established for nine years. Therefore, there has not been a [Quadruple Crown] in the history of Japanese dramas.

However, before the establishment of the Academy Awards, [Triple Crown] was the highest honor, but there were very few works that won the [Japanese Drama Life Award], [Interstellar Award] and [Folk Broadcasting Joint Jury Award] in one drama at the same time, only two.

One is NHK's classic Taiga drama "Dan Sakura", and the other is the world's No. 1 TV series in history, "Thief". ….

Both dramas were created around the 80s, and they were also sensational when they were first broadcast. Kei Fujiwara has watched these two works, and he can't help but feel that there are not a few capable people in this world.

He even thought that if he traveled back one day, he would copy back this world, and he would probably make a lot of money......

Most of the works are remarkable to win one or two of these four awards. If you can get three or four, it's a sensational masterpiece.

Due to the different times of the four awards, there is even a tacit understanding between the different organizers that if a work has already won one or two of the four awards, then the judging criteria for the drama will become strict. Even deliberately did not give it the best award, unless the work was impeccable

to the point of .

It is precisely because of this that it is extremely difficult for [Triple Crown Drama] and [Quadruple Crown Drama] to appear.

At the beginning, the Japanese drama life award was not awarded to "Homeless Child", in fact, one of the reasons was that this drama had just won the [Best Work Award] from the Joint Jury Award a week ago.

And before the broadcast award, "Homeless Child" also missed the Best Work award at the Star Awards, so whether this can win the best work of the Broadcast Award is really exciting.

Almost all the works that Kei Fujiwara has come up with since his debut have won four major awards, except for "The Lonely Gourmet", this drama is not very popular with the award organizers due to genre restrictions, and some judges even think that this is not a TV series at all.

However, Kei Fujiwara doesn't care too much, and for him, any award is the icing on the cake. The only thing he cares about most is ratings, the uncrowned king.

Ratings are sales, and sales are economic gains! He is not a producer of NHK, he works in a commercial station, what does he value if he doesn't value commercial results?

However, there is one thing to say, whether it is the main creator or the actor, the more awards you win, the more you can increase the income of your future works to a certain extent.

At least on the poster of the new work, the publicity department can also add a line of words - a new masterpiece of a certain award winner. It can also attract the attention of the audience to a certain extent.

The day of the new Academy Awards is coming soon, and Kei Fujiwara once again took Inoue Mori to the award ceremony as if he was carrying his daughter to get married.

This time, Yoko Matsuo also followed, and the two dramas "Homeless Child" and "Housewife Mita" were nominated for the Academy Award at the same time.

Yoko Matsuo did not wear a sexy dress like other actresses, but dressed dignified and generous, and did not dress herself very deliberately, which was also decided after listening to Kei Fujiwara's opinion and discussing with her agent.

At this age, it must be a bit difficult to compete with young actors in their early twenties...... It's better to be serious and generous, use black and white as the main color, and only wear a string of pearl necklaces around your neck as decoration, showing the appearance of a big senior in the entertainment industry, but it is more decent.

Sure enough, although Yoko Matsuo did not perform as glamorous as other young actresses, she was still taken care of by the flash of the media present at the awards ceremony.

The hit drama "Housewife Mita" has just ended, and this drama has received extremely high ratings, if it wasn't for being ambushed by NBC in the final episode, maybe it could have won the top ten in history ratings or something.

And after the end of "Housewife Mita", she played the wife in the new super hit "Naoki Hanzawa" (it doesn't seem appropriate to say that she is the first woman, and this drama has no standard heroine).

Because of its near-perfect wife character in the play, it has also won the love of many male audiences, and it also won the first place in the semi-annual [Actress You Most Want to Marry Home as a Wife] ranking in a national entertainment variety show.

This ranking is actually quite famous among the people, a bit like this version of the Tiger Pounce Goddess selection, and this is the first time that an actress over thirty years old has won the top position.

Sima Guitai