In fact, Hoshino Koshi thinks too much, Fujiwara Kei really doesn't hold a grudge against him, and inaction is not a crime, Hoshino Koshi doesn't take taxpayers' money, and it's hard to accuse him of anything if he stands by and watches.

Kei Fujiwara just wanted to say hello to the big senior in the broadcasting industry in front of him - Madosuke Kato.

If you talk about the leading figure in the broadcasting industry in the 7 and 80s, it has to be this person. A top creative talent who integrates writing, directing, and production, he has made many classic Japanese dramas, and among the top ten in the world's historical ratings, three works are his, of which the first place "Thief" is also his screenwriting work.

Even the tough guy style that was popular in the late 70s and early 80s was led by his works, which can be regarded as the godfather of Tokyo entertainment in the last version.

In the 70s, TTV was the strongest of the five major people, because it was the time when Mr. Kato showed his might. This has also done the script of animated films, and it is also a very heavyweight work. I am afraid that his status in the broadcasting industry is higher than that of Hidaka Junaki and Fujiwara Keika.

Not only that, but the career is also very upright, at the end of his career, he found that his creative ability had declined, and he couldn't understand the new generation of young audiences, so he directly announced that he would close the pen, and there was no messy way of ghostwriting like Matsushita Shinya and others.

However, he still stayed in TTV after retirement, and he was a living fossil in the broadcasting industry, holding training classes in the TV station to teach directors and screenwriters how to write scripts, and many famous creators from TTV were his disciples. Including Atsuaki Hidaka.

Moreover, this Madosuke Kato also worked as a visiting professor at Tokyo University of Literature and Art, and gave a class to Kei Fujiwara's original body for half a year, and after Kei Fujiwara crossed over, he also listened to several of his lectures. In a way, Kei Fujiwara is also half of his disciple.

At this time, Atsuaki Hidaka stood next to Madosuke Kato, keeping his head down and listening to the speech.

"It's Kei Fujiwara." Madosuke Kato is a native of Osaka, and he speaks a Kansai accent, even if he has lived in Tokyo for decades, he has not changed, "I heard that you competed with others at the same time before, and you couldn't beat them, so you used methods to pour dirty water on others? Phew, it's not decent!"

"This is the ...... of the Matsushita screenwriters," Hidaka said with a smile and cautiously, "but he has already been punished."

"Boy, don't you fool me." Ensuke Kato squinted at Atsuaki Hidaka and said, "Without your nod, others dare to do this? You're really embarrassing to me, you can't shoot TV but others, so you want to crook your ideas."

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"Don't dare next time." Hidaka Junming hurriedly said.

"The most embarrassing thing is that all the crooked tricks have been used, but I still can't beat them, my God......" Kato Ensuke said with a long sigh.

Hidaka Junming lowered his head and didn't dare to say a word.

"I also watched the recent "Naoki Hanzawa", it's a wonderful drama, Hidaka, if it were you, would you be able to make such a good drama?"

Hidaka said with a smile, "If someone can write the same script as 'Naoki Hanzawa', I can shoot it." ….

Madosuke Kato picked up the folding fan in his hand, and the head of Gao Chunming came up in the past: "Bastard, isn't the director one of the creators of the story? What can a director who relies on screenwriters for everything do?"

At this moment, Kei Fujiwara walked over, bowed and greeted, "Hello Kato-sensei, I'm Kei Fujiwara, and it's really an honor to meet you."

Madosuke Kato was discussing others with his disciples, but the main owner suddenly came over, and he was suddenly startled, and the folding fan in his hand almost fell to the ground.

After stabilizing his mind a little, Kato Ensuke looked at Fujiwara Kei and said, "It's Fujiwara-kun, congratulations, I've heard of your name for a long time, it's better to be famous than to meet, and it's better to be famous than to meet, and it's really a young man."

"Mr. Kato has won the prize." Kei Fujiwara said politely and politely, "If I have the chance, I hope Mr. Kato can give me more advice."

"Fujiwara-kun is really modest." Madosuke Kato said, "I've been watching "Nao Hanzawa" lately

Tree", what an amazing work, it's hard to imagine that the person who wrote it could be so young."

"If I have the chance, I would like to work with Fujiwara-kun." Madosuke Kato said, "I won't beat around the bush, I heard that Fujiwara-kun's contract with Fukuyama TV will officially end next year, and I hope that I will carefully consider TTV at that time, and if Fujiwara-kun can come, no matter what kind of treatment other TV stations give you, I promise to give you a high level of success."

"I'll consider Mr. Kato's proposal." Kei Fujiwara said.

Madosuke Kato nodded, and a smile appeared on his originally serious face: "Fujiwara-kun, now that "Hanzawa Naoki" is unstoppable, according to my experience, maybe the position of the number one rating in the history of "Thief Hunting" is about to be lost."

"Thief", as the No. 1 work in history, has created a ratings myth that has not been broken for more than ten years, and it also caused a social sensation that year. It is also this historically first work that elevates Madosuke Kato to the throne of the king of the broadcasting world.

"You're wrong." Kei Fujiwara replied.

"Not an exaggeration at all." Ensuke Kato shook his finger and said, "The historical ranking of "Thief Hunting" has remained unchanged for nearly 20 years, although it is now more difficult to achieve super high ratings, and although the competition has become fierce, the audience base and production level cannot be the same as before, and it is not impossible to replace the works of our old guys.

It is said that after the 90s, the TV industry has entered a golden age, but the first and second in history are all works of the past, so what kind of golden age is it?

"Naoki Hanzawa" is the most perfect work I have seen in the past fifteen years, whether it is the plot or the idea, if there is any one that can surpass "Thief", it must be this work. I heard that you are still the sole creator of this show?"

Fujiwara nodded and said, "Yes."

Madosuke Kato sighed, "That's even more amazing, I think 'Thief' was also a work of collective efforts. And it's amazing to hear that your writing skills are self-taught."

Kei Fujiwara laughs, "It's not all, reading and watching other people's works is also a learning process in itself, and it's ...... Mr. Kato, you may not remember me, I used to attend your class for half a year, if you don't dislike it, I should be able to count me as half a disciple of yours."

Madosuke Kato was stunned, looked Kei Fujiwara up and down, and said, "I said it looked familiar when I first saw you...... What university are you in? Have you ever taken my class?"

Madosuke Kato has taken classes at many media arts universities, and Tokyo University of Literature and Art is just one of them, and it is difficult for him to remember them all.

"Tokyo University of Literature and Arts, I've heard about your creators*** and I'm deeply inspired."

When Madosuke Kato heard this, he suddenly became happy, and reached out to pat Kei Fujiwara's shoulder, "I see, I see. I didn't expect that the most famous and capable young man in the broadcasting industry is also my disciple, alas, it's a pity, why didn't you come to TTV in the first place? But if you come to me, or write a letter, say that you have been a guest, and write a short story for you to see, I will not let you run away!"

Speaking of which, Madosuke Kato looked distressed again.

Sima Guitai