The next day, Kei Fujiwara arrives at the filming location, the studio has been decorated to look like the interior of the barber shop, and Aoi Kono sits in front of the mirror, while Shuzo Kobayashi and the stylist look at Aoi Kono in the mirror.

"Wouldn't it be better to cut it like this?" Shuzo Kobayashi said, pointing to a page in a hair magazine.

The stylist tilted his head and said, "It's not suitable for her face shape, this kind of hairstyle is the kind of person who is so thin that his cheeks are sunken will look good."

Aoi Kono swallowed her saliva subconsciously, feeling a little weak, thinking that this was the stylist criticizing her for getting fat again.

But the stylist didn't think about it so much, in fact, even if it was 90 pounds of Kono Aoi, her face was a little baby fat, and if she was thin enough to the extent that her cheeks were sunken, it was estimated that she would starve to death if she ate a bite less.

"Wouldn't it be nice to keep her hairstyle? Why do you have to prune all of a sudden?" The stylist asked incomprehensibly.

"Because this hairstyle is left in "Hanzawa Naoki", this drama is too popular, and she impresses the audience too deeply, if you don't change your style, I'm afraid that the audience will remember her when she played the mistress when they watch this drama...... " Kobayashi Shuzo said helplessly.

Standing behind everyone, Kei Fujiwara happened to hear the conversation between Shuzo Kobayashi and the stylist, and felt that the two made sense.

However, Kono Aoi's long hair is almost up to the waist, and it is a pity to cut it rashly, and the artist's hair can't be cut casually, maybe people are receiving what shampoo conditioner product endorsement, a cut can cut tens of millions of people.

The artist itself is a special commodity, and if you want to change some attributes of the commodity, of course, you must get the permission of the merchant.

Kei Fujiwara stepped forward and stroked Kono's hair, "Kono, would you like to change your look?"

Aoi Kono nodded, "I've wanted to cut it short for a long time, and it's troublesome to wash it, but Miss Fukuyama won't let me."

Kei Fujiwara looked at Shuzo Kobayashi, "What did Miss Fukuyama say?"

Kobayashi Shuzo said, "Miss Suwon and Fukuyama's agent have talked about this, and Fukuyama's agent agreed, agreeing to cooperate with the crew to change their hairstyle."

This is also the reason why Kei Fujiwara will consider Etsuko Fukuyama as the first time when filming a new drama, she is always very cooperative, and will not go back and forth with them on some trivial matters, killing the spirit and time of both parties.

Before Araki Kiko's case, Etsuko Fukuyama handled it very decisively, and even directly exposed the black material of her own artist, and then directly blocked it.

Of course, this is also the death of Nozoko Araki, who made some hints about the edge ball, and tried to hype up and engage in gimmicks, which not only offended Kei Fujiwara, a big screenwriter in the industry, but also stinked the general trend newcomer of his own company.

But after all, he didn't do anything explicitly, and Kei Fujiwara didn't pay much attention to it at first, and he didn't even call Etsuko Fukuyama to question. But to his surprise, Etsuko Fukuyama directly exposed the black photos she bought before, so that Kiko Araki had to quit this business.

Although Araki Kiko's popularity has decreased a lot, after all, the rotten ship also has three catties of nails, so she was directly abandoned, and she was cut off from the possibility of continuing to make a living in this industry.

….

Ruthless enough, decisive enough.

At that time, after Nozoko Araki's black material was exposed, Etsuko Fukuyama called Kei Fujiwara and said that their firm would show support to the outside world Mr. Fujiwara, although they did not directly say that Nozomi Araki's black material was revealed by themselves, but Kei Fujiwara naturally knew that there was no need to say it too clearly, and both parties could understand it.

Kei Fujiwara took the hair magazine, flipped through it, and read it carefully.

According to the script of "Beautiful Life", she is a barber who was born in a medical family, but has no talent or interest in studying medicine, and the heroine is a disabled person.

One of the plots in the play is to cut the heroine's hair, so there must be a change in the heroine's hairstyle in the play, and this change must be obvious so that the audience can see it at a glance.

In the original work, the heroine was holding a messy sheep roll aunt's head at the beginning, and later it was trimmed into a delicate black straight girl head.

or

Restoring the design of the original? Give Kono Aoi the whole aunt head first? The pursuit is a contrast, the hairstyle in front is ugly enough, and the craftsmanship can only be reflected after the hairstyle is changed......

Fujiwara Kei flipped through the magazine, and suddenly a hairstyle came into view, Fujiwara Kei's eyes lit up, and suddenly a cute face came to mind, and then looked at Kono Aoi, not to mention that there are really many similarities in the image of the two.

Kei Fujiwara handed the magazine to the stylist, pointed to one of the pages and said, "You can play casually in the early stage, but don't move too much, and in the later stage, I want her to keep this hairstyle, so leave room for it."

The stylist craned his neck to look at the magazine, then at Aoi Kono, and imagined it in his head. I think this look chosen by Kei Fujiwara is not bad, it should be suitable for Kono Aoi, and Kono Aoi has this hairstyle, which should be cute.

This hairstyle chosen by Kei Fujiwara is the hairstyle of Seiko Matsuda in his original world. In the parallel world, Seiko Matsuda was a popular star in the 80s, and even her hairstyle was so popular that she was called the head of the Holy Son, and as far as the eye could see, the streets were full of "Holy Son's Head".

It just so happens that "Life is Beautiful" is also a story about a barber, and if the heroine's hairstyle can be fried into a popular element, it will also help the spread of this drama.

When the time comes, this hairstyle will be called Konotou......

"The back should be fluffier, and the bangs should be more curly." The hairstyle in the magazine is just similar to the head of the Holy Son, so that the stylist can better understand what kind of hairstyle he wants. Kei Fujiwara directly picked up a pencil and notebook and drew it.

The stylist took a look, then casually found a head mold, took the scissors for a while, and communicated with Kei Fujiwara about the details of the hairstyle.

The two of them faced a wig on the head of a dummy, and it took a lot of work to finally cut the effect that Fujiwara Kei wanted.

Seeing Aoi Kono looking at this with blank eyes, Kei Fujiwara twisted the head of the dummy and faced her, "How is it, is this hairstyle cute?"

Aoi Kono nodded, touched her hair, imagined her hairstyle looking like this, and then said with some joy, "Well, cute."

Kei Fujiwara smiled, "Then have you completed the ten kilometers and two thousand jump ropes today?"

Aoi Kono: "......"

These days, the crew has been filming the scenes of Yamashita Matsuki, and plans to shoot scenes related to the heroine in ten days. Mainly because Aoi-chan is now in the process of losing weight urgently, and she wants to try to present the best image to the audience in the first episode.

As for whether you can't catch up with the broadcast time, you don't have to worry too much. It is said that this TV station has always had the habit of broadcasting special episodes.

In fact, it is also a side story, and even the word extra is said to be original, and filming special chapters and derivative dramas is a consistent way to play in the broadcast industry. After "Renzaburo Furuhata" became popular, the production bureau also filmed a spin-off of "Renzaburo Furuhata", which was filmed with the protagonist's assistant as the protagonist, called "Shintaro Imaizumi", which was broadcast appropriately in the middle of the night, and I heard that the ratings have been around 3% to 5%, which is not bad.

After the end of "Hanzawa Naoki", there will be a special episode or two, and with the current popularity of "Hanzawa Naoki", the ratings of the special will not be too low.

Sima Guitai