After watching "Tokyo Cinderella", Yui Mizuhara's eyes widened slightly, this is also quite interesting, the setting of a poor girl meeting a rich son, I think many people will like this kind of story.

"Tokyo Cinderella" and "Tokyo Love Story" are the enlightenment of many people's Japanese dramas, and these two dramas are also completely different types of stories in terms of story style.

"Tokyo Love Story" is a traditional style of Japanese dramas, and the people are often not rich and noble, and the plot is relatively flat, but the emotions contained in the story are very delicate and can often be touched inadvertently. The summary of the style of Japanese dramas in the later world is "two ordinary people, but they sparkle in each other's eyes", which is the mainstream style of urban dramas in this world.

And "Tokyo Cinderella" has a bit of the flavor of Korean dramas in later generations. The story of Cinderella and Prince Charming, the story of a rich and handsome man falling in love with a civilian girl, is very Korean drama style. In fact, many things that Korean dramas have played later, Japanese dramas have been played, but they have been carried forward by others, and as a result, Koreans are all over the world to make money.

The story of "Tokyo Cinderella" is very earthy from the perspective of Kei Fujiwara, a person who traveled over in 2022. The idol drama dog blood elements are all collected, the rich son falls in love with the poor girl, the business marriage, the family beats the mandarin duck and the like......

From the perspective of Fujiwara Kei, it is very old, but it is still quite a new thing, and it is not a problem to attract a large number of young girls and young women.

"This...... It's not bad......" Yui Mizuhara, who had firmly chosen "Tokyo Love Story" before, suddenly hesitated, but just when she was entangled between the two dramas, she subconsciously flicked the paper in her hand with her fingers, realizing that there were more options besides these two dramas, so she lowered her head and watched it again.

Yui Mizuhara watched "Victory is Justice", "101 Marriage Proposals" and "Yamato Gold Worshippers" again, and remembered that Fujiwara Kei had also shown her a "Legal Hero" before. Suddenly, there was a difficulty in choosing, and he wavered in many dramas for a while.

The setting and plot of each drama are very interesting, considering Kei Fujiwara's previous record, she has no doubt that any of these dramas will have good ratings. But which one to choose? It's so distressing......

After so many years in the TV industry, it is the first time she has such troubles.

In the past, it was all troubled that screenwriters couldn't write scripts, but now it's troubled screenwriters who write too much, and I don't know which one to choose.

This kind of thing is not dared to be said at the producer's private gathering, and it is estimated that it will cause public outrage......

She then thought that Kei Fujiwara was going to make so many films at the same time, and he would definitely not be able to keep himself busy, and the production bureau would probably assign him another producer to communicate with him.

Thinking of this, Yui Mizuhara suddenly felt a hint of vinegar for no reason.

She casually picked up the water cup and took a sip to cover it up, and then said to Fujiwara Kei, "Fujiwara, these books...... It's all good, I can't even choose. Why don't you let Shibasaki come and see it...... Which one do you think is better?"

Yui Mizuhara still relies more on Kei Fujiwara's decisions.

….

Kei Fujiwara poked his finger at the paper, "This one."

"Tokyo Cinderella".

Kei Fujiwara plans to bring the classics of Korean dramas to this world, but unfortunately he is traveling through the book, not the peninsula, so before introducing classic Korean dramas, it is better to take a few more works and test the audience's taste first. Films like "Tokyo Cinderella" and "Boys Over Flowers" are more suitable, they are local works, but the style is similar to the later Hallyu masterpieces.

"This one is good...... But I think "Victory is Justice" is also good, ah, it's just my personal feelings......

Halfway through speaking, Yui Mizuhara hurriedly added, as if she was afraid that she would interfere with Kei Fujiwara's decision.

But then, she felt that she seemed to be relying too much on Kei Fujiwara lately, and as a producer, how could she not even have the courage to express her opinions?

You must know that when she first entered the industry, all she could see was a producer

Because of disagreements, I quarreled with the director and screenwriter. Some short-tempered producers can't persuade the screenwriter to revise the script according to their own ideas, and even point at each other's noses and scold, but the ideas and ideas are very firm!

Thinking of this, Yui Mizuhara's idea was a little more correct, and she immediately said: "I think the theme and concept of "Victory is Justice" are very novel, and I think it is more appropriate for this drama to take over the ninth month. Didn't your notes say that this role is a good fit for Takara Miyata? I'm going to contact him now and ask him to make a slot available for us......

Kei Fujiwara glanced down, stroked his chin and said, "Forget about this drama, I plan to schedule it for the Saturday session of the next quarter."

"Oh, okay." Yui Mizuhara subconsciously responded.

But then she thought of something, picked up the paper and looked at it again and again, and said, "But I remember that next quarter, TTV will also have a legal professional drama that will also be broadcast, which is an adaptation, and it will also be on Saturday."

Two dramas of the same type, broadcast at the same time, the competition will be more intense, and two dramas of different types will be broadcast at the same time, because of the different attractions of personnel, it may also form a win-win situation. However, if the type of drama played is similar, it may be that the loser eats the dust, and the winner takes all.

As a producer, Yui Mizuhara measures the cost and controls the risk is her job, and she will also inquire about the news in advance about the works that will be broadcast on the outer stage.

In fact, some rumors were deliberately released by the outer stage, so as not to cause an ugly situation of losing both.

"Oh, you've heard that, too." Kei Fujiwara said without any expression, "I know, the title of the play should be called "Pioneer Lawyer", and I don't know if it will be renamed, the first work released by Junaki Hidaka as a producer."

"You know that...... Did you do it on purpose?" Yui Mizuhara's eyes widened slightly.

Fujiwara Kei nodded: "Well, anyway, the ninth month period is now stable, and the ninth month drama has left a deep impression on the audience, so I'm not afraid that those people will make trouble again, since that......'s the case."

Kei Fujiwara suddenly smiled, "It's my turn to trouble them."

"You ......" Yui Mizuhara didn't know what to say for a while.

Kei Fujiwara is gentle and generous both in terms of his performance in the stage and the impression he gives to the outside world, as does his own image in the media.

But in getting along, Yui Mizuhara found that Kei Fujiwara was actually a little wilted, maybe more than a little. When he faced the public opinion offensive of TTV at the beginning, he reacted quickly and pointed the finger at Matsushita Shinya, and it was probably a matter of time before he was slapped by him if he offended him.

Shinya Matsushita has been slapped by Keiichi Fujiwara and put in a nursing home, and it seems that the next one is Hidaka Junaki. It is estimated that it is not only TTV, but also Star Terrace and NBC.

Sima Guitai