Fujiwara Kei hadn't asked the production bureau to help him with an assistant or secretary or anything before, but the production bureau still prepared it for him very intimately.

Fujiwara Kei was used to writing alone, but after thinking about it, he felt that it was a good intention after all, and it would be rude to refuse, so he didn't say anything more.

Kei Fujiwara accepted it out of courtesy, just out of courtesy. The secretary instructed Monet Shiraishi to work hard, and then left the office.

After the secretary left, Monet Shiraishi bowed slightly towards Kei Fujiwara and said, "Mr. Fujiwara, I'll go out first, if you have something, call me at any time, the tic-tac-toe button on the telephone is my desk landline." ”

"yes, okay." After Shiraishi Monet walked out of the office, Fujiwara Kei sat on the office chair, and the whole person was sunk in, the shape of the back of the chair was extremely close to Fujiwara Kei's back, Fujiwara Kei felt something and looked back.

Ergonomic chair, Kei Fujiwara glanced at the logo printed on the chair, it is a very famous and luxurious office appliance brand in the world, to be honest, it gives people a very good feeling.

Kei Fujiwara remembered that he had made that chair in Mizuba, an ordinary wooden chair, and it was a bit of a slump to sit on.

Fujiwara Kei now suddenly has a feeling of Guan Yu, Yui Mizuhara is like Uncle Liuhuang, and the production bureau is like Cao Ying...... Kei Fujiwara stood up and stood in front of the window again, stroking the blades and looking out the window.

At the headquarters, standing taller, the view is wider, and you can now clearly see the end of the street and the railroad tracks at the end.

At this time, Fujiwara Kei turned his head slightly, but saw that on the other side, there was also an office building, and behind a certain floor-to-ceiling window in that office building, there was a vague figure, slightly crossed legs, looking down at the scenery like Fujiwara Kei.

The man was standing on a higher floor than Fujiwara, and Fujiwara had to look up slightly to see him, so he muttered, "It's still not high enough...... but after muttering a word, he didn't say anything more, turned his head and sat back at his desk, spread out the manuscript paper, and began to write.

…… Yui Mizuhara auditioned dozens of actors for two days, selected a few of them, and then watched them repeatedly with the creators in the planning room, trying to choose the male and female protagonists.

The most important of these is the choice of the male lead, which Kei Fujiwara describes as a story like "Tokyo Cinderella".

"The domineering president is in love with me", though

"I" is the character for the audience to substitute, but

The "president" is a joke. Fujiwara Kei told them in advance that the female protagonist could make a living if it was not suitable, but the male protagonist must conform to the setting.

There are also a lot of male actors who come to audition, and because of the appeal of the Nine Dramas of the next month, there are many actors with quite superior conditions.

And in order to be able to shoot the Yuejiu drama, these actors, no matter how big or small they are, do not have high salaries. In addition, the budget given by the station is very sufficient, so you can choose whoever you want.

But there were too many choices, which also made the creative team tangled. Most of the creative team are men, and it is not easy to choose the ones that meet the fantasies of women

"Domineering president", so the responsibility of finally making the choice of the male lead actor was handed over to Yui Mizuhara.

Yui Mizuhara feels a lot of pressure, she actually doesn't quite understand what the perfect man that female audiences like now, although she is a female audience, but in fact, she doesn't watch a lot of romantic dramas, what she really likes is horror movies......

"How is Yin Teng-kun." Just when Yui Mizuhara was in a dilemma, Hideaki Shibasaki spoke and chose an actor named Makoto Yoonto.

This actor is 29 years old this year, and he is also an idol, his acting skills are acceptable, and he also has a lot of extravagance, and his image fully meets the standards of a public lover.

Everyone had no opinion, and after some comparison, it was finally decided to let Yin Tengcheng play the male lead of "Tokyo Cinderella".

Next is the choice of the heroine......

"How's Aoi Kono?" Yui Mizuhara asked.

"I think Minami Kudo is more suitable." Shibasaki Hideaki said. The two had a disagreement, but instead of confronting each other, they spoke their own opinions.

Yui Mizuhara feels that "Beautiful Life" has raised Aoi Kono's popularity to a national level, and it would be better to take this opportunity to strike while the iron is hot.

But Shibasaki Hideaki has a different opinion, precisely because "Beautiful Life" is popular, the audience of the Yuejiu drama is already familiar with Aoi Kono's face, and he will immediately partner with another actor at the same time, which may make the audience feel that it is a play.

Maybe it will offend a group of viewers who think that Aoi Kono and Maki Yamashita are more right, and they will have a preconceived bad impression of this drama.

In later generations of China, this kind of audience has a unified name, called CP fans. And the reason why Fujiwara Kei wants to make Aoi Kono and Maki Yamashita into golden boys and girls is to eat the dividends of these fans.

"Won't Aoi Kono be able to partner with other actors in the future? It's just a couple, and it's not really married. Taro Nishimura complained.

"Of course you can, but it's best not to follow. Give the audience room to buffer. ”

"Then why don't you let Yamashita Maki play the male lead again this time?"

"I think it's better to change actors, otherwise the audience will be prone to aesthetic fatigue." Yui Mizuhara also felt that there was some truth.

The casting meeting lasted an afternoon, and the cast was basically finalized. At the same time, "Justice is Victory", "Renzaburo Furuhata" and "Lonely Gourmet" have also determined the main creative team.

"Justice is Victory" is still produced by Yui Mizuhara, while the production of "Renzaburo Furuhata" and "The Lonely Gourmet" is handed over to Shimizu Asaaki producers.

And the director of "Justice is Victory", Kei Fujiwara chose two veteran directors of the production bureau to co-supervise and direct.

The casting of "Justice is Victory" did not organize large-scale auditions, and the protagonist basically relied on Fujiwara Keiouchi.

One of the main roles

The actor of "Kensuke Komimon", Kei Fujiwara still chose Takara Miyata. Takara Miyata is indeed a very thoughtful and patient actor, after "Hanzawa Naoki" became a big hit and set a historical record, his own commercial value went all the way up like a monkey, and film contracts and advertising endorsements also flew over in endlessly.

But he doesn't seem to have the idea of making quick money, and he can stay calm about those film contracts that promise a high-profile salary.

didn't agree easily, but returned to the stage play for a while, and continued to hone his acting skills, if there is no good drama, it is better not to act.

But the money still has to be earned, although there are no new dramas during this time, but there is really no shortage of advertisements, Fujiwara Kei often turns on the TV is Miyata Takara's face.

Kei Fujiwara called Hashimoto's agent, and on the same day, Takara Miyata and Kanna Hashimoto rushed to the TV station.

Kei Fujiwara and Takara Miyata are also familiar with each other, so they didn't put any shelves for the main creators, and found a tavern with the two of them, chatting about the script while drinking.

Kei Fujiwara summed up the basic plot of "Justice is Victory" in two words, which is called Kensuke Komimon

The story of "unscrupulous" lawyers fighting lawsuits everywhere tells the story of how this legendary lawyer, who has a 100% winning rate, uses his super control of human nature and the law to win lawsuits one after another.

And each episode of the lawsuit involves a social issue that people care about, such as torture, workplace oppression, environmental pollution, and the mental health of child actors.

And what connects each story is the consistent style of this Gumeimen lawyer, that is, to protect the interests of the client by any means, as long as it is for the sake of victory, you can despise everything!

Hearing this setting, Takara Miyata was a little staggered, is the image of a shameless lawyer? Is he going to play a bastard in the new drama?

I originally heard that it was a legal drama, but I thought it was another man with a sense of justice like Hanzawa Naoki......