"Hasegawa-senpai, good morning." Early in the morning, Monet Shiraishi walked into the TV station and greeted the seniors in the company.

"Good morning."

Hasegawa Eimasa is pounding the vending machine hard, obviously throwing money, but the coffee is stuck and can't fall, what a despicable guy, it's even more insatiable than the bank, pay me back 200 yen!

Suddenly hearing Monet Shiraishi greet him, Hasegawa Ying was startled and turned his head to respond.

"Shiraishi seems to be in good spirits lately." Not far away, next to the water dispenser, the employees of the two production bureaus said.

"I also have a feeling that I usually ignore people, and I always look cold, like I have been drained of my soul, and I don't look like a woman at all."

"Hehe, it seems to be getting cute lately."

"I guess I was pampered by Keina Fujiwara, hahaha......

"Do you want to be pampered by me?" Fujiwara Kei suddenly appeared out of nowhere at this time, looked at the two of them and asked.

The air suddenly seemed to freeze, and the strange silence spread, and Fujiwara smiled at the two, took a sip of the hot coffee in his hand, and walked to Hasegawa's side. And the two men also hurried away.

"Hasegawa-kun......" Kei Fujiwara walked over, and just wanted to say something, when he saw the can of coffee in the vending machine that was stuck by the owner, he immediately understood something, looked left and right, saw that there was no one around, and flew up and kicked hard towards the side of the vending machine.

I only heard a "clang", and the coffee can fell in response.

"Ah, thank you, Fujiwara-sensei......"

"You're welcome, this thing doesn't owe a beating. But you have to beat it in the right place." Kei Fujiwara waved his hand at him and said, "The pace of work has been more intense lately, can you still adapt?"

"No problem, Fujiwara-sensei." Hasegawa Ei subconsciously stood in front of Kei Fujiwara, although he was more than ten years older than Kei Fujiwara.

"Isn't Tokyo Cinderella still on?" Kei Fujiwara asked.

"Something went wrong with the props, the prop master was adjusting, and I just came out to buy a cup of coffee." Hasegawa quickly explained, so as not to be mistaken by Kei Fujiwara for him touching the fish.

In fact, it's nothing to be found out by Fujiwara Kei once in a while.,People who haven't worked with Fujiwara Kei say he's a strict person who is not close to people.,In fact, it's not the case.,People who have really been with Fujiwara Kei for a long time can feel that this is a very humane person.,It's not the kind of beast boss who will be satisfied until you are about to die.。

But Hasegawa still doesn't want the other party to think that he is a person who is slacking off on his work, and he doesn't want to leave any bad impression on Kei Fujiwara.

"Okay, I'll go to the crew first."

"Okay, Fujiwara-sensei, you go slowly." Hasegawa said with a bow, and it wasn't until Kei Fujiwara walked away that he bent down to take out his coffee.

"The promotional posters of "Victory is Justice" and "Tokyo Cinderella" have been fully rolled out, and "Tokyo Cinderella" has an innate time advantage because it was broadcast on the ninth schedule of the month, so the main publicity resources are more inclined to "Victory is Justice"."

""Victory is Justice" was broadcast on the weekend, and it is also a strong period, not to mention that there are two actors who are at the peak of their popularity, Takara Miyata and Aoi Kono, and the audience base of this drama is not small." Kei Fujiwara said.

….

"Yes, but ......" Yui Mizuhara stopped talking.

"Is it because of TTV's Pioneer Lawyer at the same time?" Kei Fujiwara glanced at her and smiled slightly.

"After all, it is the ace drama of this year launched by TTV, and it is said that this drama has been prepared for a long time, and this drama also has the participation of Kato-sensei......," Yui Mizuhara said, "I think it will be a very strong opponent."

No one in the broadcasting world dares to underestimate Madosuke Kato, not even a time-traveler like Kei Fujiwara.

Kei Fujiwara didn't say anything more, "Has the shooting been going well lately?"

"It's not bad, and the filming schedule of "Tokyo Cinderella" has caught up recently." Yui Mizuhara said, "It's just that the third episode is about to be filmed now, and the script for the subsequent episodes must be kept up as soon as possible."

"Don't worry, this is actually a normal creative progress." Keido Fujiwara.

The script for the next few episodes, Monet Shiraishi, is still being revised and created, and he couldn't hand it in time. In fact, this is also normal, the screenwriter does not always create faster than the film crew.

The entire film crew has completed the filming of the existing script, but the follow-up script has not yet been created, so that the crew had to fall into a temporary shutdown, and the director and producer all went to the screenwriter's studio to induce labor: one was responsible for fanning the wind with a small fan, and the other was responsible for feeding the cherries, just to let the screenwriter write the script quickly...... This kind of thing happens from time to time.

Kei Fujiwara's creative speed and creative efficiency are unusual in the entire screenwriting industry, and Yui Mizuhara almost forgot about it, and urging the screenwriter to draft is also one of the important tasks of the producer.

Since Monet Shiraishi was promoted by Kei Fujiwara to write the episode of "Tokyo Cinderella", and the script of "Tokyo Cinderella" was given to her to revise and create, Yui Mizuhara finally experienced the anxiety of worrying about the screenwriter not being able to deliver the manuscript on time.

In fact, Monet Shiraishi is not slow to write, just a normal speed, Yui Mizuhara doesn't need to be in such a hurry, if you want to blame it, you can blame Kei Fujiwara for being too rolly. Yui Mizuhara is like a boss who is spoiled by capable subordinates, and when she sees employees who are behaving normally, she doesn't get used to it.

The time has officially entered the autumn season, and Kei Fujiwara's four new dramas will be broadcast at different times in the same week.

"It's going to be a buzzing autumn season like never before."

The Sankei Daily, a big proprietor, issued an article to support it, and every time Kei Fujiwara's new drama is released, the Sankei Daily is the vanguard of the propaganda front, trying to convert newspaper readers into viewers of TV dramas.

"Renowned and talented screenwriter Kei Fujiwara will have four new films on the air at the same time, no matter what type of TV series you like, you will find something that suits your taste this autumn."

"The ninth new drama of the month is coming again!! Following the interlocking "Naoki Hanzawa" and the warm and affectionate "Beautiful Life", Kei Fujiwara and the team will once again dedicate a wonderful story to everyone: the new drama "Tokyo Cinderella", the love between a girl from a poor family and the son of a consortium, the seemingly romantic journey has difficulties and obstacles that others cannot understand, can the two break the world's prejudices and finally come together?"

"The second season of "The Lonely Foodie", which made you hungry late at night, meet you again. This time, Goro Inohirashira will bring more delicacies hidden in unexpected corners to the audience and experience the delicious taste full of warmth. "Lonely Foodie" will be available to you next Wednesday at 11 o'clock."

….

"Extremely confident and even arrogant, with extraordinary wisdom, can do anything to win the lawsuit, only have success, money and women in his eyes, such secular lawyers may abound in real life, but have you ever seen it in the world of TV dramas? This is a not-so-righteous lawyer who will redefine the story of justice. Welcome to Saturday at 9 p.m. on Saturday night's "Victory is Justice."

"[When the gears of fate have an accident, anyone can become a murderer at any time and anywhere] Remember this classic line, do you remember that elegant and intelligent man? The famous gentleman detective is back, and this time, which stars will he bring to justice?"

"This autumn file, lock in Fukuyamadai!"

And when this newspaper was handed to Madosuke Kato's eucalyptus, Makato Kosuke subconsciously squinted.

Ensuke Kato regarded Kei Fujiwara as half of his disciple, and Kei Fujiwara was happy to admit such a relationship. One of the two is the godfather of the broadcasting industry in the past, and the other is the current leader, they don't embarrass each other, and admitting the master-apprentice relationship is a matter of putting gold on the faces of both parties.

In fact, Madosuke Kato didn't want to get involved in the ratings war between Junaki Hidaka and Kei Fujiwara, as a famous predecessor in the broadcasting industry, it was not glorious to win, but it was a little embarrassing to lose. What's more, he is now old, he has already passed the peak of creation, and his grasp of the market is not as accurate as that of young people, and losing to Kei Fujiwara is actually a high probability.

When I saw the content introduction of "Victory is Justice" published in the latest Sankei Daily, I was subconscious

Ground frowned.

Is this going to use the villain as the protagonist of the show? It's novel...... But will the audience pay for this innovation?

Kei Fujiwara, this kid, shouldn't he float away after making a few good dramas, and if he doesn't do market research, he will start playing freely and writing something that the audience may not accept, right?

Thinking of this, Kato Ensuke was a little anxious, mainly because he regarded himself more as half of Fujiwara Kei's master than Fujiwara Kei's opponent.

But after thinking about it, Madosuke Kato laughed self-deprecatingly, forget it, where is it your turn to worry about others now, you know, Kei Fujiwara, this kid is a geek who has debuted for two years and has failed in more than a dozen works, and he has long surpassed himself......

When people call you a teacher, do you really put yourself in the position of master?

Do your own thing......

Soon, the first week of the autumn file arrived, and the first thing to appear was the Yuejiu trend drama: "Tokyo Cinderella".

[In view of the general environment,.

Sima Guitai