There is a well-known saying in the world of broadcasting: if you want to pick up a piece of waste paper on the ground and find its owner, you just need to take out your film camera again. Soon, someone will run out claiming that the piece of paper is his, demanding that you pay a certain fee.

Kei Fujiwara also feels deeply about this, when filming exterior scenes, even if you shoot a garbage can, someone may come over and take an oath***. And there is a certain probability that those who come over to ask for money are those who run rampant or big circles.

And the big film and television companies have enough confidence to deal with these people, which can save Kei Fujiwara a lot of experience.

After getting the promise of Eiji Shirai, Kei Fujiwara began to find a way to form his own core creative team.

As for the producer, Kei Fujiwara originally wanted to continue to let Yui Mizuhara serve, but Yui Mizuhara is now in charge of the production and production supervision of many dramas, and it is estimated that he is really lacking in skills.

At this time, Kei Fujiwara thought of Choji Ohno.

When Kei Fujiwara was driving to Arima Katsunaka's house, he called Nagaharu Ohno, "Hey, Ohno, I'm planning to make a movie recently, a feature film, you can help me."

"Well, wow, you want to hire me as a director, right, first of all, I won't shoot the script if you didn't write it yourself."

"I wrote the script myself, but I'm going to direct this film myself."

"So what do you want me to do, to be your assistant director?"

"You'll be my producer."

"What? I've never been a producer, do you want to think about it again? Wouldn't it be nice to have Miss Mizuhara in charge of the production?"

"Suwon's words have her own work tasks, and she really can't get out of it, so I have to trouble you, it's not difficult to produce, and you're not a newcomer anymore, you should have experience in it. That's it, come to my house tonight, and I'll talk to you about the script in detail."

"Wait, I haven't said yes yet, hey, hey? !"

Fujiwara Kei came to the door of Arima Katsuka, but he happened to meet Arima Masai, so the two stood outside the door together and waited for Arima Katsura to open the door.

After a while, the door slowly opened, and Arima Katsuna appeared inside the door, her expression looked a little hesitant and jealous, and she glanced at Fujiwara Kei and whispered, "Sister Misei is inside......

Kei Fujiwara nodded and walked in directly, and as soon as he entered, Misei Takahashi looked a little bad when he saw Kei Fujiwara.

Arima Katsuna debuted at the beginning of Yin, Takahashi Misei was her agent, Takahashi Misei herself and the Arima family also have some kinship, so in addition to the responsibility of Arima Katsukayama's agent, there is also a care for the elders.

After seeing Kei Fujiwara, Mijo Takahashi couldn't help but think that the failure of Katsura Arima's work and the love would affect her career development, and coincidentally, both of these things were related to Kei Fujiwara.

The original work of the movie version of "White Night Walking" is Kei Fujiwara, and the love object is also Kei Fujiwara, so Mijo Takahashi inevitably has some opinions about Kei Fujiwara.

When Kei Fujiwara saw Misei Takahashi, he smiled and said, "Miss Takahashi, I haven't seen you for a long time, I'm sorry for your trouble."

Mijo Takahashi sighed and stood up, "Fujiwara-sensei, I won't be polite to you, this time it's really a little troublesome...... I'm not against you falling in love with Guixiang, but why are you hiding it from me? It makes me very passive."

….

"I'm really sorry, it's true that Guixiang and I have a relationship that has only been established in the past two days." Kei Fujiwara said.

Takahashi Misei didn't say anything anymore, and he couldn't blame Fujiwara Kei like he did with Arima Katsuka.

Although Arima Katsura is a popular idol, Misei Takahashi, as a senior agent and senior, is still a little majestic in front of her, but she can't stand up in front of a big man in the industry like Kei Fujiwara.

Whether it is an artist or an agent, in front of a creator with a very high status in the industry, Kei Fujiwara, his status is one level lower, and he is not qualified to be loud.

But Fujiwara Kei didn't put up a stand in front of her, and found a random place to sit down, and Arima Katsura also sat down obediently, not daring to be next to Fujiwara Kei, but found a place close to Takahashi Misei to sit down.

Mei Takahashi

Makoto sighed and stood up, "Okay, the matter has come to this, there is no other way, I will go to the company's public relations department to discuss the next solution, Guixiang, you can rest during this time."

"I'm afraid she won't be able to rest for long." Kei Fujiwara said suddenly.

Misei Takahashi looked at Kei Fujiwara, "Fujiwara-sensei, what does this mean?"

"Ms. Takahashi, don't be busy leaving, it's not a private matter for me to come over this time, it just so happens that you are here, so I'll tell you directly." Keido Fujiwara, "I'm going to make a new film, and I want Arima to be the main role in my new movie."

Takahashi didn't show any surprise, looked at Kei Fujiwara, sat down, thought for a while, and said, "Fujiwara-sensei, are you planning to make a movie?"

Kei Fujiwara nodded, "Yes. And the main role is very suitable for Arima."

Arima Zhai was anxious at this time, pointed to himself and said, "What about me, Fujiwara-sensei, I also have a horse. You forgot what you promised me?"

Kei Fujiwara turned his head to look at him, "I don't forget, you're also an important player."

Arima Zhai is relieved, although he is not the main servant, but if it is an important supporting role, it is also very good, after all, although the Gongzhao he played in "Homeless Child" is very popular, but he died in one or two episodes, and it is difficult to impress the audience.

As for grabbing the role of the main service with his sister, he probably can't grab it......

Misei Takahashi said, "Fujiwara-sensei, who is in charge of directing this movie?"

Kei Fujiwara's screenwriting ability is undoubted, but the level of the director is also very important, to be honest, the failure of the "White Night Walking" movie, Takahashi Misei selfishly believes that the director's failure to play a sufficient level of adaptation is a big reason. However, I don't dare to say this, only the director complains about the actor, and the actor dares to blame the director for arrogance, even if you have any background in a quintessential family, you will be excluded by the circle.

"I'm directing it." Kei Fujiwara said.

Misei Takahashi frowned and said, "Is this originally Fujiwara-sensei's crossover work?"

This sentence is more or less questionable, and the transformation of the work means that the experience is not enough, and the work may not live up to expectations.

[At present, it is the most complete and best sound for listening to books, integrating 4 major speech synthesis engines, over 100 kinds of timbres, and it is an artifact that supports offline reading, huann.]

Kei Fujiwara said unhurriedly, "It's not a transformation, but in "Naoki Hanzawa" and "Homeless Child", I also took on the role of director. Besides, it's not the first time I've transformed, and I wonder if "Long Vacation" was my transformation?"

"Long Vacation" was Kei Fujiwara's first TV drama work, and before that, he only had experience in producing variety shows and creating. And at the beginning, Katsura Arima agreed to be the main servant for Kei Fujiwara, but Misei Takahashi was reluctant because he had no confidence in Kei Fujiwara's cross-border screenwriter.

As soon as Kei Fujiwara said this, Misei Takahashi immediately shut up, understanding that the other party was using the successful experience of the past to prove to her. Proving that crossing the border is not a difficult thing for him Fujiwara Kei.

Sima Guitai