Kei Fujiwara flipped through the photographer information in front of him, which was given to him by Eiji Shirai, but these are only the contracted photographers of Matsuhi Pictures.

But there are also many outstanding photographers who are independent photographers who do not have an owner, and these people are also the main targets of Kei Fujiwara's screening.

As soon as the target figure appeared, Kei Fujiwara would write his name in his notebook. After recording the names, they will focus on the photographer's work, and then shake their heads and cross the names of these photographers from their notebook - like a grim reaper.

When Kei Fujiwara was choosing the main photographer, Nagaharu Ohno was sitting not far from him reading the script, shaking his head while reading, and muttered, "It's a pity, how good this book is for me......

The two of them are now not at Kei Fujiwara's house, but on the second floor of Ohno Bookstore, where the second floor has been transformed from a library room for a niche collection into one of their conference rooms.

Gong Ohno put a lot of fine books and precious ancient books here, because he was afraid that the crew would damage his treasures, so he quickly moved these antique books out, and the room suddenly became spacious.

Nagaharu Ohno was looking at the script intently, closing his eyes, thinking about how he would direct this movie if it was him, when suddenly the sound of a fingernail scraping the blackboard drilled into his ears, followed by terrifying background music, Nagaji Ohno directly got goosebumps.

When I opened my eyes, I found that Kei Fujiwara was playing a horror movie on the TV and was watching it attentively.

"Hey...... Fujiwara, I can't stand this kind of film, can I watch it myself when I get home?"

Nagaharu Ohno said hard, his most hated genre film is horror movies, when he was a child, because he watched horror movies, he was so scared that he didn't dare to go to the toilet in the middle of the night and wet the bed. And he was already in junior high school at that time, and after this incident was known by his classmates who lived in the neighbor's house, it quickly spread throughout the class, leaving a deep psychological shadow.

So much so that when he watches a horror movie now, his prostate reacts, and he can't help but run to the toilet.

Sure enough, Nagaharu Ohno stood up and went to meet Hanako in the toilet.

Kei Fujiwara ignored him, but repeatedly played it backwards with the remote control, constantly looking at a certain shot or shots.

"This long shot is well handled......" Kei Fujiwara said in his heart.

The lens language of the film is an important embodiment of the charm of the film, and it is also the difference between the film writer and the script writer.

When teaching in the directing department of an art school, there is a very important link called "pulling film", which is to watch the movie repeatedly like a see-saw, in fact, the main purpose of this technique is to analyze the lens language of the film.

However, it is not only the director who is responsible for the presentation of the film footage, but also the cinematographer.

Although when it comes to the lens language of a certain movie, whether it is a critic or an audience, the first person to praise will be the director: for example, one shot in "Birdman"; the church massacre in "Ace Agent"; The acting teaching in "The King of Comedy" and early morning and so on. But few people mention the photographer, as if they have no achievements in film. ….

But in fact, the presentation of a movie's picture, from the director to the cameraman, to the editor, the storyboarder, the assistant director in charge of art, etc., has made great efforts. Movies are the product of collective wisdom and the wisdom of many people, so Kei Fujiwara has always hated the practice of typing the line "director so-and-so" in the opening credits of movies - how did it become your own work?

Among them, the photographer is the most important, a mature and excellent photographer can often present the picture in the director's fantasy perfectly, and sometimes even surpass the director's fantasy.

So Kei Fujiwara needed a very mature and experienced main camera to control his camera.

After some searching, his attention was drawn to a low-budget horror film. This horror film has a gloomy tone and a decent plot, but the rhythm and camera language are very brilliant, and it can often use some deceptive shots and techniques to create a surprise effect for the audience.

And when Kei Fujiwara dragged the progress bar to the end of the film, he saw this one

After the list of the main creators of the movie, it was even more surprising that one of the co-directors of the film and the cinematographer turned out to be the same person, whose name was Miyabe Zhenyue.

Kei Fujiwara has hardly heard of this person's name, so it can be seen that he is not very famous as a director. And as a photographer, he is not a well-known player in the circle.

Eiji Shirai recommended several photographers to Kei Fujiwara, all of whom were well-known and experienced, but after reading these photographers, Kei Fujiwara looked at their works and felt that they might not be the best candidates for his film.

And after watching this horror film by Miyabe Zhenyue, Fujiwara Kei felt that maybe this person could perfectly reproduce this suspense classic.

At this time, Fujiwara Kei heard the sound of Ono Nagaji going upstairs again, it should be that tens of thousands of toilets have returned, Ono Nagaji opened the door, and saw that the TV in front of Fujiwara Kei was still the horror movie, and couldn't help but "hiss" and inhaled, "Do you still want to continue watching?"

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Kei Fujiwara turned off the TV, took out the videotape, and asked, "Ohno, do you know the main camera of this film?"

This movie is a self-made film of Matsuhi Pictures two years ago, so this person may also be a contracted cameraman of Matsuga Pictures, and Ohno Nagaji has also been in Matsuhi Pictures for half a year, so he should know a lot of insiders.

"Is it "Mystery of the City of Evil"? What's the name of the main camera?" Nagaharu Ohno tilted his head and asked.

"Miyabe Tsuki." Kei Fujiwara said.

Ohno Nagaharu said, "I've heard of this person. Are you interested in this person?"

"Yes, I want this person to be the main camera for Confession."

"Okay, leave it to me, I'll get in touch. I went to the HR department of the company and asked for this person's contact information." Nagaharu Ohno said, got up and went to find the telephone landline, which is also the producer's task in itself.

"One more thing, I forgot to tell you, I found you another 40 million." Nagaharu Ohno sat down, "But you need to do the ad placement in the film...... It may need to be obvious, okay?"

Kei Fujiwara shook his head and said, "This is too damaging to the atmosphere, it's better not to."

Ohno Nagaji sighed and said, "Okay, then I'll go find something else."

Fujiwara Kei didn't say anything more, he wasn't the most troubled in terms of funds, he wasn't short of money, and he still had the rich second generation of Ohno Nagaji by his side, so he didn't worry about not having enough money to burn.

"Hey, hello, I'm Ohno Nagaji, ahaha, it turned out to be Mitsuki you, I really didn't expect you to answer the phone, it seems that the two of us are really fateful, and we have the opportunity to go to the bar together again, and I didn't have a good time last time......

"Ohno, get down to business." Kei Fujiwara reminded him back.

"Ahem, I'm sorry, Mitsuki, please help me find Miyabe Zhenyue's phone number, I have something to find him, uh-huh, thank you."

After getting Miyabe Zhenyue's phone number, Fujiwara Kei called this person directly, but no one answered, so Fujiwara Kei first explained his intention in the phone recording, hoping to meet him, and if there is a chance, I hope to cooperate in the new movie.

After hanging up the phone, Kei Fujiwara asked Nagaharu Ohno, "By the way, what is your impression of this person?"

"I don't have much of an impression of him, but it seems that the people in Matsuhi's paintings don't like him very much."

"Why is that? Does this man have a bad personality?"

"It's not because of your personality...... Hey, you'll know when you meet him.".

Sima Guitai