"Song of Bamboo?" Kei Fujiwara looked at Imai with some surprise, how did he know?

He has no intention of making a name for himself in the music industry, because he really doesn't know much about music theory, and his level is very limited.

It's like a poet and lyricist who can write "Water Tune Song Head" and "Will Enter the Wine", but if he doesn't even understand the plainness of the poem and the word card, he will be seen by others at a glance that he has copied it.

So whenever Fujiwara Keidanto comes up with any song work, he will press it on his wife's head, anyway, the old lady has withered many years ago, and this is not a bad thing.

Kei Fujiwara remembers that his mother in this world was a music teacher and wrote many songs, but unfortunately, there was no such thing as a work becoming popular, and her mother was unable to achieve this achievement.

But now Imai came over and asked Kei Fujiwara to sing the whole "Song of Bamboo", and his words were sincere.

"What is Song of Bamboo?" Arima Katsura on the side was also curious.

"Hmm...... It was my mother's work." Kei Fujiwara said, "She wrote some songs during her lifetime, and this song is to tell people to have a strong character like bamboo and not be afraid of difficulties."

"I didn't think my aunt could write songs! That's amazing!" Arima Katsuna's eyes lit up, "Sing it to us!"

As soon as these words came out, the people at the same table also looked at it, and some even applauded, the atmosphere has been set to this point, it seems that it can't end without singing, and Imai's camera is also aimed at himself.

Kei Fujiwara coughed and began to sing, "The wind is blowing from the mountains......

As soon as the song was sung, the people around him began to applaud. In fact, even if Kei Fujiwara sang a song "Learn to meow", these people also reacted in the same way. Although the song is good, it is not like Li, everyone is silent after listening to a song, and they are so shocked that they can't speak.

What's more, Kei Fujiwara sings a cappella, and there is no accompaniment, so the appeal is naturally much smaller. Some people were still drunk, and they couldn't hear what Kei Fujiwara was singing - whatever he sang, just applaud.

But some of the music attainments are more profound, and it sounds different, such as Katsura Arima, who was born in a family of singers and dancers, and music enthusiast Imai, who immediately felt that this was a rare good song!

Thankfully, it was recorded...... Imai said in the heart.

"That's good......" Arima Katsura subconsciously pinched the flesh on Kei Fujiwara's arm, "How many things do you have to hide from me......

"Send me home today, I'll tell you ......" After a whisper, Fujiwara Kei said to Imai with some embarrassment, "I'm sorry, please tell the producer that this trouble is pinched off, don't let it out."

Naturally, it was a clip of the intimate interaction between Kei Fujiwara and Katsura Arima, and Imai also nodded in agreement.

Inoue Mori kept a straight face again, and did not look at Kei Fujiwara and Katsura Arima, indicating spicy eyes.

After the "Song of Bamboo" was sung, another half an hour passed, and the banquet came to an end. And when everyone walked out of the restaurant drunk and hooked shoulders, more than half of them were singing "Song of Bamboo".

The song was catchy, and the lyrics were very motivating, plus it was sung by Kei Fujiwara, and soon, the crew learned to sing it.

….

Imai put away the equipment at this time, said goodbye to Kei Fujiwara with the accompanying director, and walked out of the restaurant.

……

Kazuhiko Itagaki came to the crew in person, and he didn't come today as an editor of Kei Fujiwara, but on behalf of the editorial department of the Spring and Autumn Society.

He was promoted again and became deputy minister. It is estimated that it will be within five years to become the head of the editorial department of the Spring and Autumn Society, and the former minister is estimated to be promoted again because of his outstanding performance in the past two years, and the radish pit that remains will be planted by Kazuhiko Itagaki.

The Spring and Autumn Society is also one of the investors in the movie "Confession", and Fujiwara Kei also handed over the manuscript of the version of "Confession" to Itagaki Kazuhiko, which will not be serialized, but published directly.

The publication time is set for about the fifteenth day of the official screening of the movie, and it can also take advantage of the popularity of the movie to eat a wave of traffic and increase sales.

The movie

"Confession" itself is an adaptation of Minato Kanae, and it is one of the few adapted movies that can be used, and it is not inferior to the original. Most of Kei Fujiwara's previous TV series did not consider adapting them into another wave of money, and the reason is very simple, they seem to have the same path as TV dramas, both of which are storytelling, but in fact, there are barriers between the two.

It is not easy for a well-known film and TV series to be adapted into a movie and TV series, such as "White Night Walking". In the same way, the adaptation of a film and television work may not be popular with readers.

The exception to this is works such as "Hanzawa Naoki" and "Confession", which have original works of their own, which is why Kei Fujiwara will consider distributing them in the publishing market as well.

After Kazuhiko Itagaki came to the crew, he observed the shooting scene for a while, asked the assistant to take a few photos, and after he went back, he just had good things to say to the senior management of the company, so that the senior management had more confidence and felt that the money was well spent.

Anyway, he must have helped Kei Fujiwara speak, and the two have been together so far, and they can already be called close friends, not to mention that they are still an out-and-out community of interests.

For every amount of money Fujiwara Kei makes, the Itagaki family gets one more dish for three meals a day, and before the publication of "White Night Walking", the Itagaki family could only eat high-end ingredients such as matsutake mushrooms, wagyu beef, and sea urchin almost once a week, but now they can serve an expensive dish almost every day.

After today's shooting, Kei Fujiwara took Kazuhiko Itagaki directly to the tavern for a drink, "Isn't Agui considering writing a new one?" Kazuhiko Itagaki said half-pleading while drinking, "Recently, the publisher has been receiving letters asking you to publish another one, and it seems that the sales of the magazine have been declining recently."

"Hmm......" Fujiwara thought for a moment, but didn't reply.

"Recently, the market for mystery literature has been hot again." Kazuhiko Itagaki said, "Wouldn't it be nice if you might as well write a new work to maintain the popularity, so that when Confession is released, your readers will be able to promote you spontaneously?"

Fujiwara Kei really felt that there was some truth in what he said, so he nodded: "I'll go back and think about it."

When I got home, I could hear the sound inside through the door, and when I opened the door, I saw Ma Guixiang humming a song and doing something in the kitchen.

Kei Fujiwara had a headache, this guy must not develop any interest in cooking, you don't have the talent to be a housewife!

….

"Ah, you're back." When Arima Katsura saw Kei Fujiwara, she immediately said, took one and played with it, scooped something in the pot, and then handed it to Kei Fujiwara.

"This is ......," Kei Fujiwara hesitated.

"Mulled wine." Arima Katsuraka said, "I drank it and he said it tasted good."

Since someone had already tried the poison, Kei Fujiwara was much more relieved, took the wine bowl, and drank it all.

Sweet and pantothenic, with a relatively strong fruity aroma, the taste is good. Kei Fujiwara smacked, and he was finally able to make something delicious.

[The problem of slow update of new chapters is in the can.]

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