"Oh, that's good." Kei Fujiwara said, "But I don't think the success rate is high, so if you don't succeed, you shouldn't be too upset."

The social atmosphere of this book is quite open, and here, early love is not a thing at all. However, the Arima family has a stricter family education, and this matter still has to be kept secret, and Arima Masai told Fujiwara Kei about it, and he can be regarded as his own.

When Arima heard Kei Fujiwara say this, he became visibly timid, "As soon as you say that, I won't dare to go......

"Then don't go." Fujiwara Kei said, "I guess Inoue doesn't like boys who grind and chirp either."

Arima Zhai muttered, "Or I'll forget the whole pot of mushrooms......

"Give up your dangerous idea now." Keiichi Fujiwara slapped the back of Arimasai's head, "The gap between intentional and unintentional is still very large."

After talking to Arima Sai, Kei Fujiwara put the matter behind him and continued to direct movies.

Kei Fujiwara was still a little worried at first, and the relationship between the characters they played in the movie was just the opposite of reality.

Inoue Mori played another role, in the movie, he liked the role played by Arima Masai, but because he said the wrong sentence and angered Arima Masai, he was stabbed in the throat.

Fujiwara Kei was afraid that Arima Masai would not be able to play the feeling of affection for Inoue in the movie, but this kid really doesn't pull his hips when he performs, which also depends on the acting training that [Hakutsuruya] has given him since he was a child.

On this day, Kazuhiko Itagaki came to the crew to visit the class again, and Fujiwara Kei also knew his purpose and came to urge the draft, but this time he had already made some preparations, so he handed him a copy of the manuscript directly.

"Is this a new work in the Mitarai series?" Kazuhiko Itagaki happily took the manuscript and said.

"It's not." Kei Fujiwara nibbled on a chicken skewer and said, "It's another new series."

"You're going to start a new set?" Kazuhiko Itagaki asked, the image of this kid is really a master of the arts, the Mitarai series has been successful, and a new work is published in a series that has been successful, no matter how the work is written, the sales will increase by about 30%. Even if the new work is not well written, as long as it has a name of Mitarai, it can sell hundreds of thousands of copies.

And the new series is different, a new protagonist, if you test the waters, there is a high possibility of drowning. Although Kei Fujiwara's fame can make this work reap high at the beginning, fame itself is also a double-edged sword.

Because of Kei Fujiwara's fame, the market and critics naturally judge him a lot more harshly, and in addition, there is no creator in this world who can conquer all readers. Kei Fujiwara's "White Night Walk" and "Mitarai Series" have conquered many readers, but also made some people firmly uninterested in Fujiwara.

While some people will pay for Kei Fujiwara's books when they see them, others, because they don't like some of Kei Fujiwara's previous works, will immediately shake their heads and walk away whenever they see a book signed by Kei Fujiwara in a bookstore.

Therefore, it is also necessary to completely change the style and expand its own readership.

….

Almost all of what Fujiwara Kei came up with before was reasoning, and the story mode is nothing more than the appearance of a eucalyptus, the protagonist is either a prisoner or a breaker, guiding the reader to discover the truth little by little, so, how to make new innovations on this basis?

Kei Fujiwara had fallen into thought on the night two days earlier.

Before, he originally wanted to take out another work by Keigo Higashino and stuff it into the Mitarai series. For example, "Malice", which is also one of Keigo Higashino's masterpieces.

[Stable operation for many years, comparable to the old version of the book-chasing artifact, old bookworms are using.]

Societal reasoning is also inseparable from this.

However, because of this, it is much more difficult to compete on the road of social reasoning nowadays, and after thinking about it, Fujiwara Kei feels that "Malice" may not be able to beat this group of emerging social authors.

After all, although "Malice" can also be called one of Keigo Higashino's masterpieces, there is still a certain gap between it and "White Night Walking" and "The Devotion of Suspect X".

Why don't you write "Murder Eucalyptus on the Eastern Train"?

This may be a good choice, but when Fujiwara Kei spread out the manuscript paper and wrote less than a few lines the night before, Arima Katsura suddenly lay on the bed and turned on the TV, and Fujiwara Kei subconsciously turned his head to look.

"Ah, are you writing?" Only then did Arima Katsura notice that when she was about to turn off the TV, Kei Fujiwara said, "No, it's okay to turn it on."

A foreign movie was playing on TV, and Keiya Fujiwara turned his head to glance at it, looking at the familiar style of painting, and after watching it carefully, he realized that it was a Hong Kong film.

The Hong Kong films in this world have also been strong for a while, but now, they are gradually beginning to decline.

This is a gambling-themed movie, the most famous genre of Hong Kong films.

And this gambling film broadcast on TV is also a very classic gambling movie in this world, and its status is no less than that of "God of Gamblers" in the parallel world.

Kei Fujiwara looked at it for a while, and suddenly a new idea came to his mind. So he tore off the paper with "Murder on the Orient Express" and wrote a new title.

"The Apocalypse of Gambling?" Kazuhiko Itagaki looked at the name of the manuscript and couldn't help but read it.

Looking at the name, Itagaki Kazuhiko couldn't help frowning, casually turned the page, glanced at the outline, and said with some surprise, "Agui, aren't you going to write a mystery theme in this one?"

"I'm going to make some changes." Fujiwara Keido, "In fact, in essence, this genre is also a variant of the mystery theme, and it also requires the protagonist to see through the traps and traps of the opponent, and there is no significant difference in nature."

The original work of "Gambling Apocalypse" is a comic, as a rare gambling theme in this comic, it can also be called one of the representative masterpieces of "Wisdom Fighting Flow", and another representative work of "Wisdom Fighting Flow" is a note.

Each game of "Gambling Apocalypse" can be singled out to form a very interesting chapter. Because the plot is too good, there are countless followers and plagiarists, such as "You Fish Game", in which the plot arrangement, especially the plot of walking the glass bridge, is almost exactly the same as "Gambling Apocalypse".

In the original "Gambling Apocalypse", the plot of walking the glass bridge can only be called a second-rate plot, and the "ship gamble" and "pachinko gamble" can be called rare classics.

To some extent, this can also be called a reasoning theme, and integrating gambling and wits into the reasoning theme may open up a new genre.

Sima Guitai