Chapter 410: Movie Success

The actors of the two crews have all been in place, and the official filming has finally begun, and the opening ceremony is scheduled to be held in the morning and afternoon of the same day, just to stagger the time, so that Kei Fujiwara can participate in the opening ceremony of the two dramas.

The filming site of the two dramas is not far away, and they can often take pictures, but they often rub sparks when they meet, although they can't fight, but it's common to see two sentences occasionally.

That is, in front of Fujiwara Kei, the two parties are slightly reconciled.

This time, the makeup team in charge of "Blue Life and Death Love" is unprecedentedly luxurious, taking the costume group as an example, the staff has prepared more than 400 sets of costumes for the male protagonist Nagasawa Xian, and almost every episode of the male protagonist has to change into several sets of clothes.

The person in charge of styling is the top team in the broadcasting industry, and the money to invite them is enough to hire another national idol.

However, in Fujiwara's view, this is a necessary expense.

Many people regard the bloody routines of Korean dramas as the essence of Korean dramas, but these routines are not so difficult to replicate, but few people can make such a fascinating plot as Korean dramas. Some love idol dramas in China can be regarded as loyal apprentices of Korean dramas, but they have learned to become four different from each other.

Even some TV series that were once popular in South Korea were adapted into mainland versions, and the final release effect was miserable.

The adaptation does have to take the blame. Many excellent scripts have been stretched and filled, and the background has been changed, but it has been miserable. However, the script is not the only reason for the success of Korean dramas, the level of directors, services, equipment, and complete industrial systems are all the reasons why the level of Korean dramas is tilted in Asia.

A large-scale idol drama, with more than 100 sets of costumes for the male lead, is not uncommon in the production process of Korean dramas in the future, but in the eyes of the crew at this time, this is really too extravagant.

You know, Kei Fujiwara's first work "Long Vacation", the male protagonist is more than a dozen sets of costumes, and the final ratings are not very good? Now that it's suddenly so luxurious, maybe it's not necessary.

Kei Fujiwara calculated that hundreds of costumes were not as expensive as imagined, in fact, who would use the costumes used for filming activities, just rent, but it would be more troublesome. Even if you include the compensation for accidentally soiling and damage during use, these natural losses are not huge.

And the finished visual effect that Fujiwara Kei hopes to achieve is that the male protagonist, as a rich boy, must conform to the character design, and the clothes that appear every time they appear are not the same.

In fact, when filming "Tokyo Cinderella", I already saw the importance of makeup. During the start of this drama, Fukuyama Station received a lot of letters from the audience. Although Kei Fujiwara will not open these letters and read them one by one, there are also people who will read the contents of the letters and summarize the feedback and inform Kei Fujiwara.

Many of them said in a joking tone:

"Haha,Why does the male owner always wear a suit?,I've been wearing it when I'm dating.,Is dating with the female owner also a kind of work? Hahaha, just kidding."

"Why does it feel like the male protagonist doesn't look like a rich man, but like a social animal, is it a problem with acting? Well, it's hard to say. But overall, it's a good show, come on."

"The male protagonist is a bit like my husband, but my husband is just a salaryman with an annual salary of about six million. It turns out that Brother Childe is also like this? Haha, maybe my husband is also a hidden rich man, maybe I will ask him when I get home."

"I feel that the male protagonist is not fashionable enough, but he is still very handsome."

Although this kind of opinion letter does not account for a large proportion of all letters, for a large base, no matter how small a proportion is, it is an incredible number, and Kei Fujiwara can't help but pay attention to it.

He silently compared a series of Korean dramas such as "Tokyo Cinderella" with "Haojie Chunxiang" and "Winter Love Song" in his heart, and secretly felt in his heart that idol dramas are women's catnip, and Korean dramas obviously know how to please women better than Japanese dramas.

In addition to the attractive plot, one of the things that Korean dramas like to do is to spare no effort to create the sense of wealth and fashion of the male protagonist.

So much so that when the male protagonist of a Korean drama appears, it always seems that he is surrounded by an aperture of light.

And Japanese dramas are used to using ordinary people

The protagonists, such as "Long Vacation" and "A Beautiful Mind", the male protagonists are all down-and-out people. So much so that the Japanese drama team is not afraid of ordinary people, and when they started filming Brother Gongzi, they didn't seem so professional.

As for the real rich second generation, it is not the kind of person who is eager to change three sets of clothes a day, always has exquisite makeup, and has someone to serve when he raises his hands and feet...... Who cares. Filming a TV series is not a real documentary, the focus is on catering to the audience's imagination and expectations.

……

Filming was officially launched, and promotional resources began to be pulled. Fanxingtai and TTV gave enough Fujiwara Kei cards this time, and almost arranged the best publicity resources to these two dramas. There is no one in the station who complains, after all, the situation is unknown, Kei Fujiwara's past achievements are really terrifying, and it is easy to be slapped in the face if he complains now, and it is not too late to protest when this drama hits the streets......

The box office results of "Confession" have come out, and Kei Fujiwara is naturally the second biggest beneficiary, he is the largest investor, or the screenwriter and director, and he has received about 500 million box office income. Of course, the biggest beneficiary is still Matsuhi Pictures.

Although their investment is not much, they are the issuers, and their income is higher than that of Fujiwara Kei except for the issuance and investment, and the removal of some necessary operating costs.

This also made Kei Fujiwara determined to expand his film business department and have enough theater resources, otherwise he could only give up the majority of his income to the five major film and television companies.

Of course, if the original follow-up investment had successfully entered the crew's account, they would have made more money, because of Shigerusuke Nobi's temporary cancellation decision, Matsuri Pictures lost hundreds of millions of revenue in vain.

So Shigesuke Nobi has been a little embarrassed recently because of this matter.,Matsuri Pictures is not a monolith.,Any company that develops into a scale will gradually have factions.,Especially a company whose founder is no longer involved in the actual operation.,The president is a company selected by the board of directors.。

Eiji Shirai left, but Eiji Shirai's former camp is still there, and he always blows in front of the board of directors, claiming that Shigesuke Nobi does not have the vision for strategic development, and even has no judgment ability, so he gave up the opportunity to share a large proportion of the box office of the "Confession" movie, and even left Eiji Shirai, who has such vision and ability.

Although this kind of remarks can't affect Shigeru Nobi's position as president for the time being, it's disgusting enough to make him irritable. When people are irritable, they always want to vent it.

When Usami Sakura, the woman who had a quarrel with Kei Fujiwara, came to the company in the past two days, the corners of her mouth were broken, and one side of her cheek was also a little red and swollen, according to her, she accidentally fell on the road. These days, the sister and brother are also very honest in the company......

As a box office success that has not appeared for a long time, "Confession" is destined to leave a mark in the history of this film, especially for the category of suspense films, "Confession" can be regarded as the top three works in the history of this film.

After a while, the Tokyo Film Festival, Broadcasting Awards and other major events in the film industry will be launched again, and veteran filmmakers know that there must be a place for "Confession". It is very likely that he will win the Best Director Award at the Broadcasting Awards, and once this award is in the bag, it means that Kei Fujiwara once again has a new title - well-known film director.

Writer, TV Screenwriter, Film Supervisor...... Shrouded in a triple golden body, Kei Fujiwara will become one of the few top talents in the literary and artistic world.

If he can also achieve achievements in the film industry and the literary industry, then there is no problem in calling him the "godfather".

Taking a step back, even if the movie "Confession" didn't win any awards. The box office success of this film alone is already a remarkable achievement.

Any achievement must be viewed in conjunction with the time background of this achievement, and Kei Fujiwara's "Confession" appeared very coincidentally. coincided with the fact that the film market was very sluggish, and there was even a wave of theater closures, and the previous year was a cold winter at the domestic box office.

A movie has achieved twice the highest box office last year, which seems to have given theater operators a shot in the arm, so that many small business owners who plan to sell theaters plan to hold on further, and this alone, Fujiwara Kei is already a great merit for the entire film industry. The big five film companies have to thank him.

And the film in the end

The box office is 4.958 billion, as if fate is deliberately playing a joke with Kei Fujiwara, and it is only a few tens of millions away from the goal he set himself and the predicted box office in the newspaper.

(End of chapter)