After watching this work, Kei Fujiwara felt that Nanako Tokata's works should be among the few that could rank in the top three of all the works this time.

Of course, because it is the first [Water Wave Award], Fujiwara Kei attaches great importance to the fairness of the competition, and all works will be released to the public at the right time, in order to avoid having acquaintance filters, so Fujiwara Kei did not rate this work, but directly handed it over to other judges.

All the works of the Water Wave Awards can be divided into several categories, namely: professional dramas, historical dramas, suspense dramas, trend dramas, ethical dramas, life dramas and others.

Seven categories are a lot, and choosing the best work in each category means that there are seven second prizes, but only one work will be selected as the first prize.

Mizumi production can't be supported by himself alone, which is also the purpose of Kei Fujiwara's plan to find more creators.

The first episode of "The White Tower" was first produced, and the production team invited Kei Fujiwara to watch the original film, and during the process of watching TV, Kei Fujiwara remained silent throughout the whole process and watched it very carefully. The creative team led by Taro Nishimura had a nervous look on their faces, without any relaxation, and always looked at him secretly from time to time.

Knowing that an episode was finished, Fujiwara Kei subconsciously nodded slightly, and the exhalation sound slowly sounded in the screening room, and the heart he was carrying was put down.

"It's not much...... "Kei Fujiwara said in his heart.

There is not much difference from the "White Tower" he watched in his previous life, and even Takara Miyata, who played the protagonist of Goro Caizen, has better acting skills.

In addition to the actors, in terms of rhythm and style, because Kei Fujiwara set the tone at the beginning, the production team restored it perfectly, even if they hadn't seen the original film at all.

Unlike movies, it is very easy for the style of a country's TV dramas to gradually form a unity. If you just look at the style of painting, it is difficult to see which country a movie is made by China, Japan and South Korea, but it is much easier to see which country a TV series is from. The TV dramas of each country seem to have their own fox smell, and the smell is distinct.

This is for the various ancient puppet dramas in China in later generations, and the style is as neat as the army.

Therefore, in front of an experienced team, shooting the same script, as long as the content of the script is detailed and clear enough, it is often possible to shoot something of a similar style, and it will not be too off.

In order to reflect professionalism, the production team specially went to medical experts as consultants, so there are unlikely to be scenes that are particularly contrary to medical common sense.

Of course, there is still a difference between it and the real hospital and surgery scene, and professional doctors can see it at a glance. Some things that don't conform to reality are easy to modify, but some content involves the core plot, and once it is modified to conform to the original appearance of reality, it is inevitable that the plot setting will be changed.

However, Kei Fujiwara rejected the practice of changing the plot for the sake of "reasonableness". After all, the original author of "The White Tower" is not a practitioner of the medical profession, but a graduate of the Faculty of Letters, so it is normal to know a little about the real medical scene, and there is no need to pursue "absolute truth" when filming professional dramas, and TV dramas are not documentaries.

"But...... If there is a scenario that does not conform to reality, there will be negative comments from the audience within the industry......" Nishimura Taro said after a moment's hesitation.

"It doesn't matter." Kei Fujiwara replied, "It would be nice to make the plot realistic without affecting the plot, but if you want to sacrifice the conflict and interest of the plot itself, it is completely unnecessary. After all, the TV series is aimed at the layman."

"If the TV series is poorly filmed, the fact that the plot deviates from reality is worthy of criticism, but if the TV series is well presented, it is harmless if it does not conform to the real situation."

Kei Fujiwara gave the tone, and then Taro Nishimura gave it a go. The reason why Fujiwara Kei gave such a tone is because what he said is indeed the truth: in any cultural work, interest is more important than logic. A work can deviate from reality and be brainless, even if it is scolded like in the end, at least it is commercially successful; But even if a work respects authenticity and logic very much, if it is boring and bland, it will still fail.

Two

is the drama "White Tower", although it is a medical drama, it is more about personnel, workplace, and politics. Rather than the medical treatment itself, there are not many episodes involving treatment and surgery.

After Kei Fujiwara watched "The White Tower", he directly asked Taro Nishimura to hand over the original film to TTV for review, and after the review, it could be broadcast normally according to the original time.

Less than two days later, the first episode of "Blue Life and Death Love" was also produced and edited, and the picture was very good, and the benefits of using such a mature photographer as a co-director were reflected.

At this point, the first episodes of the two dramas have all been produced, and it won't be long before it's time for acceptance.

Nanako Tokada packed up her books and left school. The graduation season is approaching, and there are fewer and fewer classes, but today it is because a very famous professor came to the school, so Nanako Toshida came to class.

After the course, Nanako Togata came to a restaurant that sold sukiyaki, and after waiting for a long time, the curtain of the restaurant was suddenly lifted, and Shinyo Ogata walked in panting, wearing a suit, sat next to Tokada, raised his hand at the noodle shop owner and said, "Boss, two bowls of original ramen, double beef, thank you." Ah, Nanako, it's so tiring to look for a job......

Ogata said, wiping the sweat from his forehead with the back of his hand.

Today's Tokyo sun is blazing, Nanako Toshida has already put on short-sleeved sleeves, while Shinyo Ogata has changed into a long-sleeved suit, running long distances under the sun, and running several company interviews in one go.

When you look closely, the back of the suit is already soaked.

"It's been a really difficult year, and it's said that it's the golden age of the media industry, but why is it so hard to find a job? Have you heard? Saki has given up looking for a job, plans to marry her boyfriend directly, become a housewife, and swear to be an outstanding working superwoman ......" Ogata Mayo chattered, "If I don't find a suitable job by the end of this year, I'll go home and inherit the family's pizzeria."

Nanako Ligata glanced at Ogata Shinyo with some distress, this year's employment situation is still not good, she also heard that Fujiwara teacher couldn't find a job for a while after graduation, only went to work in a bookstore, and the deeds of writing books while working are still a little puzzled, and now seeing the appearance of Ogata Shinyo, I can finally understand the plight of graduates.

is also because she is a rich second generation, plus she is already a well-known author, otherwise her understanding will be further deepened.

Soon, the noodles were served, and Mayo Ogata sucked the noodles and said, "By the way, Nanako, are you still going to continue writing?"

"I don't know...... Nanako held her cheeks and said with some distress, the nominations for this year's Ranbu Award are out, and her works are among the nominations, but after seeing all the nominated works, she doesn't have any confidence that she can get the Ranbu Award at all.

The reason is that there is an extremely popular work in this year's Ranbu Awards, called "Lizard Fire", which is a social reasoning work, which is selling very hotly, and the sales and momentum are close to Kei Fujiwara's "Confessions" and "Gambling Apocalypse", and almost all book reviewers predict that this book will win this year's Ranbu Award.

Nanako Toshida also watched this work, and it was indeed better than her work, whether it was the plot or the trick design, it was a step higher than her work, which made her feel hopeless of winning the award.

And the writer who wrote this popular mystery work is named "Naoki Yamazaki", who is also a newcomer and is known as a crossover genius after Kei Fujiwara.

That's right, he is also a cross-border person, and contrary to Kei Fujiwara's situation of writing books first and then making movies, he was originally a film supervisor, and after graduating from university, he shot an independent film and obtained a box office of one billion yen with a mere investment of 10 million, which is a very high rate of return. And just when everyone thought that he would continue to achieve success in the film industry, he published his work and became a sensation for a while.

(End of chapter)