However, even though he sensed Ishii's panic and apology, Fujiwara Kei still didn't know and politely declined most of Ishii's invitations.

Originally, the current production capacity of the water wave production company is also limited, and it is impossible to cooperate with all the five major at the same time to shoot works, but in order to establish the status of the [Broadcasting Circle Courtesan], Fujiwara Kei intends to follow the Su Qin style of holding the six kingdoms and seal the game, mediating between the five majors, and establishing a good cooperative relationship with all of them.

So if you want to cooperate with each family, Fanxingtai is just a little bit back, and now there is a reason. Their production bureau should also know that the cooperation of this drama is not particularly pleasant, although the result is good.

If nothing really happens, I don't know if I will die again the next time we work together.

And with the passage of time, some more avant-garde dramas can also be launched.

First of all, there is another Korean drama...... the success of "Blue Life and Death Love" proves that his transplantation method is feasible, so you can rest assured that more Korean dramas will be taken out.

However, there is still a need for selection, and some dramas are not suitable for direct filming at this time, such as "Dae Jang Geum", the quality of this drama is doubtful, but because it is based on the historical background of the Goryeo Dynasty, some modifications are still necessary.

However, after all, both Yuben and Korea are in the gradual zone of influence of Chinese civilization + Confucian culture, and their dynastic models are very different, and it is not so difficult to change.

The reason why Kei Fujiwara dared to test the waters of "Blue Life and Death Love" was also because this drama was successful as a foreign drama in a parallel world. Although this method proves to be feasible, Kei Fujiwara's choice of the second Korean drama still needs to be cautious.

After some thought, Kei Fujiwara decided to shoot "My Name is Kim Sam-soon".

The style of this drama is actually relatively close to the usual style of Japanese dramas that have always been used before, telling the process of little people struggling to move upward, which is in line with my previous consistent aesthetics.

But this drama is still fundamentally different from traditional Japanese dramas, and it conforms to the standard Korean drama formula. The formula style of Japanese dramas is "both of them are ordinary, but they can find each other's brilliance in the crowd", while the formula of Korean dramas is "I am mediocre, you shine, but you can still see me at a glance in the crowd".

Although Jin Sanshun's setting is not good-looking or slim, a 29-year-old ***, the male protagonist is played by Yuan Bin...... new

In essence, it is still in line with the consistent routine of Korean dramas.

After temporarily deciding on this drama, Kei Fujiwara wrote the titles of "Deceive the World" and "Jumping the Great Search Line". Both of these are also big hits, and crucially, the theatrical versions of these two dramas are selling well.

Shuibo Production is a two-legged company, and the boom of the TV drama business also needs to properly drive the rise of the film business.

Just as Kei Fujiwara was finalizing the production plan for the next season, there was a knock on the door, and the assistant said, "Fujiwara-sensei, Mr. Otomo wants to see you."

"Let him in." Kei Fujiwara nodded.

After a while, Mei Otomo walked in, and when he pushed the door in, Kei Fujiwara looked at him, stunned for a few seconds, and even subconsciously stood up with his butt out of the chair, but then quickly sat down, looked at Megumi Otomo and smiled, "Inspector Otomo, I almost didn't recognize you...... When did you change your style?"

Keiichi Otomo has changed his image, although he is not very old, his hair is a little gray, and now he has a beard and a pair of glasses...... It's more and more in line with the image of the white-bearded old man in Fujiwara's memory.

Megumi Otomo scratched his head and said, "Change your mood...... Say goodbye to the past."

With that, he sat down in front of Kei Fujiwara and said, "Mr. Fujiwara, now that our studio has been officially established, I plan to start creating new works as soon as possible. However, there is still a shortage of experienced artists, and I hope you can get your colleagues in the HR department to cooperate with us as soon as possible."

"Oh? So soon, do you already have an idea?" Kei Fujiwara asked.

"Ideas about the work have been around for a long time, and it's not even just an idea." As he spoke, Keiichi Otomo took out a stack of papers from his purse and handed it to Kei Fujiwara, "This is my storyboard book. Take a look."

Kei Fujiwara flipped through it and found that this was not a storyboard, most of the director's storyboards were sketches, and some were even very sloppy, only depicting the general position and movements of the characters, which could barely be understood.

Keiichi Otomo, on the other hand, is an animator and manga artist, and his storyboard drawings are the same as commercial manga, and each picture is accompanied by bubble dialogue, allowing Kei Fujiwara to understand the plot in detail.

It's not a storyboard at all, it's more like a script.

Kei Fujiwara flipped through several sheets of paper with great interest, found that it was a science fiction story, and asked, "Otomo-sensei, this storyboard...... How long have you been working on comics?"

"The script story was conceived for a year, and it took about a month to draw it." Megumi Otomo said with a thumb combing his hair.

"Did it only take a month? It's really fast......" Keiichi Fujiwara had heard that Keiichi Otomo was extremely efficient, and often forgot to sleep and eat when he did things, but now it seems that he really lives up to his reputation.

"In terms of work efficiency, it's just a class axe in front of you." Keiichi Otomo said that he was not patting Kei Fujiwara's ass, but he really felt so. Kei Fujiwara has been creating multiple works at the same time for many years, and he can ensure quality and quantity, which really makes him feel sincerely admired by his fellow creator.

"Productivity is one thing, what do you think of the story?"

"I haven't finished reading it yet......

"Can you see it now?" Keiichi Otomo said, "I can wait."

Artists are axes...... Fujiwara Kei said in his heart. He glanced at the schedule on his desk for today, the whole afternoon was free, nothing special, just stay in the office and write scripts and read books. So he nodded and began to look through it officially.

As soon as Megumi Otomo said to wait, she really kept waiting in the office, sitting honestly on the sofa, and Kei Fujiwara looked at it seriously.

Keiichi Otomo was able to sit honestly at first, but within twenty minutes, he began to walk around the office, his eyes falling on the pile of scripts written by Kei Fujiwara, as if he wanted to read it a little, but he was too embarrassed to speak.

After all, many of these scripts are works that have not been officially released, and she is not a TV series director and producer, and these are not animated scripts, so there is no reason to show him.

At this time, Fujiwara Kei raised his head, I wanted the assistant to get some tea and snacks for Keiichi Otomo, this guy was walking around the office, it sounded annoying, and when he looked up, he saw Keiichi Otomo's eyes fall on his waste paper pile, smiled, and said, "Mr. Otomo, I also wrote a script recently, can you also read it, is it convenient?"

"Of course."

Fujiwara thought for a moment, opened the drawer with the key, took out the bound script from the drawer and handed it to him.

The name on the script is: "Your Name".