Chapter 214: Revealing the Truth (1)

"Then start with my suspicions of you." Mill cleared her throat.

Everyone in the room waited silently, listening to the moment when Mir revealed the truth about the murder, especially the three of Mir's men, who couldn't wait to know how Omar managed to kill people quietly.

The other is Chris, who once made Ian's father, Amos Stoddard, feel extremely angry for his ridiculous fallacy.

"This morning, after I debated with Mr. Tabitt, I was in room 320 of the hotel until I saw your appearance, and at first I was not sure that the murderer was you, but only suspected."

Mill continued: "Your posture is almost the same as that of Mr. Tabitt, the only difference is your age, and it just so happened that last night you inexplicably appeared near the hotel, on the edge of the light source, and at this time you had a knife in your hand, a Scher's scimitar. ā€

"What does this prove? As I already said, the murderer was done by the guys at the police station. Omar's gaze glanced at Mir with contempt and quibbled.

Mir ignored Omar's words, knowing that Omar had been repeating that the people in the police station had done it, because there were so many people in the room that he might have been instigating and clarifying that he had nothing to do with the murderer.

"The clues and the evidence all point to Mr. Tabitt, and you're just trying to get rid of him with the help of the people at the police station, especially me." Mir turned to Omar and said, "Remember what I asked you when I went to the kitchen?" ā€

"Of course."

"You're a cook, and from my observation, the knife you had in your hand wasn't suitable for you at all, by the way, Marcos, you should know, I've seen his knife work, and it's very handy, but in fact, the Shersch scimitar is on you, and you didn't take him out to use it, am I right? Omar, the one on you is Ottoman, not Persian. ā€

"yes, I just forgot." Omar replied.

"You did it on purpose."

"Mr. Edward, don't slander me."

"No, there's a little bit of news about you that Chris gave me, and when I went to your restaurant that day, Chris said that your children died in that fire, and that they were very lonely old men," Mill looked at Doron and Marjorie and said, "They didn't die at all, I asked you, you and Doron often discuss cooking, so you are not lonely, your so-called loneliness is for them." ā€

"Later, when I asked Chris again, he gave me one of the most important pieces of information." Mill pointed to the wine on the table and said, "Abis, the green wine, Chris and Mr. Tabit have drunk it, it smells fragrant, and even though you put them in suspended animation, the smell left in the room can make me smell the last trace of it." ā€

"Haha, everyone who comes to eat at my Omar restaurant has tasted it, and most people in New Orleans know it exists." Omar smiled, trying to overturn Mir's reasoning.

Mill nodded, "That's right, this kind of wine may only be available in your restaurant." ā€

"No, there's already one in the New Orleans inn." Omar pointed at it, "Detective Edward, it's right here." ā€

"Yes, but you've overlooked one of the most important details."

"What details?"

"Your house."

"No, Mr. Edward, I'm just thinking about it, I'm a nostalgic person."

"I've thought about it, even if you miss the old again, it won't make him a dangerous house, right? It's almost going to collapse, and if there are a few more storms, your house will be blown to the shores of the Mississippi River. "Your restaurant makes a lot of money to feed your children, but you haven't thought about renovating it," Mill said. ā€

"Of course, I'm going to live in a different place later." Omar said.

"That's right, of course there's no need to renovate if you're going to France, but your money is spent on the people in the police station, and I guess that guy should be Inspector Louie's boss." Mill looked at Omar and then at Chris, "This is the place where only he can help you, where they are and where they live." ā€

"He's not Inspector Louis's boss, he's—" Omar immediately shut his mouth.

"He's not a boss, he's supposed to be an assistant to his boss."

"How do you know?"

"I have doubted Chris's boss, it is even more impossible, no boss would ever think of murdering his own person, this is the most honest character of you French." Mill looked at Chris and said, "That's the answer Chris gave me." ā€

"What? The answer I gave you? "Chris doesn't understand.

Mir replied, "Yes, your eyes, those extremely determined eyes, prove that there is nothing wrong with your boss, only the guy between you and your boss is the one who secretly communicates with Omar." ā€

"What about them?" Omar asked with a solemn face.

"Chris also said that you didn't like to hire maids later, there were maids in your restaurant before, and those conversations you had with Mr. Thabitt, I summarized that Carat and Lisa were arranged by you to the hotel." Mir's eyes slowly turned to Kra and said, "Am I right about the ghost, which is also your Omar's masterpiece?" Miss Carra Kalogra. ā€

Carat didn't dare to look up, but her body trembled slightly.

Mir was captivated by Carat's beauty, reminding him of what he was like when he was a child.

"I saw the ghost in the hallway of the third floor during the first murder, and the ghost of the moment she appeared last night, all dressed as Carat, you are going to turn the murderer into a ghost, I remember Chris's ridiculous remarks were in the newspapers."

Mir remembered who they were: "Cara and Lisa are both from the Ivory Coast, and they are from the slave market, looking at Cara's complexion, she should be a mixed race, her appearance and figure are extremely outstanding, you chose her, and there is a Lisa who is not outstanding, you chose her because she is very similar to your daughter Marjorie, but Lisa has a little accent, and she always calls you Ben." ā€

"As far as I know, most of the people in the slave farms in New Orleans were sold cheaply from the Ivory Coast, and their lives were almost worthless, but they became valuable to you Omar, and they would no longer work on cheap labor, and they could even get rid of the French nobility."

Omar nodded: "Indeed, Carat is the best girl, how could I let the French nobles succeed in such a beautiful girl, I paid a lot of money to buy from an inconspicuous nobleman." ā€

"Because of this, in order to repay you, she slept with her as a matter of course."

"It was of her own free will, and I didn't force her."

"Yes, you're lustful for beauty." Mill recalled: "I asked Lisa that time, and I asked it to your face, and she gave me a little too restrained, and she said that Carat was dead, and the description of the woman who disappeared was Carat, and you threw the question to the House of Customs, and directed and acted in a play to interfere with my judgment, and the most surprising thing to me was that you let Marjorie come to me in person, and make that kind of unbearable scene, and lead me to One Lafayette and the house in the neighborhood. ā€