One hundred and sixty-nine booted.
A week after Lin Muxi left, the actor's training officially ended.
"Sister Weaving, this is the scene to be filmed tomorrow, take a look." The assistant director took a stack of scripts and handed them to Oriori.
Oori took the script from the assistant director's hand and said, "I'll read it carefully." β
After the assistant director left, Weaving looked through the script, and the first scene after the start of the film was actually the last scene of the whole play.
Oriori returned to the room with the script in her hand, although she had read the script countless times and had memorized it backwards, but in order not to make a mistake tomorrow, she had to go through it again.
On the day of the start-up, Xue Ping, a powerful veteran actor who played against Weaving, had been waiting for a long time.
Xue Ping was originally reluctant when he learned that he was playing opposite him as a young traffic actor, and even had the idea of refusing to act.
But Director Ma repeatedly assured him that Ruan Zhi was a very good, talented and good actor.
Xue Fang reluctantly agreed to continue acting.
"Hello Teacher Xue." Weaving changed into clothes and walked in front of Xue Ping to greet him.
Xue Ping glanced at her coldly, the news of Lin Muxi and her gossip had been spreading in the past few days, and he couldn't get used to Ruan Weaving.
Director Ma is really blinded by lard, what kind of good director can this kind of person be?
Is she here to film or to fall in love?
"Teacher Xue, weaving, are you ready?"
Xue Ping nodded silently at the machine and said softly, "Ready." β
Oriori raised her voice and said, "I'm ready." β
This scene is the scene where Xue Ping sends Weaving Weaving away from the small mountain village, and the two are childhood sweethearts in the play, and they fall in love with each other, so they just have to pierce this layer of window paper.
In this scene, the two not only have to show their affection and reluctance as childhood sweethearts, but also express the wanton weaving of weaving to break through obstacles, happiness and Xue Ping's wishes and losses.
As the last scene of the whole play, this scene is naturally particularly important.
With the director's start of filming, Weaving and Xue Ping quickly entered the state.
"Brother Lang, I'm leaving." Weaving raised her eyes, there were faint tears in her eyes but she did not cry, her dark eyes were full of hope for the future.
Xue Ping lowered his head to meet the eyes full of stories, and was surprised in his heart, almost not catching the weaving scene.
He was busy adjusting his state and continued to act according to the script.
The performance of both sides in this scene was perfect, and the director walked out from behind the camera, his face full of surprise, "I really didn't expect that you could go through this scene all over again!" β
"I'm ready to shoot four or five times."
It's not that the director doesn't believe in the acting skills of the two, but this scene is really not easy to act, as long as the actors on both sides have one emotion, they have to push it down and start over.
Xue Ping looked at Weaving, this time his eyes were not as cold as they were at the beginning, "Ruan Weaving acted well, I was almost always taken away by her." β
This time, he understood that Director Ma was not blinded by lard, and Weaving was really good at acting.
Such a talented actor is rare in the circle.
"Director Guo has been praising you for a long time, saying that you are a very good actor, and I finally saw you today." Director Ma looked at Weaving with sparkling eyes.
Oriori smiled and said, "Director Ma, I said I wouldn't let you down. β
Director Ma laughed, this little girl is really not modest, if it is someone else, he will definitely be humble when he asks the other party like this.
"Well, I know you." Director Ma smiled and said, "It seems that I can also see how powerful Ruan Yiyi is." β
"Ruan Yiyi?"
"Director Guo said that all your scenes are one, so I call you Ruan Yiyi."
Zhizhi rubbed her eyebrows, she didn't know that Director Guo actually called her that behind her back.
After this one was filmed, Oriori continued to shoot the next one, and the shooting task that was originally planned to be completed in one day was actually completed in the morning.
In the afternoon, the director saw that the weather was just right today, so he hurriedly transferred everyone to shoot a large group scene together.
At sunset, Weaving finally finished the day's filming task, and she was about to carry her small kettle and leave with Yu Min, but was stopped by Xue Ping on the way.
Oriori raised her eyes and looked at the person in front of her curiously.
What is he going to do?
Xue Ping stared at her and didn't say a word.
One big and one small, standing in the dark and staring at each other.
Weaving is confused, what is this person doing? Want to trouble her?
After being silent for a long time, Xue Ping took out something from his bag and handed it to her, then turned around and left without saying a word.
Oriori looked down at the thick book in his hand, which readβthe actor's self-cultivation.
Weaving looked confused, I don't understand why Xue Ping didn't give her a book?
Yu Min explained to Zhizhi in a whisper, "Sister Zhizhi, I heard that Xue Ping likes to give this book to his favorite junior actors. β
Weaving turned his head to look at Yu Min when he heard this, "Soββ? β
"So Xue Ping sent this book to you, it should be optimistic about you."
Weaving checked the book in her hand, she had never read this book before, and all her acting skills came from real work again and again.
The days of filming always pass quickly, and in a blink of an eye, the Spring Festival is coming.
The actors and the director asked for leave to go home for the New Year, but this project is a key project of the national plan, and it will be released as a Chinese New Year film, and the date card is very tight, and there is no way to let the whole crew go home for the New Year.
In the end, the director frowned and gave a day or two off to the people who didn't have a heavy role, and allowed them to go home for the New Year.
As the female number one in this TV series, Weaving has the most scenes, and the director didn't give her a day off.
The actress in the same crew patted Weaving's shoulder before leaving, with a sympathetic expression, "Weaving, I'll bring you New Year's goods back." β
Oriori doesn't actually have any special emotions for the New Year, she has always been alone, and the New Year is no different from an ordinary day for her.
The original owner was determined to learn acting at the beginning, and when the actor and his family fell out completely, the original owner had no contact with his family for several years.
On the day of the Spring Festival, weaving subtly felt the different atmosphere of the crew.
Everyone couldn't go home, so they spontaneously prepared dumplings and all kinds of bacon and lo-mei in the crew.
The director took advantage of the Spring Festival to deliberately ask the props team to help prepare the items needed for the New Year, and took advantage of the situation to shoot the New Year's scenes in the play.
On the thirtieth day, weaving and weaving smelled the fragrance of marinade all over the village.
Hongxia's sister-in-law saw that Zhizhi woke up and warmly beckoned her to eat dumplings together.
The cold wind blew, weaving and weaving hugged the cotton clothes and rushed to today's shooting location alone, Yu Min had already been driven back by her for the New Year.
She knew that Yu Min's family had been looking forward to her coming home for a reunion.
When Director Ma saw Weaving, he didn't rush to film, but took out a red envelope from his pocket and handed it to Weaving, and said, "Weaving, Happy New Year." β
Weaving took the red envelope, "Happy New Year." β
Director Ma saw Weaving and Seeing Weaving accept it, Director Ma smiled and handed Weaving a red envelope, "Weaving, Happy New Year." β
"Director Ma, why did you send me two red envelopes?"
(End of chapter)