Chapter 30: The History of Destruction Inscribed in the Temple, the Sun King Stained

In the Golden Country, the power that initially hindered Helena and his exploration of the Bronze City no longer exists.

At that time, the "barrier" that prevented Helena from finding the missing person was actually a spatial barrier separating the current underground world from the Bronze City.

But since Bu Shun led everyone into the Golden Township in person, this barrier has also disappeared automatically.

…… What does this mean?

Bu Shun and Helena both know it.

More intuitively, Helena was already able to easily open a direct passage to the temple through the Mirror Realm system.

You must know that at the moment when all these protections have not been dissipated, the power that guards the foundation of the [Seven Deadly Sins] is also protecting the temple of Norton. Even if she was as strong as Helena, she was not willing to rashly invade the realm carefully arranged by a dragon king.

And Helena M. Meta's current strength, in terms of the "mental system" standard she summarized, is Lv100......

- The limit of the [Fourth Rank]!

"Won't there be a trap?" Looking at the flickering firelight behind the open passage in front of him, Old Tang couldn't help but swallow his saliva, and looked worried: "I always feel that as soon as I pass, some boss will suddenly jump out!" ”

"Rest assured, there will be no danger to the temple."

Bu Shun smiled slightly, and took the lead in taking a step: "As long as you are by my side, I will also protect you in the face of real danger." ”

The moment he stepped into the passage, Bu Shun's figure in a white uniform coat disappeared in front of everyone.

Then Helena followed in the footsteps of her own commander into the passage, and Lu Mingfei and Chu Zihang couldn't wait to carry their weapons and walked side by side into the unknown space.

When it comes to this, there is no time for others to hesitate.

The chief gentleman of the backbone is not there, and no one wants to stay alone in this infernal purgatory. Caesar frowned and supported Chen Motong, and as Ye Sheng and the others quickly walked into the passage, leaving Lao Tang alone to look at the passage in shock.

Why was a little person who was no more inconspicuous than himself involved in this terrifying and fantastical journey?

Old Tang thought that he should be panicked, but for some reason, he felt inexplicably relieved.

Maybe it's his own delusion, the young man scratched his head.

Finally, into the boundless darkness.

……

……

Walking into the passage, Old Tang only felt a tremor.

It felt a bit like stepping into a train car that had just started, and with a slight shaking, the body began to move in a certain direction.

It's just that, after about three or four seconds, it has already "arrived".

This is the side of the temple, and the walls of the palace are cast in golden metal.

The Yongming flame flickered in the bronze lampshade on the wall, illuminating the slightly empty space.

Countless shelves-like spaces are neatly arranged in various places, in which iron books are placed.

Filled with a kind of ...... A sense of civilization.

Civilized, civilized.

For as long as half-breeds have been recorded, dragons never seem to have been regarded as a civilization by arrogant humans.

Rather, it is a group of intelligent beasts with great power.

But the scene in the library in front of me proves that the "dragon family" ...... Not a beast.

To record what happened in the past is to accumulate wisdom and remember history – this is the symbol of "civilization".

The last old Tang who walked out of the passage had just landed, and his eyes had just adapted to the new environment, and he saw Lu Mingfei and his party standing together, looking up at something.

"What are you looking at?"

Aroused by curiosity, Old Tang came to Lu Mingfei's side and looked up like him.

What catches your eye is a huge fresco that fills the entire bronze ceiling – or perhaps an etching?

Lu Mingfei shook his head, and subconsciously lowered his voice and said, "It seems to be ...... Something like history? ”

Frescoes are an ancient and traditional way of keeping records, and the dragons used to record important things on bronze buildings, a custom that probably originated in Norton, who was the king of bronze and fire.

The four dragon kings dominate different elemental realms, have different personalities, and have different methods of habituality.

For Norton, bronze is as familiar and convenient as flesh and blood. Coupled with the birth of alchemy, it became the cornerstone of the dragon civilization, and eventually the habit of using bronze as a carrier spread to the entire dragon race......

After all, ordinary dragons don't have the ability to record the history in wind and light, plants and soil.

The bronze surface they saw at this moment was meticulously painted in abstract but delicate colors using various colors of metallic paint.

In the painting, an orange sun shines on the vast land, and giant trees grow on the ground. But this is not the primitive age of barbarism, and the creatures on the ground are not giant beasts that match the giant trees, but small people that grow from the trees.

It's like a dwarf.

The drawings also have descriptions of dragons, which are convenient for later generations to read.

The number of words is not much, but the dragon script is an extremely complex abstract symbol, and the meaning that can be expressed by a word is likely to be equivalent to a large paragraph of words, and even contains the corresponding spiritual inscriptions.

Lu Mingfei and Chu Zihang can't read such a complicated dragon text...... However, there are professional masters here.

Helena spoke:

"The text above records about 28,000 years of the previous race called Muria."

"This race is a race that has been blessed by the king, born with gifts, and has grown out of the giant trees rooted in the lava of the earth."

"They have developed excellent biotechnology that can use the energy of light to build a thriving civilization on the earth...... However, this stupid and pathetic creature actually spied on the power of the sun. ”

"They intended to reach the height of kings by dominating the sun, which gave them the gift and the power of infinite light...... It was this greed that ultimately led to their destruction. ”

Helena's voice paused slightly: "In the end, the king's anger turned into a meteor rain of fire that bombarded the earth, completely erasing this stupid race that dared to offend the king's divine might...... The roots of the giant tree they live in have been burned, and the world has returned to its environment of fire and heat. ”

The group could hear it, and even Chen Motong was no exception.

At the end of the mural, it is a seven-horned dragon embracing the sun, releasing infinite flames and colors, destroying everything on the earth......

The delicate strokes depict the god-like dragon and the sun embraced by him in the most ornate way, and the scorched earth can even make the viewer's heart feel a burning sensation.

No doubt.

The frescoes describe the ...... It is the destruction of the so-called "Third Solar Age".

Muria (Torrequiavi) is a civilization recorded in Mayan legend in the Third Solar Age, which is secretly destroyed by a meteor rain of fire, and the only dragon in the dragon family that meets this description is the King of Bronze and Fire.

Bu Shun remembered the scene of Norton's destruction he saw when he first entered the historical reconstruction copy.

However, Chu Zihang, who was a good student, was puzzled: "That is to say, the destruction of the Third Solar Age...... Did it actually happen in Svartalfheim? ”

This does explain why there is no trace of the Third Solar Age on Earth, because the destruction of this civilization actually took place in the world "next door" to the atrium.

The Mayans, perhaps from the Muria who fled to the Atrium, received some obscure records that eventually became part of the Doomsday Prophecy and spread to their time.

But here comes the problem again.

Chu Zihang was puzzled by this, Norton's dependents ...... Isn't it a dwarf?

In a description like this temple mural, the one that does not include the Riddler link must be very accurate. The dragon text describes the Murians as a people born with the gift of kings, which means that they belong to the dependents of a certain dragon king!

The Muria growing out of the trees in the mural appear to be similar to gnomes, but they are clearly not the same species.

And they don't feel connected to Norton, the "Lord of Bronze and Fire...... In the description on the fresco, not only are they not good at blacksmithing, they don't even use metal! Instead, grow all kinds of exotic plants!

Lu Mingfei complained: "They look like they came out of the set of Plants vs. Zombies." ”

In terms of painting style, this race can't get along with Norton, and it's not at all as "compatible" as the gnome and the bronze and fire kings...... It gives the feeling that, ah, this is how Norton's family should be.

Regarding Chu Zihang's question, Helena shook her head and said softly.

"Legend has it that the place where the Muria people live is called Mu Continent, which is a rich and fertile land."

"But in the world of the dragons, the place where they live is called 'Muspelheim'......"

"That's another dragon lord's territory."

Lu Mingfei and Chu Zihang's pupils shrank, and at the same time, they thought of the secret they had learned in the gray capital of Koinyasis.

The Lord of Bronze and Fire - there are two!!

PS: The foreshadowing of the Muria civilization in the Third Solar Age has also been buried for a long time, and it is exactly mentioned in the chapter on the Boiler of Chaos.

PS2: Today's update is over, and I will take three days off after that! I'll come back after preparing for the exam! Red bean puree private Marseille!

(End of chapter)