After meals, in the courtyard, gazebo.

In the pavilion, Pu Xinji's bucket square was spread out on a few sides, and a circle of people watched, pointing and pointing.

Not only were there three old men with gray heads, Xiao Long and Chang Xian, but there were also two painters from the Jinmen Painting Academy who also came to observe, and these two were the disciples of the two old gentlemen Xiao Sun.

"Speaking of Mr. Xinji's paintings, of course, it is high, but I can't say how deep the skill is, I can only say that it is God's appreciation of food, and the extremely high painting attainments are really talented, or the talent is far above the skill, and it can even be said that he has not used much hard work in painting."

Xiao Yao was full of interest and said:

Of course, then again, no academic or artistic, ancient or modern, Chinese or foreign, any accomplished person can not be able to do it in a vacuum, without learning, or write and draw something he has never seen. It's just that some people know one when they hear it, and some people know two when they hear it. ”

"And Mr. Xinji, I'm afraid you can know everything."

"It is said that Mr. Xinji's talent in painting is too skillful, which is a comparison between the two, not that he sees nothing in his eyes, and he can paint a masterpiece that is not good in the past and is not good today."

"I have seen two "Shangyuan Night Drinking Pictures", one is the true work of "Yangzhou Eight Monsters" Luo Ping, and the other is Mr. Xinji's Linben, Linben's pen is upright, the charm is ancient, compared with the two, it is not like Pu Lin Luo Ben, it is definitely like Luo Lin Puben. And so on, it's like turning iron into gold. ”

It can be seen that Mr. Xinqi is by no means different from the dead learning of "looking for lines and counting ink" and "taking off the mold", but he goes in and comes out again, and he understands it thoroughly. ”

Sun Qifeng nodded, and taught on the spot: "When the Zen family compares genius to comprehension, he says: Those who enter from the door are not family treasures."

"Therefore, no matter in the north or south, there are not many painters who learn Mr. Xinji's painting method, and of course there are those who have gone up to a higher and broader realm from Mr. Xinji's ladder; There are also those who concentrate on simulating or even imitating to fill the authenticity of Mr. Ji, but those imitations are difficult to get into the slightest. ”

"Why? Because if there is a definite law, it is easy to simulate, and if there is no definite law, it is not easy to figure out. A work like Mr. Xinji's hand-wrenching and free-flowing parade is really like playing hide-and-seek with imitators, so that they can't find it. “

Xiao Yao suddenly laughed and said: "Not to mention Mr. Imitation Xinji, there are many people who imitate me now, if the painting level of the counterfeiter can reach 60% of me, I am very happy in my heart, but no."

"In the end, it's because I'm thinking about opportunism and refusing to do those stupid things!" Nan Jinyu's voice was cold.

……

Several of them are today's everyone, and they have a lot of treasures in their chests. In particular, Xiao Yao is originally from Beijing, and has a close relationship with the old gentlemen, and it is even more eloquent to talk about it, which is eye-opening.

Speaking of Pu Xinshe, the old prince and grandson, there are a lot of interesting things.

Talent, like power, is unreasonable.

As Xiao Yao said, Pu Xinji is not known for his skill in painting, but for his extraordinary talent.

Pu Xinji's painting of mountains, rocks and trees has never been like what is said in the "Mustard Seed Garden Painting" and other paintings, using such a method, the point method and some of the methods passed down from generation to generation.

And he is unique, sometimes hooking out the outline, and the pen is erased horizontally and vertically, and it is just right.

However, this kind of innocent and swaying character is not suitable for painting on some raw and thick rice paper made in modern times, and because of the unsuitability of this condition, there has been another good story caused by a misunderstanding.

Once, someone asked the painting shop to paint a large middle hall on behalf of Mr., and what was sent was a piece of freshman rice paper.

As usual, Pu Xinji let go of his hands to draw, or even to erase, and as a result, the pen reached three points, and the ink was soaked and expanded to five or six points. Regardless of the question, it can be seen that the appearance of Pu Xinshe's usual works is naturally very different.

Of course, the fake connoisseur who took out the raw rice paper would not be willing to accept it. In the end, this raw paper work has become a wonder in the art shop. Because of its special artistic effect, it was bought by collectors at a high price.

Pu Xinji also has a story that circulates that talkers often use as a laughing stock.

Once, the painter asked Pu Xinji, did the painting he asked for be completed?

Pu Xinji pointed to the other house and said, "Then I have to ask them, ask them if they can draw it?"

If this sentence sounds in isolation, it seems that there are many ghostwriting forgeries in Pu Xinji's family.

But in fact, it is taken out of context, the saying is untrue, and the flow is Danqing.

You must know that Pu Xinji's calligraphy and painting, only the kind of strength and special style, no one can be completely similar. The so-called asking them to paint is only the part of processing and patching, and it is impossible for each of Mr. Wang's works to come from their hands.

……

Let's go back to the semi-finished paintings that I get in my spare time.

It is not uncommon for the ancients not to finish painting.

Because the ancients were both elegant and shameless, it often happened that they "grabbed paintings".

Mi Fu, one of the "Song Four Families", is the leader in this, and has done countless such shameless deeds.

Mi Fu is uninhibited by nature, pretending to be crazy and stupid, often encountering stone called "brother", worship, people call him "rice crazy".

He can write poetry, be good at calligraphy and painting, fine identification, calligraphy and painting into his own family, and founded the "rice point landscape".

Song Dynasty Zhou Hui's "Qingbo Magazine" is the famous Song notes, according to his records, Mi Fu likes to collect ancient precious paintings and calligraphy, even to the point of being drunk, but his collection of ways and means is unscrupulous, despised.

If he heard that someone had an ancient painting, he would try his best to borrow it in the name of appreciation, saying that it was ornamentation, but in fact it was copying.

Mi Fu's level of calligraphy and painting is very high, especially the copying kung fu is very deep, according to research, we now see some of the calligraphy works of the "two kings", such as Wang Xianzhi's "Mid-Autumn Festival", etc., are not genuine, but Mi Fu's pro.

Then he actually returned the copy to the family and took the original copy for himself. Sometimes, he will also show the original and the copy to others to choose at the same time, and the original owner will often be fooled and mistakenly choose his copy.

Is this a human thing?