Chapter 477 Sister Bu was robbed

"Zhu Daying, aren't you too outward-looking? This bottle of soda and two incense sticks are worth a few dollars," Xi-rou exclaimed in a rare and strange way.

Since people want to be polite, Zhu Houzhao is used to it, so if you don't accept it, you won't accept it.

Then he said to the young man, "Come, let's go and talk to a table next to me where no one is around." ”

Zhu Houzhao took the young man to a table next to no one, Zhu Houzhao asked the clerk to come up with a few dishes, and then motioned for the young man to sit down as well, and let him talk while eating.

The young man seemed to know that Zhu Houzhao didn't know his name yet, and as soon as he sat down, he said while eating: "Brother Zhu, my name is Xiaosheng, I have participated in the factory protection team, you should have seen me in Bu Zong." ”

Zhu Houzhao nodded, meaning to agree with this judgment called Xiaosheng.

But he also couldn't figure it out, seeing that this little student was in his twenties, and he did a good job in Bu Zixuan, he really couldn't figure out why he came to the capital, and he was hungry and cold to steal food from the restaurant Such an unchildish move, this is really a talent.

"Tell me, what the hell is going on? Didn't you do it at Mr. Bu?" Zhu Houzhao asked.

Zhu Houzhao noticed that this Xiaosheng was unkempt and ragged, and it seemed that he should not be doing well in the capital.

Xiao Sheng said angrily: "I want to do it at Mr. Bu!" But what else do you have to do?"

As soon as Xiaosheng said this, Zhu Houzhao was taken aback.

Hurriedly asked, "Tell me, what the hell is going on?"

Xiao Sheng's eyes turned red, and said: "Brother Zhu, maybe you don't know that since you left Cangli, the factory of Mr. Bu called the Fusang man named Oshima Xiong Er to forcibly occupy it, and when the Fusang ronin came to take over the factory, Mr. Bu was not convinced, and the Fusang people were almost killed."

The factory guards were angry, and the Fusang ronin fought, but because the Fusang ronin everyone knows the hand way, and also has a katana, the enemy is outnumbered, the workers naturally can't fight, either dead or injured, this battle many of our brothers are gone, not dead and seriously injured are also caught by the Fusang ronin, I am down a few Fusang ronin, only to take advantage of the chaos to escape, if you don't escape, maybe you will also be in prison, tortured to death. ”

I heard that Sister Bu's factory called Oshima Xiong Er to forcibly occupy it, and Sister Bu was almost killed, which greatly surprised Zhu Houzhao's expectations, he didn't expect that after he left Canghui, Canghui would have such a big change.

However, at the moment, he is most worried about Bu Zixuan's safety, "Then how are you Bu Zixuan now?" Zhu Houzhao asked anxiously.

"I don't know, but then I heard that she also escaped with injuries and is still in trouble." Xiaosheng Road.

"Then there was such a big commotion, and the police didn't come? Didn't you care? The police are very powerful in front of the people on weekdays. ”

"What? Police?" Xiao Sheng sneered.

"The police are coming, but as soon as they hear that no Fuso people are dead, they will throw their hands and leave, and once the Fuso people die, it will cause international disputes, and there is no slackness! As for the death of a few people, in their eyes, it is like a few ants that have died. ”

"What kind of bullshit is this?" Zhu Houzhao was so angry that smoke came out of his head, and he smashed his fist on the table.

After a while, Zhu Houzhao asked a little strangely: "Then why did you wander to the capital?" And it has actually developed to the point of stealing things from restaurants?"

Xiao Sheng lowered his head for a long time before saying: "Because I am a person from the capital, I originally wanted to come back to see my parents, and then go back to Cangli and find a chance to avenge Mr. Bu and his brothers!" But when I returned to the capital, I couldn't find my parents because of the war in the past few years......"

After a while, Xiao Shengcai continued: "I was very depressed because I couldn't find my parents, and because I had no money and was hungry and cold, when I happened to walk here, I saw a restaurant, so I went inside for a while, and happened to see food in the hall again. ”

Zhu Houzhao can only express his condolences for Xiaosheng's misfortune, but as a former colleague of the factory team, Zhu Houzhao feels that he should do something for him.

Thinking of this, Zhu Houzhao took out a thousand foreign tickets and handed them to Xiao Sheng and said: "You go back first, tell her to recuperate well when you meet Mr. Bu, I will keep in mind the fact that Oshima embezzled her factory, and when I am free, I will go to Cangli sooner or later to help her get justice." ”

Xiao Sheng stood up in surprise, this Brother Zhu said to help, then there must be no problem.

Although he didn't want the thousand yuan, he didn't have a penny on him, so he had to put it away.

"Xiao Zhu, have you finished speaking? We're going to leave when we're full. At this time, Qi Hongyu, who had only heard enough, stood up from the dining table on the side and greeted Zhu Houzhao loudly.

"It's coming, it's coming." Zhu Houzhao replied loudly while shaking hands with this little student and saying goodbye.

The participants from other places visited the cultural and historic sites in Beijing and left the farmhouse on the edge of the Xirou Great Wall, and under the leadership of the tour guide, they took the tour bus and started the next stop of the trip.

This time their destination was the Summer Palace.

The Summer Palace is located in the northwest suburbs of the capital and is mainly composed of Wanshou Mountain and Kunming Lake. As early as the Yuan and Ming dynasties, it became a famous tourist attraction with its beautiful natural pastoral scenery as "the first in spectacular China". Today's Wanshou Mountain, the Yuan Dynasty is called Urn Mountain, legend has it that there is an old man who dug out a stone urn full of treasures on the mountain and got its name. In front of the mountain, there is a lake named Wengshan Bo. In 1292 A.D. (Yuan Dynasty to Yuan Dynasty 29 years), the scientist Guo Shoujing excavated the Tonghui River, diverted the spring water of Changping and Xishan into the lake, injected it into the palace wall, and connected it to the Cao Yun, and the Wengshan Bo began to become a reservoir for the water of the capital. From this to the Ming Dynasty, there are a number of influential temples around the lake, especially the "Great Chengtian Protector Temple" on the northwest shore of the lake is the most huge, the building is magnificent, the white marble fishing platform extends into the lake, the emperor of the Yuan Dynasty often goes here to raft and swim, fishing and fishing. During the Ming Dynasty, Wengshanbo was renamed West Lake, "ten miles around the lake, and it is the resort of a county". Every year, when the peach and willow are green, the people of the capital help the old and the young, and strive to go to the West Lake to enjoy the spring, and the name is called: "play the scenery of the West Lake". At that time, people still had the reputation of "Ten Temples of West Lake" and "Ten Views of West Lake".

The Summer Palace was once the palace and garden of the Qing Dynasty emperors, formerly known as Qingyi Garden, is the last garden built in the three mountains and five gardens, was built in 1750 and completed in 1764, with an area of 290 hectares and about three-quarters of the water surface. Before Qianlong succeeded to the throne, in the western suburbs of Beijing, four large royal gardens had been built, from Haidian to Xiangshan, these four gardens were self-contained, lacking organic connection with each other, and the "Wengshan Bo" in the middle became an open area. In the fifteenth year of Qianlong (1750), the Qianlong Emperor rebuilt it into Qingyi Garden here, and connected the four gardens on both sides as a whole, forming a royal garden area of 20 kilometers from the current Qinghua Garden to Xiangshan. In the tenth year of Xianfeng (1860), Qingyi Garden was burned down by the British and French forces. In the fourteenth year of Guangxu (1888), the Empress Dowager Cixi used 30 million taels of silver to rebuild it in the name of raising naval funds, and renamed it the Summer Palace as a summer amusement place. In the 26th year of Guangxu (1900), the Summer Palace was destroyed by the "Eight-Nation Alliance" and many buildings were burned. It was restored in the 29th year of Guangxu (1903).

After arriving at the Summer Palace, everyone visited while walking under the guidance of the guide.

The tour guide introduced: "The main scenic spots of the Summer Palace are as follows, one is the East Palace Gate Area: In the easternmost part of the Summer Palace, this area was originally the place where the Qing Dynasty emperor engaged in political activities and lived in life, including the Renshou Hall of the court to meet the ministers and the north and south court rooms, sleeping palaces, large theaters, courtyards, etc. The east gate of the Renshou Hall is now the main gate of the Summer Palace, it sits west and faces east, and the eaves of the lintel are all painted with oil paint. Six vermilion doors are embedded with neat yellow door nails, and there is a large plaque with nine dragon gold characters hanging under the eaves in the middle, and the three big characters of "Summer Palace" are written on it, which is the imperial pen of the Guangxu Emperor. The cloud dragon stone on the royal road Dan in front of the door is carved with two dragons playing with pearls, which was carved in the Qianlong era, and was moved from the ruins of the Old Summer Palace (Anyou Palace), which is a symbol of the emperor's dignity. The East Palace Gate was only for the Qing Dynasty emperors and queens to enter and exit.

The second is the Renshou Palace: inside the East Palace Gate of the Summer Palace. It is the hall where the Empress Dowager Cixi and the Guangxu Emperor sit in the court to listen to the government and meet foreign guests. Originally known as Qinzheng Palace, it was rebuilt in Guangxu and renamed Renshou Palace. East direction, face wide seven rooms, both sides have the north and south with the hall, there is Renshou door in front, outside the door is the north and south Jiuqing room, the copper dragon, the copper phoenix, the copper tripod and so on, the carving is extremely exquisite.

The third is Le Shou Tang: it is the main building in the living area of the Summer Palace, which was originally built in the fifteenth year of Qianlong (1750 AD), destroyed in the tenth year of Xianfeng (1860 AD), and built in the thirteenth year of Guangxu (1887 AD). Facing Kunming Lake, backed by Wanshou Mountain, reaching Renshou Hall in the east and connecting the promenade in the west, Le Shou Tang is the best place to live and play in the park. In front of the hall, there is a wharf where Cixi took a boat, "Le Shou Tang" black background gold horizontal plaque is Guangxu handwriting. The courtyard is planted with magnolia, Xifu begonia, peony and other precious flowers and trees, taking the meaning of "Yutang wealth". The hall is equipped with thrones, imperial cases, palm fans and glass screens. Next to the seat, there are two large disks of green dragon flowers for fruit smelling, and four large copper furnaces for burning sandalwood. The west suite is a bedroom and the east suite is a dressing room. The large indoor red sandalwood wardrobe is a relic of the Qianlong period. In the courtyard of Le Shou Tang, there are copper deer, copper cranes and copper vases, which mean "Liuhe Taiping". The flowers in the courtyard are planted with magnolia, begonia, peony, etc., and the famous flowers are full of the courtyard, which means "Yutang is rich and noble". The magnolia flowers here are very famous, and now the one in front of the Yuemen Gate was transplanted by Qianlong from the south.

The fourth is Yulan Hall: Yulan Hall is built in the southwest of Renshou Hall on the shore of Kunming Lake, and is a three-courtyard building. The main hall Yulan Hall sits in the north and faces south, the east is equipped with the Xiafen room of the hall, and the west is equipped with the lotus root Champs. The east hall can go to the Renshou Palace, the west hall can go to the lakeside wharf, and the back door of the main hall is directly facing the Yiyun Pavilion. The back eaves and the two side halls are brick walls to isolate from the outside world, which is an important historical site in the Summer Palace. In the twenty-fourth year of Guangxu (1898), after Cixi launched a palace coup, she imprisoned Emperor Guangxu, who advocated changing the law. It is the sleeping palace of Emperor Guangxu.

The fifth is the Grand Theater: in the Dehe Garden, together with the Qingyin Pavilion in the Chengde Summer Resort and the Changyin Pavilion in the Forbidden City, they are collectively known as the three major stages of the Qing Dynasty. The Grand Theatre of Deheyuan was built for Cixi's 60th birthday and was dedicated to Cixi's play. With a height of 21 meters, it is second only to the highest Buddha Incense Pavilion in the Summer Palace. The theater building has three floors and the backstage makeup building has two floors. There are seven "patios" on the roof and "ground wells" in the floor. At the bottom of the stage, there are wells and five square pools, and when performing the gods and ghosts, they can descend from the "sky" or from the "earth", and they can also lead water to the stage.

Sixth, Kunming Lake: It is the main lake of the Summer Palace, accounting for three-quarters of the total area of the park, about 220 hectares. The former lake area in the south is rippling with blue waves, the smoke waves are rippling, the west looks undulating, and the north looks at the pavilions into groups; There is a west embankment in the lake, and the peach willows are lined up on the embankment; The seventeen-hole bridge lies across the lake, and there are also classical buildings of different forms on the three islands in the lake.

Seven is the prospect of Wanshou Mountain: the scenic spot is dominated by two vertically contrasting axes, the east-west axis is the corridor, the north-south axis starts from the middle of the corridor, and is the Paiyun Gate, the Ergong Gate, the Paiyun Palace, the Dehui Palace, the Buddha Xiang Pavilion, and the wisdom sea until the top of the mountain. Wanshou Mountain was formerly known as Jinshan, Wengshan, 109 meters above sea level, south of Kunming Lake, with Buddha Xiang Pavilion as the center, formed a group of majestic, majestic and magnificent building complexes. On the east side, there are stone tablets of "Wheel Collection" and "Wanshou Mountain and Kunming Lake", and on the west side, there are Wufang Pavilion and Baoyun Pavilion. Climb to the top of the mountain, you can overlook the scenery of Kunming Lake.

Eight is the Buddha Xiang Pavilion: located in the mountainside in the middle of the mountain in front of Wanshou Mountain, built on a square pedestal with a height of 21 meters, it is a building with eight sides, three floors and four eaves; The pavilion is 41 meters high, there are 8 huge iron pear wood optimus pillars in the pavilion, the structure is complex, it is a classical architectural boutique. After the original pavilion Xianfeng 10 years (1860) was burned down by the British and French forces, the 17th year of Guangxu (1891) spent 780,000 taels of silver to rebuild, and the 20th year of Guangxu (1894) was completed, which was the largest project in the Summer Palace. In the cabinet, the "Buddha of Introduction" is enshrined, and the royal family burns incense here.

Nine is the Paiyun Palace: in the center of the building in front of Wanshou Mountain, it was originally the Great Reward Grace Yanshou Temple built by Qianlong for his mother's 60th birthday, and it was changed to Paiyun Hall when Cixi was rebuilt, which was the place where Cixi lived in the garden and received worship when she celebrated her birthday. The word "Paiyun" is taken from Guo Pushi's immortal Paiyun Mountain, but see the gold and silver platform", which is a metaphor for the immortal mountain Qiongge surrounded by clouds, and the fairy is about to appear. From a distance, the Paiyun Hall and the archway, the Paiyun Gate, the Jinshui Bridge, and the Ergong Gate are connected into a straight line that rises layer by layer. The Paiyun Hall is the most spectacular group of buildings in the Summer Palace.

Ten is the sea of wisdom: it is a religious building at the highest place on the top of Wanshou Mountain, and it is a beamless Buddha hall made of bricks and stones, which is composed of vertical and horizontal arch structures. The outer layer of the building is all decorated with exquisite yellow and green glazed tiles, and the upper part is covered with a small number of purple and blue glazed tiles, and the whole building appears bright and magnificent. In particular, more than 1,000 glazed Buddhas embedded in the outer wall of the hall are more distinctive. The term "sea of wisdom" is a Buddhist term that originally meant to praise the wisdom of the Buddha as the sea and the boundlessness of the Dharma. Although the building is very much like a wooden structure, it actually does not have a single piece of wood, and it is all made of stone bricks, and there is no purlin to bear the load, so it is called "beamless hall". The long corridor is also called "Amitayus Hall" because the hall enshrines the Buddha of Amitayus.

Eleventh is the corridor: the corridor is located at the southern foot of Wanshou Mountain, facing Kunming Lake, north of Wanshou Mountain, east from the Moon Gate, west to Shizhang Pavilion, a total length of 728 meters, a total of 273 rooms, is the longest verandah in the Chinese garden, there are colorful paintings on each beam on the corridor, a total of more than 14,000 pictures, including landscapes, flowers, birds, fish and insects, character allusions, etc. The figures in the painting are all based on classical Chinese classics.

The twelfth is the middle of the painting: the middle of the painting is a group of important scenic spots in the west of Wanshou Mountain. It is built by the mountain, there is a two-storey pavilion in the front, there is a floor on the left and right, the name is "love the mountain", "borrow autumn". There is a stone memorial arch behind the pavilion, and behind the archway is "Chenghui Pavilion". There are climbing corridors between the buildings. Because it is located in the middle of the mountainside, the architectural forms are rich and colorful, the buildings, pavilions and corridors are built on different contour lines, and a group of buildings covered by red, yellow, blue and green glazed tiles are clustered in the green mountains and cypresses, which resemble a Chinese landscape painting.

Thirteen is to listen to the oriole hall: it was originally built by the Qianlong Emperor for his mother to watch the play, there is a two-storey stage inside, because the ancients often borrowed the call of the oriole bird to compare the beautiful and beautiful music, so it is called "listening to the oriole hall". In the tenth year of Xianfeng (1860), it was burned down by the British and French forces, and was rebuilt in Guangxu. Before the completion of the Grand Theater of Deheyuan, Cixi often watched plays and feasted here.

Fourteenth is the Copper Pavilion (Baoyun Pavilion): The Copper Pavilion is one of the most exquisite and largest copper castings in China. A 4-meter-high white marble pedestal built in the west side of the Buddha Xiang Pavilion in the courtyard of the Wufang Pavilion was built in the Qianlong period, 7.5 meters high and weighs 207 tons. There are rhombic fans on all sides. Although it is made of copper, it is made entirely of timber frame. There are doors on the east, south and west sides, with four lattice doors and eight lattice windows on the north side. The lattice sash of doors and windows have a lattice fan heart, and the upper part of the curtain frame also has a lattice fan heart, and all lattice fan hearts are two layers inside and outside.

Fifteenth is Wenchang Pavilion: Wenchang Pavilion is at the north end of the east embankment of Kunming Lake in the Summer Palace. It was originally a city pass, one of the garden gates of Qingyi Garden. It was built in the fifteenth year of Qianlong in the Qing Dynasty (1750), and the existing city tower was rebuilt in the Guangxu period (1875-1908). The plane of the corner corridor of the four corners of the city head is in the shape of "people", and the middle is a three-story pavilion. The middle layer enshrines the bronze statue of Emperor Wenchang and the statue of the fairy child, and there is a bronze mule next to it, which is very distinctive.

Wenchang Temple is located in the east of Wenchang Pavilion, and the Wenchang Museum is the largest and highest-grade cultural relics exhibition hall in China's classical gardens. There are six special exhibition halls in the museum, involving bronze, jade, porcelain, gold and silverware, bamboo, wood and tooth hornware, lacquerware, furniture, calligraphy and painting, ancient books, enamel, clocks and watches, miscellaneous items, etc. Due to the specific royal environment of the Summer Palace, these works of art represented the best level of craftsmanship at that time, and many treasures were important to the state at that time; The museum also displays some of the daily necessities of the Qing Dynasty court.

Sixteenth is the Houshan Houhu Scenic Area: located in the northernmost part of the Summer Palace, there are fewer buildings, green trees, twists and turns of the mountain road, elegant and tranquil, and the gorgeousness of the front mountain is in sharp contrast. A group of Tibetan buildings and Suzhou Street with the characteristics of Jiangnan water towns have a compact layout and each has its own interesting interests.

Seventeen are the four major prefectures: the four major prefectures are in the middle of the mountain behind Wanshou Mountain, which is a Sino-Tibetan style architectural complex. Covering an area of 20,000 square meters, it is home to the mountain and set up a pavilion on the spot. There is Sumeru Lingjing (now changed to platform) in front, there are 3-meter-high prayer buildings on both sides, and there is the pavilion of Xiangyan Zongyin, the main building of the temple group. It is surrounded by four major continents that symbolize the Buddhist world---- East Shengshen Continent, West Niu Cargo Continent, South Ganbu Continent, North Julu Continent and eight small continents built with different forms of pagodas. There are four lama pagodas in the south, southwest, northeast and northwest that represent the "four wisdoms" of Buddhist scriptures. There are thirteen layers of ring-shaped "phase wheels" on the tower, which represents the "thirteen days" of Buddhist scriptures. The tower shape is unique, and the shape is dignified and beautiful. There are two uneven halls in the middle of the four major continents and eight small continents, one represents the platform and the other represents the sun platform, symbolizing the sun and moon surrounding the Buddha's body and the harmonious garden.

Eighteenth is the Harmony Garden: The Harmony Garden is located at the eastern foot of Wanshou Mountain, which is an independent garden with a southern garden style. Qingyi Garden was called Huishan Garden", which was built in imitation of Wuxi Huishan Jichang Garden. After the rebuilding in the sixteenth year of Jiaqing (1811), it was renamed "Harmony Garden" and the meaning of "one pavilion and one path, full of harmony and curiosity" in the sixteenth year of Jiaqing (1811). There are 13 pavilions, platforms, halls and pavilions in the park, and communicate with hundreds of verandahs and five bridges of different forms. There is a stone bridge in the southeast corner of the park, and there are three words of "Zhiyu Bridge" inscribed by Qianlong on the stone square at the head of the bridge, which is quoted from the argument between Zhuangzi and Huizi in "Qiushui Hao".

The nineteenth is Suzhou Street: it is a trading street built on both sides of the Houhu Lake imitating the water town in the south of the Yangtze River. During the Qingyi Garden period, there were all kinds of shops on the shore, such as jade antique shops, silk shops, dim sum shops, tea houses, gold and silver jewelry houses, etc. The clerks in the shop are all eunuchs and palace maids. The emperor began to "open for business" when he was lucky. Dozens of shops on the shores of the lake were burned down by foreign powers in 1860.