Before the feature film begins, I'm going to give you a little reminiscence.

I found out about this when I was writing "Asking Ding Senluo".

In Sen Luo, there is a character who appeared when there were only a few dozen chapters, and as soon as he appeared, I deliberately shaped the relationship between friend and foe, he was an enemy, he would calculate the protagonist, and he was also a person who agreed with the protagonist's concept, but because of the position, he had his own goals and ambitions, so he didn't become the protagonist's teammate.

I gave a lot of pen and ink to this character, and when everyone began to expect him to join the team, I clicked the knife, and the protagonist's rescue came a little late.

That is the strongest emotional flashpoint in the book "Winning Senluo", this character who is also an enemy and a friend has a very full arc, because it really took a lot of pen and ink, so after he triggered the transformation, the arc of the protagonist is also very full.

This should be the most impactful flashpoint of "Winning Senluo".

Before writing this paragraph, I had never tried to kill the characters created with so much pen and ink - some old readers may say that you even killed the heroine in "Cangkong Battle Flag", but the Cangkong Battle Banner really felt that a knife should be issued during the writing process, not planned from the beginning, and at that time I was only 21 years old after all, and my strength was still not enough, and the overall arc light and foreshadowing were not done well.

But "Winning the Title" makes me feel that I have achieved my miraculous achievements. At the time, I thought that the readers who had followed me all the way to this should be my iron fans, my basic plate.

And then I found out that there was no such thing.

I was surprised to find that for a considerable number of people, especially those who like to point fingers at me on Tieba, NGA and Youshu.com, they didn't feel the shock I expected at all.

Then I further found out that for these people, my previous portrayal of the character who was both good and evil was watering, and I sent a knife just an ordinary knife character to find a reason for the protagonist to hang up, and they even thought that my knife was a character who had not yet joined the team, and the protagonist's outburst was very inexplicable.

Instead, I was blown away by them. I have spent so much pen and ink so much effort to complete the character arc, I have already achieved great emotional communication, they actually didn't feel it!

Then I discovered one thing: a considerable number of people do not have the ability to appreciate and feel, even if the efficiency of emotional communication is strong enough for me, they can't feel emotions.

Especially some pirated users who like to BB on platforms like Tieba, the reason why they have always been pirated users is because they don't have that sensibility and can't be impressed, so naturally there is no link of "being moved and then running to recharge money".

My sensibility is very strong, I watch a movie, and when it's time to explode the little pearl, it will explode fiercely, I thought everyone was like this. But apparently this is not the case.

These are the people who will describe the part of "I Teach Kendo in Tokyo" to save Qingliu as a slogan-like explosion unique to two-dimensional writers. The most interesting thing is that I read that post, and it is obvious that my skills have penetrated the wall of the hearts of these people, so that they have to admit that this paragraph is indeed "a little hi", but they themselves are not aware of this.

They can't see what character arc is, can't tell what foreshadowing is and what is irrigation, and don't understand the romance in my writing.

When I found out about this, I had an impulse to get rid of all these people and keep them from reading my book.

Looking at people's comments is really very high blood pressure, I already have high blood pressure physiologically, and then looking at these people's comments, the mental high blood pressure directly made me almost burst my blood vessels.

But at that time, I was eager to hit the 30,000 equally, eager to prove myself, so I endured.

Okay now, I'm just a street fighter, and I can let whoever I want to go.

"King's Landing" has not yet jumped out of inertial thinking, so the overall structure still looks quite online, which is different, and a high wall has been erected from the beginning.

I really didn't start to make up for it, I started to make up for it, I started to hit the streets, and after I wrote the first chapter, I knew that this book was going to hit the streets.

At the beginning of the book, I highlight a reader who does not meet my requirements to climb to Lao Tzu.

It seems that a girl was airborne at the beginning, which is the beginning of a common romantic comedy in the light area, but I just don't write about the love interaction with the girl, I write about rockets, about astronaut recovery training, and about food, clothing, housing and transportation in the spaceship~

I'll make another protagonist who makes people want to smoke him, ruining the sense of substitution!

The rhythm of the story also highlights a flat and straightforward narrative, with no contradictions and conflicts. Can I write as conflicting? Obviously, for example, the mother of the girl who went on a blind date at the beginning is the villain position, according to the general urban structure, she should lead out a new villain later, and then complete the closed loop.

But I didn't, the villain quit in a few thousand words, and there was no villain behind him. Lu Yingying's father doesn't stand in the villain position, hey, just highlight one without conflict~

Until Chapter 9, it's all flat and straightforward, written like a road movie.

The only ups and downs before Chapter 9 is the emotional explosion in Chapter 7, which is a foreshadowing for the explosion of Chapter 10, but this explosion can only be felt by those who have the sensibilities I demand. For those who don't have sensibility, this is "the embarrassing slogan unique to two-dimensional writers".

The entire first ten chapters are a well-designed reader filter, and for those who are not selected, these ten chapters are boring, with lengthy character dialogues, straightforward plots, and full of meaningless details.

But for the chosen readers, these ten chapters show a fascinating worldview, the optimistic and enterprising spirit of the Space Force, the character arc of the protagonist, and that damn romance.

Romance understands!

Because I offended a certain big studio of a certain Lu, so when this book was first serialized, there were several analyses written by a certain Lu peers in the book review area, and how badly the analysis book was written, I refined all these posts and hung them in the book review area like a medal, and then applied merciless ridicule to these peers.

In my opinion, the "affirmation" of these peers represents the extremely successful design of the first ten chapters. It's a pity that these peers may have been broken by my continuous ridicule of them as literate Bai Ding, so I deleted these posts myself. I hate the fact that the starting point book review area can delete posts by itself.

Thanks to this filter, the book's interstitial posts are pleasant to look at most of the time.

I'm writing my story recklessly, and then the sifted readers who can keep up with my aesthetic are immersed in the story.

But this wonderful thing has been starting to taste wrong lately.

In March, because of the sudden collapse of Wensi, it broke out for a day, and then the more than 10,000 words were written in Angli's confession, because the character arcs of Angli and Wang Ping'an are very complete, and the foreshadowing of the relationship between the two people is also extremely sufficient, this confession broke out with amazing power, and directly killed me into the top five hundred of hot sales.

I was confused, because I didn't read how many subscriptions this book had before, and I didn't care about the book's follow-up.

As a result, when I look at my grass, how can there be so many follow-ups? How can there be so many tips?

From this point in time, the intermittent stickers of this book began to taste wrong.

A lot of posts make me wonder, "Dude, how did your aesthetic and sensibility pass through my filter", "Don't you see my book hurting in the brain?" ”

Then yesterday, chapter 212 was sent out, and today I looked at it and brushed it out several intermittent patches that made me have high blood pressure.

This brings me to my proudest character setting in this book, Xiao Fang.

The book has been repeatedly emphasized that Xiao Fang is just an illusion, but in fact, people who read the book carefully enough and have a high enough sensitivity to the text will find out whether Xiao Fang is an illusion or not, which is a question mark.

Before chapter 210, when she appeared, the protagonists were all in a state of weak observers, either distracted or in a trance. This is deliberately set up like this.

Xiao Fang's depiction of this "illusion" is also written according to a real person.

Chapter 210 says goodbye to Xiao Fang, and while the protagonist's entire character arc is complete, it also means that the story has entered a new stage.

But if Xiao Fang disappears like this, then she will be condemned to death It is an illusion, which is too boring and not romantic. So she's bound to appear again, as it says at the end of chapter 210.

Because it's mine, I love UC's, and while I don't really push meteorites away with green light, cosmic female ghosts can have them. After all, there is "Ball Lightning" Zhuyu in front, I watched Ball Flash in 06 years, just went to college, when I saw Lin Yun in the quantum state, my first reaction was "Is Laracin you".

I just want the cosmic female ghost to appear in the form of a quantum ghost. You don't care what Xiao Fang was pierced by splinters when he died, not by ball lightning, it doesn't matter. I've said many times that when rationality and romance conflict, I'm definitely throwing rationality in the garbage basket.

How do you make her appear again, without being obtrusive, and more actively participating in the whole story, and more clearly highlighting "will she not be a hallucination"?

Chapter 212 The protagonist is not in a trance, he is a strong observer throughout, and he is no longer sick, his PTSD has been cured. But he saw Xiao Fang very normally, and complained to Xiao Fang.

The small square that appears here again is also different from the small square in front.

I also have a lot of foreshadowing for this. The character of Zhang Li appeared very early, and although he has been portrayed as a pseudo-scientist and a civil scientist, this character has a very important place in the story as a whole.

When he first arrived at L2, the protagonist stopped a passer-by who was "bewitched", and at that time borrowed the tone of the rescued female psychiatrist, saying that it was only PTSD and long-term astronautics that caused psychological distortion and superposition that caused the hallucination, and the pseudoscience of tension simply echoed this psychological need.

Then, through the protagonist's monologue at the monument, it is further reflected that the protagonist has also read the book of tension, and thinks "I know it's fake, but it would be nice if it was true".

Even if in chapter 210 Zhang Li is directly characterized as a madman, I emphasize the sentence "but there is no contradiction between his theory and existing common sense".

All of this is set up to blur what Xiaofang is.

Of course, it doesn't matter whether Xiao Fang is a real quantum ghost or a pure illusion. The important thing is damn romance, it's that the character is very loving, and there is love and knife.

The value of this character is that while stabbing people unwanted, it is also very funny and cute. "I'm a Sugar Cat"

Now she is back with a "daughter" with her own genes, and she is even more lively. That's all that matters!

I was very happy when I wrote this paragraph, and I think the readers must be just as happy, because Xiao Fang is back again, and I can continue to stab you hahahahaha.

I've actually considered a lot of ways to get Fang back, including having a quantum computer read Fang Fang's psychological model and then anchor it. But that would take the role of the quantum computer out of the way.

It's not good, in my vision, the computer must have a role to play.

When I was in high school, I loved Heinlein's "Stern Moon", and anyone who has seen it knows that the most charismatic character in it is the supercomputer, which is a last resort and has a newborn curiosity.

When I created the character of "Noah" in 15 years, I borrowed some of the wisdom of Master Heinlein, who is omnipotent, but full of curiosity like a newborn.

But Noah, as a high-dimensional existence, is too invincible, so she has to limit her play.

I was very satisfied with the setup of the supercomputer in this book, which was limited by size and energy consumption, so it had to be limited by the long communication distance in space.

Hey, it's too clever to use the speed of the Internet to limit the supercomputer and not make it too dominant.

However, the supercomputer exists, and it has to play a role. It can't be replaced by Xiao Fangping.

Because I think that supercomputers represent a direction in the future, and "runaway servants" may be the backside of this utopia in the book.

So the plan to use a supercomputer to bring Xiao Fang back to the field was abandoned.

In the same way, the unprovoked return was also abandoned, because I thought it would be too fantastical, and after losing the coat of "probably hallucination", it would not be romantic.

It's like the quantum rose in "Ball Lightning", which appears directly, and the protagonist can clearly see it, wow, that's too unaesthetic.

So the last choice is to clone the daughter of this program.

Of course, I made this decision, which is the day before yesterday, because I don't think about things when I don't code words, and when I code 211 chapters, I decided to clone and go.

After all, Chapter 210 just said goodbye to Xiao Fang in the past, right, and the emotions were also perfectly continued.

And there is foreshadowing in front, many times foreshadowing the treatment of cloning and related technologies in the two camps, wow, perfect. From now on, the foreshadowing is that it has been planned for a long time, and I say that it is!

So I happily let Xiao Fang come back.

And then today I took a look at the post, what bullshit? No one paid attention to Xiao Fang's return, but was shouting what was unreasonable and disgusting.

How did you get through the previous screening? Did you start reading it in chapter 11?

Or did you skip chapter 210? Skipped such a full emotional foreshadowing, skipped the character arc?

There are also people shouting, "It's just a stitching monster made up of genes", and the fucking little party appeared, and complained, and hand-picked "I have to go now".

To be honest, this sentence "I have to go now" is a bad habit left over from so many years of online writing, in fact, this sentence is very aesthetic, I just habitually add wheelchairs to readers, so that readers with low comprehension can understand.

Looking at it now, Xiao Fang should be asked to sing "Defeat the wolf of US imperialist ambitions" here, which is more in line with the character arc. So I changed it, and later readers who read this paragraph again will not have this wheelchair.

But there was this wheelchair before, and some people came out to say that it was disgusting, and I couldn't understand it.

I also re-examined the front, and found that all the foreshadowing, emotional guidance, is all ready-made, there is nothing abrupt about the appearance of a cloned daughter here, and I can even start a discussion on whether the clone has human rights, because there was a discussion in this area before.

How did you become a monster of genetic patchwork, how did you become a disgusting reader? You're disgusting me, aren't you? How did you get through my screening?

Writing this, I reflected on it, probably because since I went to Ceres, I took out the Maga company that stood in the villain position, and it was no longer a pure road movie, and it began to have a story, resulting in some people who should have been screened out to watch it.

If Maga hadn't been thrown into the villain position at the time, it might have brought the book as a whole closer to the sci-fi road movie feel of the first half.

But it can't be modified, but fortunately, the boss has a bright blood bar.

Next, I've figured it out, go to the Lone Star Country and play "Neuro Wanderer" and "The Thirteenth Floor" and other memes, have a drink with David Martinez, and then rush all the way to Arasaka - no, the bottom of the Maga Corporation.

When confronting supercomputers, I have to pay tribute to Roadside Picnic, because I love roadside picnics so much!

When all this is done, it's time to finish, and the change map doesn't exist.

I've thought about the ending, I can tell you now, the ending is knife and romantic, and I even arranged hints, just think about it, arrange hints, this is my good habit ha.

If you feel disgusted after reading chapter 212, go now, hurry up. The ending of this book is even more disgusting for people who don't understand romance, don't blame me for not informing you!

Those of you who have read the testimonials on the shelves also know that the book was originally planned to be written before the release of "Tears of the Kingdom".

Originally, my plan was to write a million words and eat a wave of million words after the recommendation benefits.

The current score of this book is close to 2,000 averages, and it is written to a million words to eat a wave of recommended benefits, and the high-quality chapter is stable. 500 poems are written to the boutique chapter, or such a provocative theme, if it can be achieved, I am very satisfied.

The last book "King's Landing in France" is because there are no recommendations for millions of words and can't eat those million words, so there are still more than 300 orders and 10,000 chapters.

I'm really going to write a million words.

But now you see, "Tears of the Kingdom" will be released next month, and I will definitely be addicted to it, what game I am obsessed with, what game stalk will appear in the writing, if it is not over by that time, then Wang Ping'an will save Zelda in space.

So we still have to try to finish on time.

Fortunately, now that I think of the rest of the content, I feel that I can fill in about 150,000 words. 150,000 words are written in a month, which is more than enough.

I can't figure out what kind of inspiration broke out when I was writing, and suddenly there was a lump of unclear meaning.

So, the book should be able to finish as originally planned!

Again, the ending is very knife! Knife and romantic! The hints are all buried!

I'm sick now, let's go! Come on! It might be going to make you sick to the end of it!

PS: I make a bold prediction, there must be people who can't understand what I'm talking about in such a long article, saying that I'm going to cut it again. Believe it or not, we'll see