Although it wasn't the first time they'd seen it, Ralph and the others were still shocked by it.

They never imagined that the carved magic pattern could be like this.

It seems that you can free your hands.

Lily and Pandora quickly dismiss their laziness.

Runiwen is an easy course to learn but difficult to master.

Most of the time in the school's Ancient Runi elective course is spent learning the basics.

It is the meaning and common usage of the runi language that achieves the purpose of translating the runi literature.

It can be said that the study of Runiwen in school is biased towards academics.

In terms of practical application, there are very few of them.

At the same time, learning the practical application of Runiwen is a process that requires patience.

It requires constant practice in writing the various runi letters, as well as aiding in the learning of magic patterns.

Similar to normal writing.

At the beginning, it is important to follow the correct order of strokes, with spaces within letters and the distance between strokes to be properly controlled.

In this way, a standard runi script can be written, and a standard runi script has the following characteristics:

First, the magic is contained but not revealed, and it flows smoothly between the strokes;

Second, the magic effect is stable, and there are no other favorite effects;

3. Be able to clearly express the meaning of the runi language.

Lily and the others had to practice a lot before they reached the level where they can write standard runes at their fingertips.

Sometimes, a runiwen needs at least dozens of effective exercises a day, and all that is written is a standard rune.

As for ineffective exercises, it can reach hundreds of times a day.

It's an extremely exhausting process.

However, there is no exact standard for the standard Runiwen, although the textbooks print out what they look like.

It seems to have something to do with everyone's magic or will or soul, and everyone's standards are different.

Therefore, the evaluation of the standard runiwen only needs the above three characteristics, rather than being copied directly from the book.

Both Professor Flitwick and Professor Barblin found that copying the runes in the book could indeed give some superficial effects to the objects.

But the efficiency is too low, and it's not as good as a spell.

Moreover, the duration is short, and Runiven is prone to damage and lose its effectiveness.

Unlike magic, which is idealistic and subjective, Runiwen is rational and objective.

It doesn't need to be used with the will, as with magic.

Of course, the will can also be added when writing the runi to some peculiar effect.

Today, standard runi writing is a breeze for Lily and Pandora, and like normal writing, it has its own unique style.

They also have a good relationship, and they learn runi together. Otherwise, they would definitely have incompatibility problems with carving runins for an item together.

In addition to Runiwen itself, there is also the study of magic patterns.

This part of the study is not available in the books, because the class only focuses on the translation of the Runi literature, and the use of the Runi literature.

Magic patterns are patterns with magical power.

Patterns that appear alone have no meaning, and are only effective when they are gathered together with Runiwen or other magical languages.

It's a bit like the tense in English, and it's like the context in classical Chinese.

In the application, the magic pattern is used to determine the effect of the rune.

For example, "fire" has many meanings, such as natural flame, heat, light, upward, violent, and so on.

But with the addition of the magic pattern, it is different, and its effect will be accentuated to a certain meaning.

For example, some magic patterns can make its effect mainly reflected in heating, but the original meaning will not disappear, it will only be used

Conceal.

Even when connected to other runes with magic patterns, some of the obscured meanings are brought to the fore again, but not as obvious as heating.

In addition to this, the magic pattern has one of the most basic applications, which is to act as a channel for the transmission of mana.

Connecting runes of the same type with magic patterns will increase the common effect of these runins.

This is also a feature, and many magic pattern props with a single and prominent effect are made in this way.

It can be seen that the magic pattern can be said to be crucial in the practical application of Runiwen.

Lily and Ralph they said.

When she first learned Runiwen, she didn't know how high the sky was, and she thought that she would be able to practice it if she read more books than her classmates.

However, this is not the case.

That time, it happened to be a harsh winter, and Lily wanted to make a warm talisman.

Confidently, she took out a piece of parchment and layered it in equal portions, intending to experiment with it first.

And Ralph thought it was not bad, since it was to keep warm, then the core Runiwen must be "fire".

That's what Lily thought at the time, and she didn't want too complicated features, just being able to keep warm.

Therefore, she intends to use a "fire" to achieve her own ends.

With great interest, she wrote "fire" on a square piece of paper with magical ink.

As a result of reading a lot of books, she also used some small tricks to slow down the activation of Runiwen.

But, when it failed, the small pieces of paper burned and quickly turned to ashes.

She frowned, tried a few more times, and all turned into flames.

Unwillingly, she picked up the book she borrowed from the library and flipped through it.

Finally, I noticed the magic pattern hidden between the lines.

Following the book, she tried to add some small lines to the runi edges on the small pieces of paper.

There are glowing ones, and the violent ones still burn the paper, and the soft ones continue for a while;

Some of them exploded, and they exploded directly, which scared her;

There was one that floated upward, but as soon as it left the table, it fell, as if it did not have enough ability, and repeated it several times, making Lily laugh;

Nothing else happened, and it was over in a flash, but when you looked closely, you found that there were burning marks at the end of the surrounding lines;

Of course, there are also the ones that Lily wants to keep warm and warm.

Despite the samples, Lily had lost faith in the magic pattern combination she had designed.

At the same time, she is also aware of the importance of the magic pattern.

None of the Runi textbooks discuss the magic pattern in detail, and it is difficult to learn the magic pattern when the literature translation and alchemy items are still dominant.

Fortunately, there are many professors in the school who have this knowledge, some of them have benefited from the long history of the family, and some have benefited from the help of the race......

Lily has gained a lot from Professor Flitwick and Professor Sgrahorn.

At the same time, she began to study with Professor Flitwick in practical applications, and met Pandora, and the two quickly became good friends.

A master of spells must be a Runifon master, and this is a phrase that is vividly embodied in Professor Flitwick.

The magic pattern came easily in his hand.

Even the gaps between the runic letters, the distance between the strokes, can be exploited by the professor to achieve the desired effect in his hands.