And Liszt, who got the materials, was not polite, and immediately found some of the materials used for alchemy, and made life potions and magic potions consumed in the world of Karakuri and Apocalypse, as well as spirit potions to enhance mental power and provide brain abilities.

In addition, he made some other types of enhancement potions that he thought might be used, and replenished his backpack, which can be regarded as stopping his movements, looking at the materials in his hand and thinking......

"Perhaps, you can enchant Polla?" Liszt thought about the situation of the puppet in his hand for a moment, and muttered secretly.

"Well, the speed of Sixteen Nights can also be strengthened a little more! And Ciel's power, Matthew's defenses, these ......"

When you think about it, it seems that each puppet can be enchanted and enhanced on the basis of the existing one.

It's a pity that he doesn't have many materials in his hand, and he doesn't have some enchanted materials, so even if he has an idea, he needs to design and think about it again, otherwise he won't be able to strengthen a few dolls, and the materials in his hand will probably be used up......

Now that he was not going to stay too much on the side of the Arad world, Liszt did not have so much time to collect alchemy materials.

Yes, Liszt was not prepared to stay in the Arad world for too long.

It's still the same sentence, now it's not like at the beginning, I don't know if I can come back if I leave, and how long will the time pass when I come back, now he can not only return to any world he has been to at any time with sufficient energy, but also use the time book function of the time book opened by the fate gold coin to select the time node of the world to return, so whether to stay in a world for a long time, or to turn a certain world into his own main world is no longer an inevitable choice.

What's more, he is now clear about his identity - a certain existence of the self doppelganger, his own growth seems to be able to help the self grow, and then through the growth feedback of the self, he can get the opportunity to step into a higher realm and break a certain ceiling.

There are also those who are not masked.

Even in order to meet the other others, attend the meeting of him and me, and then find out more about himself and his self, it is necessary for him to move forward and make himself stronger-

For example, the minimum threshold for participating in a party is the single universe level!

Converted into the data in the celestial computer, it is about the level of the fourth-level divine body.

With the foundation of the Arad world, it may not be too much of a problem for yourself to achieve a three-body god, but it will not be possible until after the great transfer takes place, that is, after Kelly fully moves to the Arad continent to live, various races and adventurers appear, and even the so-called Demon Realm and Terra civilization enter this world.

Because many rare materials can only be brought by the special conditions at that time and the arrival of the Terras, as for now, there is no place to find those things, so upgrading to a second-level god body is probably the highest limit that Liszt can reach in the Arad world at present!

At least during the Celestial Realm.

After the Great Transfer, all the members went to the Arad Continent and started full contact with other races, he could truly upgrade to a third-level god.

And at this time, Liszt has no way of certainly.

After all, although he dug his memories very thoroughly because of the Geass of Lelouch world, and recalled a lot of the DNF games he played back then, he didn't play to the end, and abandoned the pit before the opening of level 80, and he played until a period after the opening of Yijue, and he didn't know much about the plot of DNF.

Being able to know about the Great Transfer Event is also thanks to Kelly's existence and the Sky Tower, otherwise he might not even know what the Great Transfer is.

And where will you remember when the Great Shift took place, and the specific reason why Kelly discovered the continent of Arad?

Anyway, he doesn't remember any of these things at all.

So instead of relying on time in the world of Arad and looking forward to the sudden arrival of the Great Transfer, Liszt felt that it was better to continue to explore the world randomly and try his luck, in case there were materials and technologies in a certain world that could help him evolve his divine body?

So it's better to go out and walk more.

Then Liszt tucked the pocket full of materials into his chest, looked at the captives in front of him who occupied his room, and finally fell on the handsome and dashing swordsman.

"That's you."

Then Sixteen Nights Saki went over and lifted the swordsman and put him on the table beside him, then crouched down and tied the swordsman's hands and feet to the legs of the table, making him a lamb to the slaughter.

"What are you going to do?" The swordsman asked Liszt, who was holding a scalpel, with an ugly face.

The other captives did the same, watching Liszt's movements with attentive gaze.

"What do you say?" Liszt asked rhetorically with a smile on his face.

"You want to transform me into a puppet?" The swordsman didn't fail to hear Liszt's conversation with Kelly before, and his face couldn't help but change again, and his eyes confirmed with some horror.

"Yes, it's rare to meet you excellent 'volunteers' who are willing to 'dedicate' yourself, wouldn't it be too sorry for your enthusiasm if you don't make good use of it?" Liszt affirmed with a smile.

"Wait, I'm willing to swear allegiance to you and become your subordinate, can you let me go?" Seeing this, the swordsman didn't talk about being reserved or not reserved, he was about to die, and then he was reserved, he was what he was, and hurriedly begged for mercy.

"I'm more willing to trust my technology than to take an oath." Liszt smiled at the swordsman, and without hesitation, he immediately slashed the swordsman's chest.

"I'm sorry, I forgot to give you anesthetic......" Liszt said apologetically to the screaming swordsman.

It seems that I really forgot about it......

Anyway, Liszt wouldn't tell him that he was now communiquéing a personal vendetta!

"Bastard, I'm going to kill you, ah! I'll kill you! "The swordsman's bitter roar of filial piety.

This is also in the heavenly realm, something on the side of the Arad continent has not yet been transmitted, the swordsman is a real swordsman, a normal person, and there is no ghost hand disease on his body, otherwise Liszt would not dare to use this method to stimulate the swordsman so casually, what if the ghost god Kazan or something like that is released?

He didn't think that he could please Kazan with a generation of gods.

But it's almost the same here, after all, his transformation is not really a transformation, but a re-correction of the corpse, it is not good to let the swordsman live again, otherwise it will be difficult to swallow the memory and soul of the swordsman when Eve's heart is placed in it.

So soon, Liszt cut off the swordsman's heart supply, so that the swordsman slowly lost his life completely due to the lack of blood supply to the brain in the pain.

Then Liszt didn't talk nonsense, took out an Eve heart and placed it in the swordsman's body, injected it into the nanomachine to build a magic circuit, and then used alchemy to repair and activate the swordsman's heart, and finally used life potions to seal the swordsman's wound and inject magic power......

But in a moment, the swordsman's closed eyes opened again!