The way I wrote this book, from the first round of recommendations to the present, has been accompanied by all kinds of doubts.

I'm still saying that, I have an outline, and so far, everything has been within the scope of the outline.

Regarding saying that I didn't bury the thread, didn't foreshadow, swallowed the setting, and suddenly turned around in more than 140 chapters, I: "......"

It can be said that I didn't write well in the foreshadowing before, so that you can't understand it, I think so, I never said how well I wrote.

But I can't admit that I didn't bury the thread and swallow the setting.

Regarding the foreshadowing hint of the second week of the male protagonist's program,I've been burying the thread since before I entered V.。

Let's do a rough rundown of the hint chapters -

In chapter 32, the male protagonist dreams of the female protagonist's realism when he sleeps for the first time, and only doubts that it is a strange dream.

Chapter 57, the fragmented dream during the interruption of the love drama, waking up and unable to distinguish the reality of the Year of the Monkey and the Moon.

Chapter 59, the prediction of "Star Movement 1+1" reappears in reality, and the male protagonist begins to suspect that his dream is a certain kind of golden finger.

Chapter 123, a strange dream on the way back with his ex-girlfriend.

Chapter 126, a long nightmare on the plane, this is the real awakening.

Chapter 128,The content of this chapter has gradually made it clear that the male protagonist found himself in the second week.。

Chapter 130, after the memory is completely awakened, I see everyone's familiarity, and the male protagonist's knowledge of Zhang Chen's true background prompts.

Chapter 131, when the male protagonist was playing a game, he deliberately asked Zhang Chen about his father.

Chapter 132, the psychological description of the male protagonist in this chapter is already completely clear.

There are also some small details, so I won't release them.

said that in the end, the male protagonist was instigated and not worthy of the female protagonist.

I want to say that he is not intimidating, he is very brave.

If he is really cowardly, he can not go to that troubled water in this life, after the memory awakening, he can choose not to let the heroine be interested in himself, cut off the root, forget the heroine, and completely play his own new life, this is really cowardice.

Everyone in this world is alive.,My male protagonist is not the kind of setting that can easily blow up the world with one punch when he opens his eyes from some perspectives.,He has changed.,It's bound to affect others to make changes.。 I mentioned this in the scene of his last night conversation with his ex-girlfriend.

He was the first to open the second week, but he was not the god of that world.

This plot won't change, and if it does, it's not the story I'm going to write.

He is my character, I know better what he is, and I have been very serious and careful to figure out his psychology, including the growth psychology of each character in it.

Maybe I have limited ability and can't reflect them well, which is my shortcoming, and this is also the direction I want to work hard to improve.

Also, none of the characters in this book are perfect, they are not perfect in my setting, and they are all allowed to make mistakes.

Human nature has shortcomings, and if you want to see the perfect character design without shortcomings in human nature, I tell you in advance: this book does not.

I never felt that I wrote well, and I never floated over, and I still hope that I can break through my own bottleneck through this book, and get the progress that I ask of myself, even a little improvement is worth it for me.

If you like to read it, you can stay, if you don't like it, don't force it, why bother trying to strangle this book in the cradle.