And there are two important characters related to this Cui eunuch in the follow-up plot, one of which is Zhang Mingyi I just mentioned, because he is the master that Zhang Mingyi once worshipped.

The second is Cui Annie, I don't know if you still remember, I said before that Cui Annie is a descendant of a Manchu prince, so the death mastiffs in Sanhe Village who guarded the dragon vein did not dare to hurt her, so this Cui Annie, who is a female streamer, actually has the emperor's destiny.

In the later stage, I originally planned to write such a plot, Fu Daozi threatened the protagonist with Sun Meng and Bai Ruxuan, so that he could help him open the Jinzhu Underground Palace in advance, Li Qinglong mantis caught cicadas, and jumped out to kill Fu Daozi at a critical time, wanting to dominate the palace.

But then the big boss Cui Eunuch who was hiding behind him took Zhang Mingyi, who was combined with the evil ghost, to kill, this was the praying mantis catching cicadas and yellow birds, Li Qinglong died as a result, and Eunuch Cui gained control of the Jinzhu Underground Palace.

It's a pity that the children he cultivated with the emperor's personality couldn't take on the big responsibility, so in the end, he supported Cui Annie, a woman, to be the emperor, of course, in the end, he didn't succeed, after all, he was not the final boss.

The title of this book is "Burial of the Heavenly Coffin", and all the stories revolve around the golden bamboo heavenly coffin, and the heavenly coffin was built by the Yelang King more than 2,000 years ago, so the final boss is naturally the Yelang King.

Sixth, let's talk about this Yelang King and his golden bamboo coffin.

As I mentioned above, King Yelang is the ancestor of the current Yi people, and Yelang Kingdom was a small country in the southwest border during the Han Dynasty.

And in my setting, the Yelang Kingdom was not destroyed by the Han Dynasty.

King Yoro believed in witchcraft and led his people to religion in an attempt to create a utopian kingdom.

In this realm, he and his subjects can live a carefree life and have powers comparable to those of the gods, so they can build the Golden Bamboo Coffin and those golden bamboo magic weapons with mysterious powers.

Under such conditions, it was impossible for the army of the Han Dynasty composed of people to destroy the Yelang Kingdom, so the Yelang Kingdom was not destroyed by external forces, but by itself.

I've seen a saying that a carefree utopia is what everyone yearns for, and that it's paradise.

But there is a law that says that things must be reversed, so heaven is also hell, and people will be devoured by their own desires after satisfying all their desires.

Therefore, the day of the completion of Utopia was also the day of the destruction of the kingdom of Yoro, and the king of Yoro saw his subjects kill each other under the inflated desire, and in the end he was the only one left in the entire kingdom.

At that time, King Yelang was extremely confused, and finally buried the treasures of the entire country and the corpses of the people underground, which became the later Jinzhu Underground Palace.

Seventh, about why the treasure mountain outside the Jinzhu Digong opens and closes once in a hundred years.

I set up a thing called the reincarnation disk, which is not a fiction, but a realistic prototype, and people who have been exposed to science and engineering knowledge should have heard of something called a reduction gear.

In short, gears drive each other, for example, a gear with five teeth and a gear with ten teeth are combined.

Ten teeth rotate one circle and five teeth will rotate two times (this should be understandable), which is called an acceleration gear, on the contrary, if the five teeth rotate a circle, then the ten teeth can only rotate half a circle, which is called a reduction gear.

Of course, the reincarnation disc I mentioned in this article cannot have only two gears, it is a super reduction gear composed of a large number of bronze gears.

The final effect is that there is a grinding disc that can be rotated by man, and this grinding disc will rotate for a hundred years, and the gear at its end will rotate once, thus driving Baoshan to open once.

This reduction gear is theoretically possible, but it does not exist in reality, because no material can support such a structure, let alone bronze.

But this is a supernatural novel, and it should be when King Lang of Chinese New Year's Eve found such a material.

Some people may wonder why I did such a setting, but in fact I plan to insert such a story into it.

Cold utensils must be combined with human feelings to be meaningful, my setting is that King Yelang once had a princess, and his court musician committed adultery, saying that it was adultery, but in fact the two were truly in love.

After this incident was exposed, in order to punish the two, King Yelang imprisoned the princess in the underground palace, and suffered from the torture of the scab (similar to the Gu technique of the Miao people, devouring the body by a hundred insects) all day long.

And the musician who loves the princess deeply is tied to the reincarnation disk outside the underground palace, and he must push the grinding plate day and night, and work hard to open the underground palace once in a hundred years before he can meet the princess.

After a short reunion, the musician has to go through the next reincarnation, so the combination of the musician and the reincarnation disk has caused the phenomenon of the underground palace opening and closing once in a hundred years.

King Yelang set up the reincarnation disk, which was actually to torture the princess and the musician.

This setting may not be perfect, and if it is written, it may be modified later (but there is no chance of it).

However, it is precisely because of this setting that the later protagonist does not need to follow the period of a hundred years, so he successfully opened the Golden Bamboo Underground Palace in advance.

Eighth, let's talk about Chen Dajun, in the setting above, Chen Dajun Liu Touer's favorite apprentice, and he likes Huo Laosan's daughter Huo Dalian, he is the existence of the second male in addition to the protagonist, and there should be a lot of plots about him in the follow-up.

Including my plan to write that he and Huo Dalian fell in love and then separated from each other, the two of them are a tragic ending.

And about Chen Dajun, in fact, the most important thing is that his surname is "Chen", which is not something I messed up with, because I made a setting from the time I started writing this book, Chen Dajun is the descendant of Chen Li.

You may not know who this Qi Taishou Chen Li is, in fact, this is a real historical figure, Qi Qi is a place name in the southwest border during the Han Dynasty, and Yelang Kingdom is very close.

In the allusion to Yelang's arrogance, it is this Chen Li, who is too guarded by the Emperor, who led the Han army to destroy the Yelang Kingdom, so this Chen Li has a deep relationship with the King of Yelang.

Chen Dajun, as Chen Li's descendant, according to fatalism, should naturally unite with the protagonist to deal with the boss Yelang King.