Maybe many readers haven't read the original book for too long and have little impression of the intricate relationships in it, so here is a separate free chapter to explain:

1. The relationship between Ko-san and the Golden Emperor

Xiao Sang is the Golden Emperor's thing to reduce and seek emptiness, but she thought from the beginning that she was the Golden Emperor's fish, a sign of return, and the fish would be assimilated after the return of the angler, so this is the fundamental reason why Xiao Sang resisted the Golden Emperor so fiercely.

Xiao Sang's state is actually very similar to Meng Qi, and all she can communicate with him and me is a projection of the Golden Emperor, which is one of the reasons why she thinks she is a fish.

Therefore, if Xiao Sang proves the legend in a normal way, she will inevitably find contradictions, because what she can communicate with him and me will inevitably not be able to ignite (but just like Meng Qi defeated Yuan Shi and inherited the independent projection, the Jin Emperor can take the initiative to give up the control of his own projection, let them generate spiritual intelligence, and then be absorbed by Xiao Sang).

In the original book, the Golden Emperor made Xiao Sang die and come back to life again, becoming an existence similar to the innate gods, relying on refining the innate virtue in the chaotic green lotus seeds, and projecting the legend of the Ten Thousand Worlds.

…………

2. Changes in this work due to the arrival of the protagonist

Because of the original work in the protagonist's mind, the Golden Emperor originally laid out the eternal layout, and the hidden and good products of reducing and seeking emptiness had been discovered by Sanqing in advance, so the Golden Emperor now has only two choices: either temporarily replace him as a subtraction and empty object, or maintain the original plot to compete for the Dao Fruit, and if he fails, he will be ready to be reincarnated in the new era.

Replace the object of subtraction and nullity with the main character? Although the protagonist has been in contact with the Golden Emperor, it is with kindness to persuade her to give up the fight for the other side, and leave her a way back, don't die in the net - this is a naked conspiracy from moral instruction, whether the Golden Emperor accepts this kindness or not, she can't make a decision like in the original book.

(ps: If any reader thinks that writing the Golden Emperor must be written as the kind of demented character who only seeks the fruit of the Tao and must be a moth to the fire, then please leave this book consciously, I am not writing the book to serve this group of people who do not treat the role as a human being)

And it's not so easy to change the object, Jin Huang just hastily gave the protagonist a symbol of the ultimate five fortunes, and fooled the protagonist with the luck psychology of morality and didn't care about the protagonist, so that he tried his best to improve himself. (That's right, what he said at the beginning to give the protagonist a chance to get out of the sea of suffering is pure nonsense, it's just a big cake, laughs)

The initial and final two are indeed very strong, but the biggest role it can play is to help the other side of the shore to raise the illusory Dao fruit to the prototype of the Dao fruit in the fastest time (that is, from the first time to the ancient), instead of helping the protagonist to advance to the other side, it will get rid of the speed of the general creation and the completion of the illusory avenue cultivation, so the protagonist can only be the Golden Emperor's spare tire at present, and his idea is:

In the hundreds of years when the restrictions of the end of the world were loosened, it was completely feasible to arrange for the protagonist to be promoted smoothly all the way, and finally become a consummation of creation at the end of the tribulation, this is how Han Guang cultivated the creation under the nose of the Golden Emperor, not to mention that during this period, the Golden Emperor will continue to add oil and vinegar to the protagonist to help him be promoted.

Then the Golden Emperor maintained the original plot, and if he failed to compete for the Dao Fruit, he would take away the protagonist and land on the other side for the first time in the new era, and then quickly recover to the strength of the ancients, and continue to be qualified to reduce and seek emptiness. (Jin Huang landed, Meng Qi and Xiao Sang would not stop it, because Xiao Sang owed Jin Huang too much karma)

At that time, he would directly choose the protagonist as his subtraction object, so Meng Qi really couldn't hinder the Golden Emperor, and he couldn't kill the protagonist because he had a grudge against the Golden Emperor, right? (Meng Qi: Xia Qike is my beloved relatives and friends, siblings, kill him...... Gotta add money! ）

Therefore, he could only watch the Golden Emperor complete the reduction and seek emptiness, and rank behind the Demon Emperor and Amitabha Buddha to transcend. (The ancient Buddha of Bodhi is no play, his three corpses are very unstable, it is easy to be targeted, and he can only be ranked last)

As for the protagonist, if this era can't become the other side, then it's not impossible to become the object of the Golden Emperor in the next era (Golden Emperor: Look, although I cheated the protagonist, he still has to thank us)

3. After talking about the above, let's talk about the moral Tianzun

The moral image created by the squid belongs to the kind of unfathomable boss who sits firmly in the Diaoyutai, so in the original book, Meng Qi asked him for advice after being on the other side, and he could only get a response of "no sadness and no joy" from Tushi Palace, which translated: "It doesn't matter, I will make a move." ”

So don't say that the protagonist is looking for the Golden Emperor just to persuade him, that is, the protagonist is looking for the Golden Emperor to be a dog for him, morality doesn't matter, what is the possibility of the Golden Emperor's detachment is two or three percent, this is true, but just listen to it, the possibility of your Golden Emperor's detachment has increased by two percent, but this does not mean that the possibility of my detachment has lost two percent? You're just getting out of the way to nine out of nine, but I'm sorry I'm still ten out of ten. (Don't tell me about math, this thing is not good in a lifetime, spread your hands.) JPG）

This is also the reason why the Golden Emperor dares to calculate the protagonist, and why the protagonist is not angry when he knows that the Golden Emperor calculates, but is a little depressed.

In the end, the Golden Emperor made a deal with the protagonist.,Use your body and hundreds of years of part-time work in this era to exchange for the next era to become the other side.,This deal is a win for the protagonist in a lifetime.。

Why, then, does morality intervene? Because the Golden Emperor doesn't want the protagonist to become the other side in this era, but morality doesn't matter, the protagonist has a great appetite for him, so he plans to test the protagonist to see if he has the determination and courage to rely on himself to preach the other side.

After all, he is the foundation of existence and the source of morality in a lifetime, and he is somewhat unhappy to see that the world is in a mess, and there are few people who speak morality in the power that comes out of the mix.

If Yuan Shi is responsible for statistical cause and effect, and Lingbao is responsible for liquidating cause and effect, then morality is responsible for bearing the burden of good and evil, so that the world becomes beautiful because of morality, and good and evil are reported in the world, but because of detachment, he can't pull away now, and the protagonist dares to do this, he naturally welcomes it.

4. Finally, I would like to emphasize the peerless gods in this book

I write books strictly according to the description in my life, if there is anything wrong, please take the original text to correct, the author thank you.

In this book, there are also strong and weak peerless beings on the other side, in general, the strength of the weapon itself is between the legend and the weak creation, and the inside of the weapon is equivalent to a nearly formed heaven and ten thousand worlds, and the description is consistent with creation.

Pangu flags, Taiji diagrams, and six soul flags.

The divine soldier on the other side is only equal to the other side in the hands of the other side, and in the hands of the perfection of creation, I am invincible under the other shore, and the fireworks flag in the hands of the protagonist can only carry a blow of the perfection of creation for him, and after a blow, he is directly damaged and falls into a deep sleep, which is very costly.

And you can't stop control skills, such as immobilization, exile, etc., so the protagonist has to be cowardly when he should admit it.

5. Summary

To be honest, when I wrote here, I was a little hesitant about whether the later Jin Huang would provoke Meng Qi to split the knife from the way of self-determination, and it doesn't seem to affect the follow-up of this work?

But the boat to the bridge is naturally straight, I believe that as long as you write all the way, this problem will be solved, I'm just a person in charge of writing a book, how the plot will develop in the future, it's up to the characters in the book to play on their own, in general, my tone is still quite relaxed, and the ending will be a lot less regrettable than the original book, this is my original intention ( ̄▽ ̄) of writing this book