"Look for it separately, and when you see the coffin, don't touch it."

Zhang Ming commanded, and everyone nodded their heads and scattered in the palaces to find them.

Zhang Ming looked back at the dense corpses outside the underground palace, did not speak, and after thinking, he opened the parchment scroll and looked at it.

It can be seen that the part of the scroll that represents the underground palace, in addition to the messy palace arrangement, also has a huge circle, and a triangle is placed within the circle.

It seems that there is something hidden in the palace at the very top.

The illustrations in the parchment scrolls not only record the whole map of the mausoleum, but also have a very abstract concept.

For example, when everyone entered, there was a complicated ellipse in the square place in the parchment scroll, and where the forty-nine skeletons were located, there were seemingly chaotic lines arranged, constantly bending back, and finally leading to a humanoid place.

Through the humanoid land, entering the last area of the dungeon, you can see that the ancient scroll represents the location of the dungeon, and there are small cyan dots all around.

Obviously, it is the corpse that is represented.

Zhang Ming didn't know why there were records about the Ming Tombs in the tomb of Tang Yin.

Even the full map of this tomb exists.

Although this has a certain relationship with the Yin Nine Gates.

But in Zhang Ming's view, the imperial power was supreme in the feudal period, and no matter how strong the Yin Jiumen was, he would never dare to tamper with the imperial tomb without permission.

Among them, it is very likely that it is the behavior after receiving the Ming Order.

So, whose grave is this?

The owner of the tomb, what does he want to trap in the tomb forever......

After thinking about it, Zhang Ming had come to the door of the main hall at the highest point in this place, and slowly pushed open the wooden door, and what caught his eye was a stone coffin that was extremely smooth.

The whole room has exactly the same construction specifications on all sides, as if it extends in all directions, but Zhang Ming looked at the empty layout around him, but he was a little puzzled.

Here, it seems, there is nothing......

"Not ...... here"

Murmuring, Zhang Ming's eyes fell on the several palaces on the second floor below, and he randomly chose the nearest one, pushed the door and entered.

With the pungent smell coming, the camera on Zhang Ming's chest also captured everything in the entire hall.

It is simply laid out in all directions, except for a long table in the depths and an incense burner on it.

Only three walls remain, full of murals.

The glow of the flashlight, in a palace that is not very large, quickly showed an excellent effect.

Zhang Ming also came to the front of the first painting on the right-hand side and looked at it.

It seems to be very old, and the color of the mural has become dull and there are many defects.

But it's still recognizable.

It was a very majestic palace, and a man in a bright yellow dragon robe in front of the palace looked at the more than twenty people kneeling on the ground in front of him, as if he was commanding something.

And not a lot of information.

Zhang Ming continued to look.

The second picture depicts a place with a sacrificial style.

The same man in dragon robe, standing not far from the place of sacrifice, looked at the two lonely palaces in the empty mountain range, as if he was commanding something to the people behind him.

In the third picture, the man in the dragon robe is placed in a coffin and sent to a fourth mausoleum in the same mountain range.

"How is this four?"

"Shouldn't it be the third one, why is it that the man died, but there was one more?"

"Something isn't right......"

……

Many archaeological enthusiasts were puzzled, and Zhang Ming continued to look.

After the completion of the four mausoleums, the painting is much clearer than before.

It doesn't look like it was drawn from the same period.

At this time, it is still the same palace in the painting, but it is not the original man, but another man wearing a dragon robe, and more than 20 people kneel behind him, as if they are sacrificing something together.

Continuing to look, nine more men appeared in front of and behind the walls of the entire palace, holding the same ceremony, and finally, the originally loose and cold mountains were finally built into thirteen mausoleums.

But when Zhang Ming saw the last two murals, his eyes slowly narrowed.

The mausoleums recorded in the frescoes turned out to be fourteen with the fall of the last man.

The coffin was carried in exactly the same costume as the more than 20 people kneeling in the original mural, but the coffin was empty......

In the last mural, a man hangs from a dead tree, looking crazy and embarrassed, blood flowing from the corners of his mouth.

Hanged himself.

Seeing this, the mural is completely over.

"Isn't this a record of the number of tombs here......

"Good guys, the colors are getting clearer and clearer, and there are people who come here to paint murals in every period......"

"Fourteen seats...... If you guess correctly, it should represent the fourteen emperors of the Ming Dynasty......"

"No, I saw in some broken classics that there were only thirteen emperors in the Ming Dynasty!"

"This ......"

……

For a while, many viewers looked at each other.

In the ancient tomb, Zhang Ming stared at the last mural, his eyes flickered deeply, and he muttered to himself:

"Scam......

There is no more useful information in the frescoes, and there are no hidden secrets about the frescoes in the parchment scrolls.

In the continuous discussion of the audience, Zhang Ming left this palace and came to the second palace.

Push the door in.

There are some complete cloths here, as well as a large number of exquisite costumes, judging from the cloth clothes found in the tomb of Tang Yin, it seems that what is represented here is the real establishment of the clothing culture of the Ming Dynasty!

Many archaeology enthusiasts have taken screenshots, recorded screens, and recorded these things.

At the archaeological research headquarters, Wang Xianming looked at the dazzling array of ancient costumes, and his body trembled faintly.

Professor Chen on the side was also a little excited.

As if he found that there was no more information about this place, Zhang Ming simply swept around and came to the door of the third palace.

After pushing the door in, I found that in addition to some iron incense burners, there was only a square table with some fine wine utensils on the table.

Almost at the same time, a system voice came from Zhang Ming's head.

【Discovery: Doucai Chicken Bowl Cup】

[Period: Ming Chenghua]

[Quality: At that time, the official kiln was of high quality]

[Investigation value: great]

……

A brief system voice came in his mind, Zhang Ming did not move the cultural relics, in his memory, the word Doucai appeared late in the porcelain books of the previous life, and it was only mentioned in the "Notes on the South Kiln" in the middle of the Qing Dynasty.

And this wine glass, in fact, was already famous during the Ming Dynasty.

It represents not only the humanistic life of the Ming Dynasty, but also the amazing porcelain-making culture of the Ming Dynasty.

In the previous life, such cultural relics have been included in the Palace Museum, which can be described as a rare masterpiece in the history of Great Xia.

Come to think of it, the same wine glass in this world will only be more valuable.

"This ancient tomb ...... It's not simple. ”

Thinking back to the previous mural, Zhang Ming revealed the depth, and after slowly closing the door, he came to the next palace gate.

In the next second, the system prompt sounded frequently!

……