Thank you for the opportunity to publish this book, so that interested viewers can see what "Hurricane" was like at the beginning.

The story chooses 2001 as the starting point, the year I just graduated and entered the society. At that time, I was fortunate to participate in the filming of several documentary public security dramas, and the interview was an eye-opener for me.

At that time, China had just joined the World Trade Organization, the economy continued to develop rapidly, and various industries were thriving.

Economic development brings opportunities, but also stimulates people's desire to soar. In order not to be left behind in the new round of wealth distribution, many people are desperate, and various types of criminal activities have increased significantly.

The chaos of public order has directly affected people's normal life and production order, and has also had a very negative impact on economic development.

That year, the public security department launched the third nationwide strike hard, and the focus of the rectification was on

"Fight the underworld and eliminate evil". In 2019, as a veteran TV drama worker, I had the privilege of participating in the national competition

Propaganda and creation work for the special struggle to "sweep away organized crime and eliminate evil". Open the dossier again,

"Sweeping the black" and

The difference between "cracking down on gangsters" is completely different in nature and the degree of difficulty in collecting evidence in the work. In the process of research, I saw that many underworld forces have grown,

"Bigger", mostly with

The "protective umbrella" is deeply linked to form an entrenched one

The "cancer" has seriously undermined the economic and social order. Out of the sense of responsibility and mission of Chinese opera people, after discussion, Zhu Junyi and I decided to use classic three-act dramas such as "Teahouse" and "The First Floor of the World" as the blueprint, and use the story of police and bandits as the main line to depict the living beings in the changing times.

The story is divided into three units, intercepting three time profiles of China's social development in the past 20 years, and telling the different choices made by people at different fates.

If you can like this story, then when you are full of emotion for the fate of An Xin and Gao Qiqiang, please also remember the names of Zhu Junyi and Bai Wenjun, who have paid a lot for this book and this drama.

Xu Jizhou

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