Liu Xilie's wedding, these red tapes are unavoidable, which makes him very impatient. Until the worship hall is married, enter the cave room. Liu Xilie led Tang Jiafeng with red satin, and walked into the cave room after retreating. Then Tang Jiafeng sat in the tent, and Liu Xilie went to the front to toast, and only after the guests dispersed did he enter the cave room again. Under the guidance of Xi Niang, Liu Xilie sat next to Tang Jiafeng and pressed Tang Jiafeng's right placket with his left placket, representing the superiority of men and inferiority of women, and the man pressed the woman. After that, it's time to pick up the hijab. Xi Niang handed a weighing rod to Liu Xilie and guided him to pick off the red hijab on the Tang family's phoenix.

No matter what kind of woman she is, she is the most beautiful on the day of marriage, let alone Tang Jiafeng? So the moment the hijab was lifted, everyone was stunned, this beauty is indescribable. Every flower has every color, and every woman has every style, but Tang Jiafeng has all colors and all styles, and even Liu Xilie, a person who doesn't understand the world, is deeply impressed by this beauty. It even gave him a sense of fear, not of fate, not of creation, but simply because of this indescribable beauty.

After the hijab is removed, it is the most important thing to close the jail. Tongja refers to the same food of the bride and groom, that is, the same kind of pork or mutton, which later evolved into two people eating the same bowl of rice, indicating that they became a family. The two of them drank together. It is a scoop that is divided into two halves by the same melon or gourd and tied together with thread. One is divided into two symbolizes the two bodies of the husband and wife, and after drinking, they become one, which symbolizes the righteousness of the union of the husband and wife. In the Tang Dynasty, wine glasses were used instead, called "double cups", also called Hehuan cups. In the Song Dynasty, there was a custom of handing over a cup of wine, two cups were connected with colored threads, two people drank each other, sometimes each drank half a cup, and then exchanged and drank it all, so it was called a cup. After drinking, you have to throw the cup on the ground, if you look up and down, it symbolizes the harmony of yin and yang, good luck.

After this ceremony, it is the ceremony of tying the hair. Hair tie is a ritual in which the groom unties the bride's hair and then symbolically ties the hair of both of them. Later, it was called the original marriage and the couple, which originated from this custom. Some people believe that knotting the hair refers to the act of the groom untying the strings of the bride's hair. Because once a woman is allowed to marry, she must tie her hair up with a silk rope to indicate that she has a partner. When the bridegroom unties the silk rope and knots it. The silk rope became a token of the relationship between husband and wife.

After the Tang Dynasty, the knotted hair gradually evolved into a bun. When the bride and groom each cut off a lock of hair and tied them together as a token of the couple. There was a woman named Huang Cai in the Tang Dynasty, who wrote a "Midnight Song" when she was privately engaged with her lover for life: "I cut the cloud bun, and Lang also divided the hair." Look for no one's place and make concentric knots. The long-haired gentleman's heart, fortunately, don't forget it!" The cutting and curling of the hair mentioned in the poem is the ritual of the newlyweds.

After that, it's the hole house. The noisy room, also known as the "noisy room", is carried out on the night of the wedding day. The practice is to send the lamp by the sister-in-law first and hug the students early. Send off the lights, regardless of the elders, peers, juniors, gather in the new house, congratulate the newlyweds, there are "three days without size", "happy and happy, the more noisy the more happy" said.

The origin of the custom of haunting houses originates from the exorcism of evil spirits and the avoidance of disasters. According to legend, a long time ago, Zi Weixing went down to earth one day, met a woman wearing linen and filial piety on the road, followed by a group of kissing team, he saw that this was the devil waiting for an opportunity to do evil, so he followed to the groom's house, only to see that the woman had arrived first, and hid in the cave room. When the groom and bride were about to enter the cave after worshipping heaven and earth, Zi Weixing guarded the door and did not let them in, saying that there was a devil hidden inside. When the people asked him for advice on how to get rid of the devil, he suggested: "The devil is most afraid of many people, and if there are many people, the devil will not dare to do evil." So the bridegroom invited the guests to play and laugh in the cave room, and to drive away evil spirits with laughter. Sure enough, at the fifth watch, the devil finally fled. It can be seen that the noisy house was covered with the color of exorcism and disaster avoidance from the beginning.

Liu Xilie's cave house, there are a lot of people coming, but it is not noisy. It was as if Tang Jiafeng's beauty had conquered everyone, and they were all shocked by this beauty, so after a simple round of toasting, these people left. After the bride and the girl had withdrawn, a living man came in to make the bed, and after that, only the two of them were left in the cave room.

Liu Xilie, a person who kills people without blinking, didn't dare to look at Tang Jiafeng anymore after seeing Tang Jiafeng for the first time, and didn't even dare to sit on the bed.

The two of them were in a stalemate like this for a long time, and in the end, Tang Jiafeng opened his mouth first: "I'm a little thirsty, you can pour me a glass of water."

Liu Xilie stood up mechanically as if he had been struck by lightning, hurriedly picked up the teapot, poured a cup of tea half-poured and half-sprinkled, and then lowered his head, held the teabowl with both hands, and handed it to Tang Jiafeng.

Although Tang Jiafeng didn't like Liu Xilie very much, she was still a young woman after all, and she couldn't help laughing when she saw him so nervous. This smile made Liu Xilie feel even more cramped and uneasy.

"If you don't sleep, I'm going to sleep." Until the middle of the night, Liu Xilie was still sitting at the table in a wooden manner, which made Tang Jiafeng laugh again. However, she was indeed sleepy, yawned, and collapsed on the bed.

Liu Xilie had long forgotten what his father had taught him, and now that he recalled it, he still didn't dare to come close when he looked at the fairy-like Tang Jiafeng. He sat like this, knowing that the candle "crackled" and the flame jumped a little, and he came back to his senses.

It seems that men are aggressive by nature, and he finally decided to try something. This kind of attempt, although it is only to sit next to her, is already the maximum limit. It took him almost the greatest courage and determination to do it in a panic, but it still made him blush.

Tang Jiafeng naturally didn't see all this, she was already asleep. As a woman, fate is fate, whether you want it or not, the established facts cannot be changed, she can only resign herself to fate. She didn't like this man, but still made her man.

Yoo Hee-yeol doesn't have a clear definition of marriage, just like he doesn't have a definition of a woman. However, he still has an excellent sensitivity to this difference, he knows that the two of them are very different, and he also knows that there will be many differences before and after marriage, although this feeling is vague and there is no fixed concept.

"You, you move, I, I'm sleepy." When he couldn't hold on anymore, Yoo Hee-yeol finally spoke for the first time. However, Tang Jiafeng, who was asleep, only answered him with a steady breathing sound.

He tried to smooth her over so that he could make a place for himself to lie down. It had exhausted all the strength of his body, so much so that when he undressed, he felt that his hands and feet were sore. But when he lay down and pressed his body against her, the feeling was even different.

For anyone, the day is a civilized society, and after putting on clothes, people are humble gentlemen who walk upright, courteous, righteous and honest, and have good ethics. But at night, it's primitive society, and almost all the squalor and filth happens in the dark. Therefore, Liu Xilie, who has always been worried, is like a different person after the candle is blown out. He began to make some bold temptations driven by primitive desires, and when he saw that Tang Jiafeng had no reaction, his courage gradually increased. When there is finally no separation between the two people, everything is done naturally.

Of course, Tang Jiafeng did not change from a girl to a woman without knowing it. In fact, when Yoo Hee-yeol took off her underwear, she was already awake. But she didn't resist and didn't react. She was scared, very scared. Her mother had told her all the most terrible things in detail before she got into the sedan chair, and told her how to deal with it and what the consequences would be, but she was still afraid. She still had too much to worry about whether she would get hurt, if she would overreact, or if something unexpected would happen. However, nothing happened about it. What happened was what her mother had told her a long time ago, and it was not even as terrifying as she imagined. What makes her feel incredible the most is that now, for this annoying person, she has some unexpected feelings, an indescribable and very obvious feeling.