The volume of Supergod has finally been written, and it is still according to the past practice to make a summary, answer some questions, and also mention the next volume.

Compared with the volume of Da Feng Da Gengren, this volume of super gods is undoubtedly easier and smoother, and the things that I want to write are roughly written, this volume actually doesn't say much, I haven't tried anything new, it's just a step-by-step, very ordinary volume.

Next, answer some questions (because I haven't replied to Zhang Shuo in the comment section recently):

First, the big people feel that the more this book is written, the more it is not good, and it is a regression compared to the volumes of Yitian and one person.

This question......

First of all, admit that the author's level of bacteria is limited, and his pen power and plot design are insufficient.

Secondly, have you noticed a problem?

The protagonist is no longer the protagonist of the previous volumes, the current protagonist is very strong, and the writing style of the previous volumes is no longer suitable for the protagonist.

What to say, some of the big plots are more suitable for the protagonist in the early stage, but they are no longer suitable for the current protagonist, and now the protagonist's realm strength is no longer the previous little shrimp, and then write the protagonist to do things like a small shrimp, which does not conform to the current state of the protagonist.

When writing, you need to consider the current strength and state of the protagonist, so the plot written in the first few volumes is not easy to repeat on the protagonist.

There are two ways I can think of to break through this:

1. Set up enemies that can compete with the protagonist, defeat a strong enemy, and then emerge another strong enemy, and keep repeating the fight to upgrade monsters;

2. Weaken the plot of the protagonist.,Write about other people under the influence of the protagonist.,But there's a problem with this.,After all, the protagonist almost doesn't appear (this kind of writing is used after the illusion.,But Chen Yiyi's big guy has a strong pen.,It's very well written.,I'm far inferior.。 I actually didn't finish reading the whole book of Illusion Penetration, because in my personal opinion, the later stage of Illusion Penetration is someone else's story, although it is very well written, but I don't want to read it).

I don't know if you have seen the "Avenue Battle" and "Xuanhun Dao Chapter" of the big man who has gone wrong?

There is a similar point of view in the reviews of these two books: the first and middle are wonderful, and the latter is bland.

In fact, because the protagonists of these two books are too high, and the protagonists are about to climb to the top, how can they still fight with the same enthusiasm as the little friars before?

When I wrote the volume of one person, I said that in the world after one person, most people may be dissatisfied with the plot written later, and one of the reasons is here.

When I didn't write it, I actually judged that one person might be the best volume of the book, but it was difficult to change.

I've read some books similar to mine, but none of them have a particularly good method, and the nuclear-powered battleship boss is an exception (but this guy's method doesn't suit me, at least this book)......

The protagonist is too strong, which leads to the fact that from the perspective of the protagonist's strength and state, it is difficult to write the plot as in the previous volumes, which is also one of the reasons why I tried a new way of writing in the volume of Dabong Da Guarden, and wanted to set up the main god space in the Naruto volume.

If I write it again in the future, I probably won't write it according to the structure of this book, and try to make the protagonist's strength match each world, so that the protagonist can have more things to do.

2. How do you choose the world you want to write about?

First of all, thank you for your advice (the worlds that are suggested), but from my personal experience of writing this book, the world of the Astronomical Selections is a little different from what you think.

What they think about is whether this world is good for the protagonist and how much good it can take, but this is not actually the first condition for the author to choose the world he writes about.

The first condition is to have a plot to write, not to have benefits to take.

In addition, it is better to have a certain degree of popularity in the chosen world, not that the unknown world cannot be written, but that it is not so attractive and more difficult to write.

This is the reason why Zhu Tianwen often starts with Master Jin martial arts, because it is well-known and more attractive than other unknown ones.

Of course, this will lead to a result, when you look at the astronomy, you see a lot of smiling and arrogant starts, and some want to vomit, just like the same people are Hokage and pirates, the same reason - high visibility, more audiences.

Astronomy has a good advantage, that is, it can be all-encompassing and write about many worlds, but this is also a disadvantage, because readers like different worlds, some people like it, some people must hate it, and it is difficult to satisfy everyone's taste, so it is best to choose as acceptable as possible.

Like this volume, which is written about Super Seminary, there are big people who say they don't read it in the book review area, and the next volume about Naruto, and there are also big people who say it's unacceptable......

There is no particularly good way to do this author mushroom, not even RMB is liked by everyone, how can the world written by the author mushroom be?

3. On the end of the volume of the Supertheological Academy.

The plot of the Super Divine Academy has been written, and there must be great dissatisfaction, under this answer.

In the final chapter, it is written that the entire universe is the protagonist's experimental ground, and the next thing is that the protagonist continues to experiment and study in this world, gaining knowledge, until he understands this universe.

I'll see if I can make up some content in the final chapter of the volume, but it should only be a few short paragraphs, that is, what happened in the number of years and years of the Common Era, and Yitian's volume will also be supplemented (here I ask for my opinion: What do you think of this chronological supplement?). ）。

Of course, although this volume is over, the ending of the supergod world is not yet there, and I plan to write this in the final volume (when mentioning some of the results of all the worlds).

Fourth, the current structure of the book.

This is actually related to the third question.,At the end of one person, it was written that the protagonist's ontology was split.,Differentiation and crossing to different worlds.,So the worlds written in the book now.,In fact, it's not that one world is over.,The protagonist then crosses into the next world.,But multiple worlds are synchronized.,It's just that when it's written, it's a world being written.,Can you understand it?

My arrangement is that in the final volume, the main character will be reunited again, and at that time there will be some results of all the worlds crossed.

Next, it's about a new volume.

The world of the new volume is Naruto.,In this volume, I'm going to try a new way of writing.,Xu Qian will no longer be the single protagonist of this volume.,I want to see the effect of this way of writing.,In order to change the problem that many plots are not easy to write because the protagonist is too strong.。

This is a new attempt in this book, and I don't know if I can write it well, but I still want to try it and try to write it well.

The above is the summary of this volume, thank you for your support!

(End of chapter)