Finally came to this day, and this work ushered in the end after 514 days.

I have always been a reader of fantasy themes in the past, and the first fantasy book I read was "Let Go of the Witch", and then I started to read "Lord of Highlandsa" and "Murmuring Psalms", which also involved some linkage links.

But when I actually started handwriting, I found that a fantasy book is inseparable from the continuous discussion and shaping of the world view from beginning to end.

Now that I go back and read it, I feel that a small half of the page is devoted to the world of Alivia, rather than the story of the lord of Rand Galloping Horse.

For example, why humans, elves, and orcs can produce offspring, such as what magic is, and then the production, currency, transportation, and construction of the wizarding world, as well as the relationship between gods and believers, the relationship between kings and nobles, and the relationship between the transcendent and ordinary people, all of which need to be constantly supplemented and improved in specific stories, even if they are prepared before the official writing.

In the setting, Alivia is equivalent to the earliest planet that gave birth to life, where the first batch of creatures became gods, turning their original hometown into a huge testing field, bringing creatures from similar worlds to the planet to cultivate magical civilization, and most of the planet's settings are based on Jupiter and its moons, so the total date of the year is 400 days.

In this world, magic is almost the only source of energy, and areas with disordered magic are equivalent to deserts, while areas where magic prevails (valleys, forests) will build cities, so the Galloping Horse Plain, which looks like fertile water and grass, is actually a green desert, which cannot support the population and cannot spontaneously produce civilization.

The whole story revolves around these settings, and was originally intended to explore how a stranger survives after gaining an identity in the wizarding world. So in the early chapters, the speed of the protagonist's upgrade has been strictly controlled.

It's also because it's a magical world, and when I set it, I preferred that this is a modern society with magic, rather than a completely feudal society, for example, the marriage relationship here is more like some kind of company partner, such as between Susie Lanyuan and Li Qi Red Dragon, it is completely a partner.

Speaking of characters, I'm ashamed that in the first nearly 100 chapters, the design of the characters is very thin, especially the female characters, the real absolute heroine should be Agni, and every time she upgrades, it takes at least one chapter to describe.

I really started to think about the characters of Wendy, Lili, Sophia, Jonny, and Gruea, in fact, it started after VIP, such as reflecting the competition and friendship between Gruia and Wendy, after that, Sophia became a tech nerd, and Lili became a confidant sister, and it was much better to design the characters of Katerina, Jenny, and Susie in the back.

Of course, if you re-read it now, you can still find that some elements that were originally focused (such as magic goblins) became dispensable in the later stages, and some elements (magic furnaces, bonds) became themes in the later stages, and these themes guided the development of the story step by step.

Originally, I was going to finish chapter 1000, and at that time I was going to let Rand return and take the train back, but then I felt that I should give you an explanation, whether it was the earliest Huck or the later centaur girls.

In addition, the addition of the horse racing girl element is entirely because when I first wrote it, I was still playing that game, and although I don't play it now, I also hope to give this plot a complete ending.

Of course, I have another idea, that is, I feel that the story of the horse racing girl itself is also quite limited in terms of world view, and I also hope to find a more complete world view for this group of "orcs" (which is a little obsession).

Finally, I would like to thank every reader, especially those who have been chasing since more than 500 days ago, I know that there were a lot of typos at that time, and I really thank you all here, and I would like to thank everyone who has voted for the recommendation vote, monthly pass, and big prize, as well as the leader of this book, thank you for watching me finish my first work.

In the future, if I can, I would like to write more works based on the worldview of this book, but everything is still planned.

I wish every reader can find their favorite works, and I wish you all a good Year of the Dragon!