Chapter 80

Asahi Kawayuki's new novel looks very interesting, a boy likes a girl, but because this girl is very similar to his first love, he actually doesn't like this girl in essence, which is the background of this novel.

Based on this background,Started a main line.,That's the male protagonist from disliking to falling in love.,And then..,I don't know where to go.,Because the second half hasn't been written yet.ใ€‚

However, Asahi River Yukie told Masaki Kobayashi without concealing that the ending was a bad ending, and the female protagonist would die at the end, with the male protagonist's love for her, and passed away happily.

"Is that so?" Masaki Kobayashi examined the novel again, quickly flipped the pages back and forth, and re-read a few places.

Asahi Kawa Yukie waited for his evaluation, her expression was indifferent but her heart was nervous, as if she went to Mao Haneda every time she brought a new work, and she now treated Masaki Kobayashi as if she were her editor-in-charge.

"Four Lies?" Masaki Kobayashi said.

โ€œ...ใ€‚โ€ Asahi Kawa Yuki's expression changed slightly, and then said flatly: "This kind of subject matter is generally this way, and as an author, you should know it very well!" โ€

He could hear it, and there was little black feet in her tone.

It may be that I have recently studied the writing and rhythm of "Four Lies", so it is inevitable that it has been influenced and 'dominated'.

This is very possible, even inevitable, because writing is an activity with a high degree of self-expression, and in the process of this self-expression, if you come into contact with very good works, then the 'self' will no longer be maintained.

Why do you say that, because a good work will drastically affect the reader's state, mood and thinking in the short term, and will make the reader yearn for or resist.

Then, when the reader is also an author and has a writing task in the short term, the affected attitudes and emotions will be more or less injected into his writing, and he will lose his 'most real and stable' 'self'.

Therefore, Asahi River Yukie is likely to have been influenced by "Four Lies", and he longed for a work like "Four Lies" in his heart, so he unconsciously went in this direction, so that the new work had a 'shadow' before it was finished.

This is purely Masaki Kobayashi's speculation, but he thinks he is very accurate, because the last time he met her, she didn't just say, 'It's not just because of "Four Lies"", on the other hand, the influence of "Four Lies" can't be ignored.

"You're right." Masaki Kobayashi did not deny Asahi River's statement that Yukie said, "The 'terminal illness' of "Four Lies" is indeed a theme that has been played badly decades ago, but doesn't this just prove the power of "Four Lies"? โ€

Asahi River Yukie pursed her lips and didn't speak sullenly.

"Not to compete for this year's big prize? You can't compare to "Four Lies", the plot design and rhythm, the fullness and description of the character design... โ€

Masaki Kobayashi stopped talking, praising the work he wrote like this, isn't it just Wang Po selling melons and boasting about herself.

But even though the words were only half spoken, the meaning was clearly conveyed to Asahi Kawa Yukie, and she immediately took back the laptop unconvinced, and her movements seemed a little rough.

"It's different, they're different!" Asahi River Yuki-e emphasizes.

"Of course, if you are not affected by "Four Lies" now, you can indeed write different works based on this."

Asahi Kawa Yukie's little hand grabbed the notebook with so much force that it appeared, and she wanted to say something, but in the end she didn't say anything, just put the laptop back in her bag, and then sat there, not wanting to communicate anymore.

Masaki Kobayashi didn't say anything, but as the scenery outside the window changed, he suddenly thought of "Love Letter" directed by Shunji Iwai.

It's an adaptation of a movie, and the original is also a novel.

Who is the author of this novel? Masaki Kobayashi's memory tells him that he should know who the author is, but he can't think of it.

But the cry still echoed in his heart, 'Are youโ€”wellโ€”โ€”??' I'm - very- goodโ€”โ€”! โ€™

"It's okay to turn it upside down." Masaki Kobayashi said.

Yukie Asahi turned her head to look at him, not understanding what he was suddenly talking about.

"I want to talk and stop, I am sad but not sad, and I am still unsatisfied," Masaki Kobayashi nodded, "Your writing is suitable for this." โ€

โ€œ๏ผŸโ€ Asahi River Yukie was even more puzzled, "What are you talking about?" โ€

"Let the men die." Masaki Kobayashi said.

Asahi River's Yuki-e eyes were even more strange.

"The male protagonist Fujii Tree and the female protagonist Hiroko Watanabe are a couple, but the first love of Hiroko Watanabe and Fujii Tree is two people who are almost exactly the same in appearance."

With that, Masaki Kobayashi stood up.

Asahi Kawa Yukie is looking forward to the follow-up of the story, and this sentence is almost exactly the same as the background of the relationship between the characters she preset, how can she not look forward to the next development.

So although she wondered why Masaki Kobayashi suddenly stood up, she also stood up.

Masaki Kobayashi continued: "The beginning of the story is Fujii's festival day, Watanabe Hiroko went to Fujii's house after worshipping, Fujii's family chatted with Watanabe Hiroko, and accidentally Watanabe Hiroko found the address where Fujii used to live in middle school, because of the strong longing in her heart, she hesitated a few times, wrote a letter (broadcast: the train is about to arrive in .....) and sent it, unexpectedly, she received a reply from Heaven. โ€

"Reply from Heaven?!" Asahi River Yukie's beautiful apricot eyes sparkled.

"Yes." Masaki Kobayashi walked to the car door and prepared to get out of the car.

Asahi River Yukie subconsciously followed.

"You're there too?"

Asahagawa Yukie reacted at this time, and immediately looked up at the site, and then put his gaze back on him, "The next story?" โ€

"The rest of the story.... Masaki Kobayashi looked at the tram stop that gradually came to his eyes, "I said, can you ghostwrite for me?" โ€

He hasn't planned what to write for his next novel yet, but it's good to write "Love Letters", very good! But is "The White Tower" bad? He also wants to write "The White Tower"!

There are many, many more works that he wants to write! There are so many works that he wants to share with the people of this world, and share the ones he likes in the original world!

"It would be nice if Asahi Kawa Yukie could ghostwrite for him", Masaki Kobayashi suddenly had such an idea.

But Asahi Kawa Yukie refuses to ghostwrite such a cheap thing, and she is not a street hit!

"You won't be able to ghostwrite if you break the pen!" She said categorically.

"Well, then you can write the rest of the story yourself."

Asahi Kawa Yukie frowned, "Why did I write!" And then continue to write at the beginning of someone else's work, what's the difference with ghostwriting?! โ€

Masaki Kobayashi shrugged, "It's not so much the beginning, it's more of an inspiration." โ€

With that, he stepped out of the tram.

Asahagawa Yukie looked at his back, frowning.