Chapter 152: Bottoming Out! Is this still the original bloody episode?

In fact, if you carefully compare the content of Bai Ling's revised script with the original plot.

You will find that the ideas are roughly the same.

It's just that Bai Ling's behavior is more in line with today's artistic conception.

She is a woman who lives for herself, she loves people and she loves herself.

She likes Gong Jiasong, but she doesn't care about Gong Jiasong's family background.

She doesn't rely on men, and she's not afraid of losing love.

If Gong Jiasong also respects her, loves her, and is willing to accompany her all the way.

The two of them can support each other, and that's naturally the best.

Hou Feifei is not the kind of selfish person, and she shouldn't have a complete emotional breakdown at this moment, so that she and her girlfriends start to tear up, and even hysterical, a crazy woman who keeps yelling.

She will be sad, lost and angry, but she will also try to reconcile herself and maintain emotional stability.

It's all about the details.

Judging from the lines alone, maybe Bai Ling's adaptation is not absolutely perfect.

But combined with Bai Ling's performance, the emotional expression of the details.

But it made many people present have the urge to applaud.

A relatively vivid character image began to emerge, and even, because of the contrast of the original, it gave people a feeling of brightness.

Of course, Bai Ling's change of script will definitely not be as simple as modifying his own character design.

The performance of others is also very different from the original plot expression.

After facing Hou Feifei's statement, Gong Jiasong's heartache became more and more profound.

Anger is dissipating, regret is rising.

Memories of the past seemed to come to mind, and his eyes turned red instantly.

"Fei Fei ......"

Here, he actually wants to defend himself, talk about his regrets, and complain about his mental journey during this time.

In the original plot, Gong Jiasong is a rich boy, who is rebellious and free on weekdays.

But in the expression of the plot, it is like a wronged little beast, which is completely different from the previous character.

Of course, there's something called contrast.

Even many people will go crazy because of this.

See!

He loves it so much!

So I will change myself because of love.

He wasn't that kind of man, but now he's so balabala!

This is good, but there are prerequisites.

Only after enough foreshadowing, after enough 'sweetness', can such a character flip be meaningful and not feel abrupt.

Throughout the whole article of "Our Youth", love is inexplicable, estrangement is inexplicable, and in the end, quarrels and breakups are also inexplicable.

Even the collapse of the character design was sudden.

So in Bai Ling's pen, Gong Jiasong at this time looked at Hou Feifei.

The words of apology were not spoken, and the words of regret were not spoken.

Because this is Gong Jiasong, this is the young master, he rarely apologizes, and in the current situation, it is even more difficult to speak.

It may also be because he is still puzzled and is still not on the same thinking channel as Hou Feifei.

However, even so, Su Chaolin's emotions were expressed very well.

Even if you can't say a word, you can show that 'remorse' vividly.

Just for a moment, looking at Gong Jiasong's red eyes, although everyone felt relieved, they inevitably fell into deep thought.

Is Hou Feifei, who is so 'sober', necessarily right?

With the least lines and the most performances, the conflict and contradictions between the two characters are vividly displayed.

The people who were going to applaud didn't move at this moment, and they all threw themselves into it and immersed themselves in it.

And this, in fact, is the greatest recognition of performance.

At the same time, Gu Tianhong and Bi Xiaoxiao have also completed the dialogue.

The two sides are almost one in front of the other.

In the dialogue of this pair, Bai Ling also put some thought into it.

It also focuses on showing the difference in the personalities of Gu Tianhong and Bi Xiaoxiao, resulting in a collision.

It aims to complete the logic and rationality of today's plot.

Why did a couple get into such a fight?

Isn't it because of incompatible personalities?

Gu Tianhong is from the same poor background as Hou Feifei, and his self-esteem is relatively strong, although he regards Bi Xiaoxiao as an existence like Bai Yueguang.

But in order to be more dignified with Bi Xiaoxiao, he must put in more efforts.

And now, all the efforts have become a self-deprecating joke in his heart.

Therefore, the words are mostly mean, which is completely different from the slightly elegant Gu Tianhong in the past.

And Bi Xiaoxiao also let go of her usual arrogance, and was no longer a little princess who could splash freely in front of Gu Tianhong.

The status between the two has been reversed, and the feelings between the two have quietly begun to change.

The more intense collision unfolded, and Gu Tianhong was not as free and easy as Hou Feifei.

So the two of them felt a little unhappy at this time.

Of course, if it continues to develop in this way, it will really follow Bai Ling's plan and intentions.

But Wen Yan had been prepared for a long time, how could he really follow Bai Linggai's script?

Immediately, he saw Bi Xiaoxiao staring coldly at everyone present at this moment.

"My only mistake is that I met you!"

"Hou Feifei, you are free, you are free."

"But what about me?"

"Didn't I treat you well? Didn't I really think of you as a sister? ”

"You and Tianhong didn't know anything before, is it better than what we are here now?"

"Gong Jiasong, why don't you speak? Why should the two of us bear the fault of four people? ”

Originally developed according to Bai Ling's script, this scene reflects the conflict caused by the different personalities of the four people.

Many people at the scene have already entered the play,

But Wen Yan suddenly made everyone play in an instant.

It's as if everyone already knew that there would be a bloody drama next, and then Lin Yubai, Su Chaolin and Bai Ling forcibly performed the feeling of a literary film.

Then the style of painting changed, and it returned to the bloody drama, and the spearhead was particularly sharp!

Hou Feifei, played by Bai Ling, had actually completed her performance at this time, but was forcibly dragged back.

Suddenly, everyone's brows tightened.

It's like a broken porcelain plate that has been repaired and is about to be completely repaired, and it has been smashed by the person who repaired it again.

The feeling of fragmentation was particularly uncomfortable.

And Lin Yubai and Su Chaolin were also a little stunned at the moment.

Wen Yan: What's going on?

That's not right.

And what's next?

The original lines are useless, do you have to follow the rhythm of Wen Yan?

It's not easy to follow!

The personalities of several characters present are extremely complex, which is completely unsuitable for on-the-spot play.

Hearing this, this force directly drove the three of them to death.

Wen Yan also understood this, so she had grief and indignation on her face, but she was extremely proud in her heart.

"Bai Ling, see how you pick it up!"

The author is good at entertainment is the singer category.,The words of the actor are a little weaker.,This time it's also written with heart.,But it may be a little rusty.,If some readers and friends don't feel good.,I'll say sorry first.,I'm really sorry.

(End of chapter)