It really takes a little more time to think about the framework for the next stage, especially if it is a dungeon with an extremely complex background.

In fact, it's not that the idea is slow, there are still too many parameters to consider, and I have a problem that I always like to use prototype characters to deduce the plot, which is easy to burn the CPU.

For example, in the supporting characters that appeared in the previous stage, they may seem inconspicuous to you, but in fact, they all have real character prototypes.

Lu Junbi, it seems that the first "Yangzhou Mansion Chronicles" and "Jiangdu County Chronicles" in history are the editor-in-chief of him, and he is definitely a well-eaten figure in the local area.

In addition to Wang Yuan, there was a famous man Wang Tingne who was born as a salt merchant in the Wanli period, and he passed on to the same salt merchant as his adopted son in his early years.

The adoptive father of this famous man Wang Tingne definitely has no son, and he is the prototype of Wang Yuanwai.

Zheng Zhiyan, who was elected as a Yangzhou salt merchant sacrificial wine during the Wanli period, was the father of Zheng Yuanxun, a famous man at the end of the Ming Dynasty.

The prefect Wu Xiu, rebuilt the Daming Temple and the Pingshan Hall, piled up the plum blossom ridge, reorganized the water system of Yangzhou City, and the overall pattern of Yangzhou City has basically not been moved again for hundreds of years.

There is also Lu Junbi's friend Zhu Nexia, who has only appeared once, and his great-grandfather Zhu Yingdeng, who is also known as the four talented sons of Gu Laomeng in the previous book, and his grandfather Zhu Yuefan, who appeared in the early days of the previous book.

In addition, I also fabricated a large model of the operation of salt merchants in the late Ming Dynasty, and each salt merchant had a set of how much money each salt merchant should make for each salt introduction, but the parameters were not set well and fell apart, and it was not clearly expressed in the book.

Having said all that, I just wanted to explain why it's easiest to get a break in the stages.

Because the emergence of new supporting roles will inevitably lead to a lot of re-enactment.

Anyway, debts must be made up, and this book strives to be a person who does not owe debts, and will make up for the four chapters owed in the second half of the month when it is relaxed.

"Daming Storyteller" or take a leave of absence is in the middle of the hand, please wait a while,

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