In the living room, there is only one floor lamp, which exudes a bright light, but it is a little dim.

Not far away, Jiang Baizhi leaned on the sofa, unable to see her expression clearly.

Su Ye was holding Jiang Baizhi's character biography, but all his mind was on Jiang Baizhi, at this moment, he suddenly remembered a line in the avant-garde drama "Rhino in Love":

Dusk is the worst time of the day when I see the streets full of beautiful women, and the tall buildings and streets have changed their usual shapes, like in the movies, you are standing at the corner of the stairs, with a certain smell of fragrance...... How can I make you understand that you are like my warm gloves, cold beer, shirt with the smell of sun, and dreams day after day......

"Why don't you speak, and you're deeply attracted by my biography?"

Su Ye hurriedly came back to his senses, and he followed Jiang Baizhi's words and said, "In the near ending, the heroine tells the people around her to learn to cherish the people around her and cherish every minute, because you don't know when death will come......

I am very touched by this, cherish this thing, in fact, it is very difficult, everyone's way of looking at the world is one-sided, because we are not God, we cannot be omniscient, so this determines that we must be stubborn. We all understand the truth, but it is easier said than done, or we are in the game, and we can't see ourselves in the fog or our hearts clearly. ”

Jiang Baizhi lifted her body and pricked up her ears, she liked to listen to Su Ye very much, especially at this moment.

Seeing that Jiang Baizhi did not respond, Su Ye said to herself, "I have seen a movie, called "Whenever Change", Ah Miao was forced to go to the market to be a fishmonger because of her father's debts, her dream is to pay off the debt as soon as possible, stay away from the fish stall, and then buy a small house and live a white-collar life. Another fish guy in the market who sells fish likes Ah Miao, he is very good, and he treats Ah Miao very sincerely. At one moment, Ah Miao was also moved, but she wanted to leave this place and get rid of her current life instead of being with a fishmonger.

In this way, Ah Miao has been working hard for his dream, and the fish guy continues to pursue Ah Miao. Later, by chance, Ah Miao became a makeup artist, and she finally left the fish stall and cut off contact with the past. A few years later, Ah Miao met the fish guy again, and she suddenly realized that she actually liked the fish guy, and the market and selling fish were not so important, the important thing was to be with the person she liked. But at this moment, the fish guy is married and has a very beautiful family. She finally understands that the people to like are around, but it's too late, and the people who are worth cherishing have already missed ......"

After telling this story, Su Ye unconsciously looked at Jiang Baizhi, there is no doubt that he used the topic to play this sentence, I don't know if Jiang Baizhi can understand it.

But obviously Jiang Baizhi didn't understand, she just sighed a little, "Life is unsatisfactory nine times out of ten, but there is a flower that has bloomed in Ah Miao's life, I think Ah Miao will be satisfied, although there will be some regrets." ”

"By the way, Su Ye, you have read the entire biography, do you have any suggestions?"

Su Ye sighed imperceptibly, "Judging from your character biography, the fullness of the character details, the motivation and logic of the characters are relatively satisfactory. If I had to make a suggestion, I would think that I should add something fatalistic to it. ”

"How?"

"The element of fate is actually very common in Hong Kong films, which may be related to Hong Kong people's belief in Buddhism and Jianghu culture. For example, in "Mong Kok Dark Night", Laifu is a killer who came to Hong Kong to complete a transaction, but met a woman standing on the street, Dandan, two strangers, the poor man had a relationship in a short period of time, Laifu also decided to wash his hands in a golden basin, and went home with Dandan to live an ordinary life, and was about to go to a food stall for a supper before leaving, but was accidentally bumped into by the patrol and was killed in the chaos...... Isn't this ending very fatalistic, the killer is killed if he doesn't kill anyone, even if he wants to live a dull life, but his fate has long been doomed.

Similarly, there is "Heavenly Love", the old boy Andy was bereaved at an early age, was raised by a dancer since he was a child, and joined the club very early, but he is affectionate and righteous. But it is precisely because of his affection and righteousness that he insists on avenging the big guy at the end of the story, and finally dies. If he doesn't take revenge, he can fly away with his beloved and live a happy life. This is also a kind of fate, from Andy's personality and childhood experience, it is determined that he will definitely do this. ”

I have to say that Su Ye's statement is still quite insightful, giving a deeper connotation to the traditional BE ending.

After you say this, the concept of giving fate to the behavior of the characters seems to have been sublimated a lot at once. But how do you join? ”

"That's your professional business, I'll just dig a pit, no matter how buried it."

Jiang Baizhi glared at Su Ye, but didn't continue to say anything. Instead, he walked to the window and stretched, "I don't have much time to think about it, I'll give this idea to the director and give him a headache." ”

Outside the window is the moon, and in front of me is Jiang Baizhi's stretched body, hazy, like a fairy about to fly away. It's right in front of you, but it seems like it's going to disappear in the blink of an eye.

Su Ye didn't notice Jiang Baizhi's reply at all, and he didn't pay much attention to the script. He only cared if Jiang Baizhi would leave her, especially at this moment, this thought was even stronger.

Now, he wants to confess very much, and wants to say what he wants.

But staring at Jiang Baizhi's back, his reason restrained his mouth again, he understood that now was not the time at all, not only could he not get into the relationship, but he might also scare Jiang Baizhi, and he didn't even have to be a friend.

If only reality could be like a TV series, you can confess as much as you want, even if you fail at the beginning, you can still be with the heroine in the end. But reality is not a TV series, and adults are responsible for their words and deeds and bear the consequences.

But Su Ye thought of a sentence, which was very suitable to say at this moment. This sentence comes from Natsume Soseki, when Natsume Soseki was still a teacher, he once gave a student an English article and asked to translate into Japanese what the hero and heroine said when the hero and heroine were walking under the moon. The student translated it into Japanese very bluntly, I love you, but Natsume Soseki said that RB people don't say 'I love you', RB people will say, 'The moonlight is so beautiful tonight'. Since then, 'The moonlight is so beautiful tonight' has become a very subtle expression of I love you.

This is what Su Ye can do now, what can be said, the most daring words!

So Su Ye walked to Jiang Baizhi's side and stood side by side with her, his tone extremely gentle.

"The moonlight is so beautiful tonight."

"yes, it's beautiful."

......