Chapter 23: Beasts, Male (1)

The next day, I went to the Japanese restaurant.

When I arrived at the restaurant, Lin Yangyang was already there.

Before the "Women's Body" training, Boss Deng took me and Lin Yangyang to a private room to experience the so-called Japanese food culture characteristics of "Women's Body".

The box for the "Women's Sports" banquet is on the second floor.

A simplely furnished, but indescribably quaint, elegant interior. An antique painting hangs on the wall in the center, next to a pot of lush emerald green bamboo, and an ancient porcelain vase with blooming daffodils.

In the center of the room, a woman lying flat on her back.

The woman was no longer young, about forty years old, although there were no wrinkles on her face, her facial features were also upright, and her skin still looked so delicate and white. But, after all, she is getting older, her skin has begun to sag, her breasts are sagging, and there is fat around her waist.

Despite this, the woman's whole person still looks like a white porcelain plate.

At this time, the woman's long black hair was torn apart and spread out in a fan shape, dotted with a few red petals. Her important parts, her C-cup breasts, and the "triangle" where her hair was shaved clean, were all clearly displayed in front of everyone.

Lin Yangyang and I looked at each other, and couldn't help but blush.

It was Boss Deng, who looked calm.

He smiled, "This is my wife, Michiko Yamaguchi. My father-in-law is Japanese and my mother-in-law is Chinese. When I was young, I studied in Japan and met my wife, who was a female body in a Japanese restaurant at the time, and today I am here to demonstrate to the two of you. ”

It turned out that this middle-aged woman was the proprietress of the hostess.

Boss Deng sat next to him in the "Zabu Tuan" - on the Japanese-style thin dough, he used a few small petals to put on his wife's C chest, called decoration, which was really shameful.

Boss Deng used an understatement tone to me and Lin Yangyang:

"This place, some guests ask for cover, and some guests ask for exposure. It doesn't matter if it's dew, it's just an artistic beauty, and the sushi decorated women's body is like a beautiful handicraft. ”

Boss Deng familiarly placed some beautiful, decorated cream cakes on Michiko Yamaguchi's chest, and took another leaf and covered Michiko Yamaguchi's shaved and bare triangle.

Boss Deng said:

"For the sake of hygiene and for the sake of aesthetics, before serving, be sure to wash and shave all the hair except the hair. ”

The waiter brought a large plate of various sushi from the kitchen.

Boss Deng took it, and he skillfully and quickly placed it on Yamaguchi Michikoko's 'slippery jade' body.

In the traditional Japanese "Nyoshimori", the sushi placed on the body is very particular, and it is placed in a specific part of the body according to the taste and tonic effect of each type of sushi.

For example, frogfish give strength and should be placed in the heart, sailfish help digestion and are placed in the abdomen, and scallops and carp, which enhance sexual ability, should be placed in this triangle.

But now, this kind of attention has gradually faded.

Boss Deng said: "The amount of sushi placed on the body of the 'female body' should not be too much, and it will affect the diners' appreciation of the 'beautiful utensils'. 'Women's body sheng' is generally taken in the supine position and served frontally. There are also diners who put forward special requirements for serving food on their backs and buttocks, and they have to be satisfied if they are 'women's bodies'. ”

(To be continued)