It's really today, the first volume...... More than 400,000 words.

First of all, thank you for accompanying this book to the present, I am really worried that this book will be loved by everyone. I'm not a very organized person, I'm a third-rate writer, a simple dumbfounder, just loyal to the instinct to tell a story, and I want to write something.

Thank you for your willingness to watch me scribble silly, and watch Esther come over in ignorance.

I really started writing with interest, I didn't know where I was going, the outline was all about to go out of Tingen, and my dear editor asked me for it, so I started to sort it out urgently overnight.

I don't shy away from my shortcomings, I have a long way to go, and I always appreciate your encouragement, criticism and suggestions, which have been a very valuable experience for me.

There is a saying that I have always liked, "There are a thousand Hamlets in the eyes of a thousand people", and the key to many people's interpretation of this sentence is "difference", but I sometimes feel that it also contains the "composition" that is very important to the reader's work, especially on the current reading platform.

Yes, the reader often becomes a part of the involvement, even if this is not reflected in the open, the reader is not involved in the creative process of the author in the black box behind the scenes, but feedback, support, denial and companionship will become the nourishment for shaping a long-term serial story.

Everyone can have their own understanding, whether they like it or they hate it, it's part of the real feeling.

This story is written on my keyboard out of a tongue-in-cheek hole, and it belongs to the readers who are willing to read it—you.

In this era of online writing, the distance between readers and authors has been greatly shortened, which is both good and bad. Sometimes I really don't dare to reply to comments, I say that I am really cowardly, everyone scolds me casually, as long as I don't quarrel!

It's sensational to say that, but for me, really, it's an honor to meet you.

"Everyone in the world is a star, like life and death, a little light."

The scroll of the stars is actually written for all the characters, the stars in the sky are the gods, and the light on the earth is the sentient beings.

This is the sorrow of Esther's hasty entry into the world and being forced to be born.

A small preview of the second volume:

The birds will eventually soar under the sky and above the waves, and this will be a story with a wider stage, which should be slower than the pace of the first volume, with Esther out of the confines of Klein's plot and the appearance of original characters.

That's why my speed in the first volume has improved by leaps and bounds, "it's better to read the original text than to write according to the original text" is a point that is often criticized by the fandom, but I can't skip the process of having Esther and Klein build a "relationship", so I can only recklessly compress the part that is involved in the original text.

I'd be glad if I could make someone look at it and turn around and relive the mystery, hey.

Maybe the second volume won't be as heavy as the first, and I'm trying to change the deliberately sensational tone, hoping to make it more enjoyable for everyone to read.

I hope you can have a good time every day and get a smile that makes you feel at ease.

See you tomorrow. (Yes, I don't rest!) I don't ask for leave!! To have a manuscript is to have confidence!! ）

——

The following is a partial split of the settings for Volume 1, which is longer and can be skipped:

1. The anchoring power of "Zoya" is very special, it is the objectivity of the outside world, the subjectivity of the anchored, originating from the river of fate at the level of the world of absolute truth, and extracting the strongest part of the individual's self-perception from the long river of fate.

2. Adam (Huls) was promoted because he was preparing for the "zeitgeist", and the result he wanted was that "Zoya" would stay in a closed state, no matter which church it was in, far from the true Creator. He didn't want to reveal his true identity too soon, the divinity was above all, and all His interference with "Zoya" was out of scheming.

3. The state of the true Creator (Halls) requires the stability of "Zoya", but it is precisely because of the excessive humanity and madness that he himself does not want to see "Zoya", and the other ring of thorns used to anchor Darriberg in the Third Age is not in his hands, as for who most people should be able to easily guess.

4. "Zoya"'s former partner is Ulorius, after approaching the ancient sun god at the end of the Second Age, until the Third Age, "Zoya" fought with Ulorius, and the dragon that appeared in the first dream was Alsuhod, and the effect of 0-08 was spied on by "Zoya".

Volume 2 does not cover the Tertiary period for the time being, and will be filled in the second half of the third volume.

5. The reason why the night shows the human side in this article is also because of the anchoring of "Zoya", she remembers more deeply that she used to be a remnant of the old days, and her state is more stable than that of most true gods. But don't trust Him too much, the few times the night brought Esther into the dream were all hints and inducements, and they were still mainly used.

Don't trust me too much, I'm very unreliable.

6. The honorific name basically reveals the bottom of "Zoya", and his honorific name is also designed by the ancient sun god (Dariberg).

It is no accident that Amon's similarity is that "Zoya" was used by the ancient sun god as a means to suppress "Tianzun", the earth needs "mystery", but it does not need "Tianzun", and the omniscient and all-powerful have made bets on the variables of fate itself.

7. Luna (Luna) As some people think, it is the Luna of Ravenclaw, which also corresponds to Luna, the goddess of the moon in Roman mythology, including Selene, the goddess of the moon who was later annexed by Luna in ancient Greek mythology, derived from "light".

Duboa is actually supposed to be "DuBoa", taken from the detective protagonist of Disco Elysium. "Hamel", which can bring the gospel and bring calamity, is a side reflection of "fate".

The Pied Piper is actually inspired by Troningbra, an outer god who lives forever in the palace of Azathoth, playing music that puts his master to sleep. Of course, it is just inspiration, and it is not equivalent to "Zoya".

8. The grudge between "Zoya" and "Fallen Mother Goddess" is not a direct contact, but that "Zoya" was once used by Tianzun as a purifier for the Source Fort (?). There is an instinctive aversion to the pollution of external gods and other essentiaries. Zoya's original incomplete self-consciousness was also formed under the contamination of the "brood", which is why he took on a "feminine trait".

So it's the heroine's article, and I'm honestly putting it on the female frequency.

9. "Zoya" originates from the Key of Light, but it is not the same as the Key of Light, this point is purely my personal brain, and it will almost be pulled out by me in the third volume, and the road is long and difficult.

In the book review, the big guy who said that I buried the dark line actually lifted me up, and I am really grateful (kowtow), but what I wrote will have a difference in information from what I thought in my head. Everyone has seen the mystery, and I don't think I'll be able to eat more thoroughly than everyone here, and write everything that can be written directly.

10. Make up the numbers. Esther, eating everything will only hurt you...... "Zoya" has an instinct for aggregation even if she loses her independence, but this tendency has been assimilated by the source castle, so she has a special preference for the "taste" of the three families.