From that day on, Kokarsuma had an exclusive name for Kokiyo - Wooden Man.

The reason is that Kogura feels that Kokiyo doesn't care about anyone except Keiko Hatoyama herself, and it's like a piece of wood.

On that day, Keiko Hatoyama also painted a picture of Kokarasuma by the way, and used this painting to easily break the estrangement and estrangement that had formed in Kokarasuma's heart for the past three years.

Why did Keiko Hatoyama list the return of Karasuma to Japan as an important thing?

That's because the appearance of Kokarasuma does have irreplaceable special significance for the two of them.

And the first time Keiko Hatoyama realized this was on the day they met again.

After chatting at school that day, Keiko Hatoyama and the boy planned to go to a nearby set to watch the filming of the film.

This is something they have discussed early on.

It was the filming set of a certain film company in Tokyo, and the theme of the movie was the story of the love and killing between the male protagonist of the KGB agent from the Red Soviet Union and the female protagonist of the CIA agent from the United States.

At that time, it was the Cold War period, and in the context of the confrontation between the United States and the Soviet Union, this kind of somewhat "heretious" film unexpectedly still had a market.

When Keiko Hatoyama heard that there was such a filming set near the university, she couldn't hold back her curiosity.

Of course, in addition to being interested in the subject matter of the film, she is more interested in the filming process of the film.

After all, she had seen a lot of movies, but she had never known how it was made before.

It just so happened that the boy was also given a holiday by Old Man Hatoyama for the past two days, and he was not assigned any trivial and troublesome tasks.

The day before Karasuma returned, the two had already used their free time during their lunch break to go to that set once, and today was the second time.

Even though she grew up in the United States, Kokarsuma obviously had never seen the real filming process and showed a strong interest in it, so the two also took her with them by the way.

Then, the unexpected happened.

When the three of them reached their destination, they found that a police car had been parked outside the set.

The two criminal policemen who were about to go in saw Keiko Hatoyama, and immediately straightened up and saluted.

"Miss!"

"What's going on here?" Nodding her head slightly, Keiko Hatoyama asked directly.

"We just received a report that a woman was killed here, and the exact circumstances are not yet clear......

As the two detectives spoke, they also looked at the boy beside Keiko Hatoyama, and asked tentatively:

"Detective Shirakawa, did you also come to investigate after hearing the news?"

Although Shirakawa Kiyoshi was not an official policeman at this time, because of the old man Hatoyama, the current Metropolitan Police Department has long been known to everyone, and no one knows about him.

Everyone knows that he is the grandson-in-law of the old man Hatoyama, and they all know how terrifying the boy's reasoning ability is.

"It's just a coincidence."

The boy's reply was as simple as ever, and he looked at Keiko Hatoyama beside him.

Keiko Hatoyama naturally understood what he meant, and nodded slightly.

Although it is very unfortunate, since this kind of thing has happened, the boy naturally has an obligation to deal with it, which is the obligation given to him by the old man Hatoyama.

Without saying anything more, the boy walked into the set with the two detectives.

"Karasuma-chan, let's go in and wait a while, okay?"

Keiko Hatoyama and Kokarsuma walked behind.

Kokorasuma didn't have any doubts or surprises on his face to the exchange they had just had.

Obviously, she must have learned about the general situation of the Hatoyama family and the relationship between the boy and the Hatoyama family before returning to Japan this time.

That's why it's no surprise.

So, who would have told her all this news?

The answer is simple, there is only Karasuma Renya.

When Keiko Hatoyama thinks about problems, she always habitually thinks deeper.

So when she realized this, she had some worries in her heart.

It wasn't that she was worried that Karasuma was approaching her and the boy for some special purpose, at least for now, there was no sign of that.

What Keiko Hatoyama really fears is that Karasuma Renya might want to use Kokarasuma for some particular purpose.

Father takes advantage of his daughter?

This may sound a bit weird, but it is true.

From the first time she saw Karasuma Renya, Keiko Hatoyama had already realized that the man in front of her, who was too old to look good, was by no means the kind of person who would care about flesh and blood.

In the face of his own desires, all emotions must stand aside.

Keiko Hatoyama knows very well that even though she has been rejected twice in a row, Karasuma Renya still hasn't given up the idea of pulling the Hatoyama family into the water.

It's not a question of whether he wants to or not, it's that he has to.

Old man Hatoyama's authority now straddles the Japanese public security and Japanese police circles, not to mention the US imperialism for the time being, at least in this part of Japan, the Hatoyama family is fully capable of inflicting a fatal blow to the Karasuma family, the difference is only whether the old man Hatoyama is willing to do so.

Although at present, Old Man Hatoyama has taken an inactive acquiescence attitude towards Karasuma Renya, but what about after that?

Who can guarantee that this attitude of Old Man Hatoyama can be maintained forever?

Not to mention that the old man Hatoyama still has the existence of Keiko Hatoyama by his side.

This was once regarded by Karasuma Renya as a wonderful assist that could pull the Hatoyama family into the water, but in fact it was the biggest obstacle between him and the Hatoyama family.

Maybe one day in the future, Old Man Hatoyama will be moved by his granddaughter, who doesn't even want his own life, and backhand to make up for the fatal knife to the Karasuma family......

No one can guarantee that this is impossible.

Therefore, as long as the old man Hatoyama is still in power for one day, and as long as the authority of the Japanese public security and the Japanese police is still in the hands of the Hatoyama family for one day, Karasuma Renya will never give up the idea of pulling the Hatoyama family into the water.

And Keiko Hatoyama knows this.

That's why she worries about Karasuma.

Kokarsuma may be very simple, but Karasuma Renya is by no means simple.

"Alas......"

Thinking of this, Keiko Hatoyama sighed very slightly.

She really wanted to say that her grandfather was going to do something to Karasuma Renya, which was what she had always thought.

But what made her helpless was that this matter was not transferred by her own will.

It was already her best effort to keep her grandfather from participating in Karasuma Renya's plans.

Could she still just say to Old Man Hatoyama: "Grandpa, don't worry about me, I'm already ready to die, you hurry up and find a way to control Karasuma Renya, it's best to let him disappear from the world, otherwise he will definitely endanger the world in the future!" ”

How is this possible......

Even if she was willing to say it, Old Man Hatoyama would not listen to her.

The old man treats her what Keiko Hatoyama herself does to a boy.

After thinking about it, there was only that sentence in the end.

I can't put it down, I can't give it up.

ψ(｀)ψ

(End of chapter)