The rhythm of this part of the recent period is a bit awkward, especially in the last two chapters, which is a bit out of the original intention and rhythm of Shuangwen and Le Ziwen.

I seem to have fallen into a cycle of "over-trying to portray the game in its entirety" way of profiling the game in a parallel world.

This results in a sluggish overall rhythm.

Yes, it's not water, it's really not water, I have to explain this to the readers.

It's actually a difficult thing to use words to express the game screen, if I really want water, I can brush over the game content and stuff it every day.

You don't have to think about the sense of the picture, you don't have to think about the atmosphere creation, and you don't have to work hard to pursue the sentence.

I just think it's a bit shallow to simply let players shout 666, and I want to write more game content, so that readers who have played it can resonate, and readers who have not played it can feel the magnificence of the game.

Very interesting writing psychology (crossed out) (dog head life-saving)

However, this balance does not seem to be right.

Writing like this again has a sense of foreboding.

In order to avoid making the mistake of the same paragraph of the Comera in the text, the adjustment should be made in time.

Teachers, I want to improve so much.

Please give Xiaobu a day to adjust slightly.

Let's get back together.

or2

"Say it's good to make a bad game, what the hell is the fall of the Titan" is taking leave today and is playing in hand, please wait a while,

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