Everyone nodded, although Song Siyuan's method had not been used, it was also the most likely method, in the case that the magnetic force could not subside, they could not send any metal objects to the funeral table, and of course they could not open the coffin.

"Then listen to this girl."

Afterwards, Yue Guanchao and the others let go of the painting boat, walked to the burial pit near the burial platform, took out the hook claws for mountain climbing, and drew flames from the kneeling figurine lamp to cover the hook claws, these hooks and claws are made of dark iron, and they become more and more hot after being burned by the fire, and even the ropes are inevitably scalded.

It was only when the hook glowed red, steaming like a soldering iron, that they let go of the hook.

Yue Guanchao picked up the bow and arrow, and after the hook and claw cooled to the point that there was no red light, he immediately used the tail of the bow and arrow to pierce the hook and arrow, and bent the bow and arrow towards the caisson above the burial platform and let go.

The hook claw made a sound, and flew into the magnetic range of the burial platform, and everyone near the burial platform held their breath, and the metal was instantly magnetized, and the situation of fluttering everywhere was especially in front of you, if it failed, then you had to think of a new way.

When the hook entered the range of the burial platform, the speed was really affected by the magnetic force, as if it was twice as slow, as if it was penetrating into a transparent cotton quilt, and it was obvious that there was something obstructing, preventing the hook from continuing to fly upward, which was probably the effect of high heat on the magnetic force.

If it is an unheated hook, it must have been magnetized instantaneously by now, and it has begun to spin around the direction of the magnetic force when it is captured by the magnetic force, although the hook is captured by the magnetic force, it still does not rotate around the magnetic force, and after trembling a few times, it spins several times at a very slow speed, clicks and grabs the wooden beam arch on the caisson well, and shakes the rope downward.

"It worked!"

Yue Guanchao pulled up the rope in their hands, grabbed the hook and hooked the wooden beam arch, and became extremely firm, and pulled down a few times without seeing the hook claw fall off, which shows that the grip is indeed firm.

"Go on, we need at least four hooks to hold the coffin in all four directions, so that it is easy to open the coffin."

After Sun Tianqi signaled, the other Taoists began to take out their own hooks and claws, which were hot and hot in the figurine lamp, and used bows and arrows to fix them in the four directions of the caisson, as if four ropes were hanging from the four sides of the coffin.

Yue Guanchao and Sun Tianqi took two Taoists, the four of them did not wear any metal products at all, pulled the rope and climbed up the caisson, and waited for the rope to buckle around their waists to make sure that they would not fall off the rope, and then they began to carefully observe the hanging coffin.

Just now, they were far away from the caisson, and the hanging coffin they saw was just a rectangular black box, and at this moment, the hanging coffin was less than half a meter away from them, and the specific details of the hanging coffin began to enter the eyes of the two.

The material of the hanging coffin is very similar to the painting boat boy they saw, the surface is as black as ink, but here it is more fine, the surface of the boy is uneven, like a charred skin, although the appearance of this hanging coffin is not flat like a mirror, but it is also regular and smooth, a little close to the gray tile of burning paper.

The frosted black exterior has an easily imperceptible silk carving, this kind of silk carving is not relief, nor printing and inlay, all the images do not pursue realism, just like fingerprints, with the change of fine lines, outlining various totems.

The silk carvings on the four sides of the coffin can be seen to be the auspicious patterns of the green dragon, the white tiger, the vermilion bird, and the Xuanwu.

Yue Guanchao took advantage of this opportunity to step directly on the coffin, and after a short bump, the coffin did not move at all to support his whole body weight. m.

On the lid of this coffin, the details are much richer than the front and back, the periphery is the fairy crane auspicious cloud silk carving painting, to the part of the inside, it becomes an auspicious paper pattern, until the middle position begins to appear the sun and moon halo pattern, the huge sun and moon totem, completely occupy the middle.

He went down to the bottom to look at the bottom of the coffin, the lines at the bottom were mostly flower and grass patterns and stone patterns, the whole stone coffin looked simple and unpretentious, and when you looked closely, you could also see the fine simplicity in the simplicity.

Yue Guanchao kept observing along the coffin, finding the gap between the coffin lid and the coffin body, he took out the brass hand knife hidden in his waist and stabbed it into the gap, cut the cover along the coffin, and when the gap was cut open, he tried to pry the dagger, the coffin lid rumbled, and a gap began to appear.

As mentioned earlier, as long as it is a magnet, there are positive and negative poles, and the coffin is exposed, and the cover plate is separated from the whole coffin, which also means that the cover plate and the coffin have changed from the whole to two different components, and the front and back of the cover plate have new positive and negative poles.

In this case, the cover plate is automatically separated from the coffin body under the constraint of magnetic force, and gradually moves away from the coffin body, and at the same time, after the upward force of the coffin disappears, it also loses the magnetic restraint up and down, although it is still captured by the magnetic force, but can only let itself be pulled by the magnetic force of the parallel plane, and constantly rotate slightly.

Yue Guanchao took the opportunity to observe inside the stone coffin, there would not be only one layer of noble coffins like this, and a layer of golden wood appeared in this stone coffin.

Although it is wood, the actual appearance is very much like gold and jade, the outside has been polished very flat, with a layer of tung oil varnish, as smooth and oily as a mirror, at the same time, the layers of gold wire are also shining under the translucent lacquer layer, which adds the texture of gold and stone, and the tentacles are cold and not rough or dry, which is very comfortable.

Yue Guanchao has seen this kind of thing countless times, and at a glance, from the translucent texture that looks like gold, he can see that it is a good golden silk nanmu.

"Golden silk nanmu, it seems that it is indeed the coffin of the concubine, but how can we open it."

Sun Tianqi's worries are indeed reasonable, under the rotation of the coffin, let alone opening the lid of the coffin of Jin Sinan, it is not easy to see the patterns on the body clearly, and under the movement, many methods cannot be used.

Yue Guanchao looked at Song Siyuan and beckoned to her!

From Song Siyuan's point of view, as the lid of the coffin left the coffin, the sarcophagus continued to rotate, as if it was being pushed along the axis by an invisible force, and she immediately understood what he meant, walked up to the burial platform, and climbed near the caisson along one of the ropes.

After fixing the buckle on her waist, she carefully observed the synchronous rotation of the coffin lid and the coffin, and already understood what was going on, and explained to everyone: "It's the coffin lid, after the coffin lid is separated from the coffin, the magnetic force of the coffin body facing up is gone, then, only the four-sided and downward-facing support is left to maintain the suspension of the coffin, and after the lack of upward gravity, it becomes unstable, just like a kite with a broken string, which is affected by various winds." ”

"If we're going to stabilize the coffin, we're going to have to find a way to restore some of the coffin's gravitational pull." Song Siyuan's eyes lit up and looked at the coffin: "I have a way, we only cover part of the coffin lid, so that the magnetic force will indeed shake, but it can ensure that the coffin will not rotate again, which is also convenient for us to operate." ”

Yue Guanchao comprehended, and the two Taoists pressed the lid of the coffin on the coffin again, and as the two fit each other, the coffin returned to stability again.

This time, Yue Guanchao and they became smarter, only half of the coffin lid was pushed open, revealing the upper part of the coffin, after the magnetic force changed, the coffin seemed to be slightly pushed up, forming a slight tilt with the feet down and the head up, and gradually regained stability after the initial shaking.

Yue Guanchao picked up the brass dagger and cocked the lid of the coffin of Jinsi Nanmu, it can be seen that the coffin lid is inlaid with magnets on all sides, and there are small rectangular squares all over the coffin, the coffin lid is pulled out of the coffin, and the magnet immediately plays a role, attracting the coffin lid of Jin Sinan, and begins to float around it, as if a coffin board is swirling and fluttering around the funeral platform.

At this moment, all the contents of the coffin were revealed in front of people under the light of the candlelight.

Although the golden silk nanmu is not as wide as the sarcophagus, the area inside is not small, two people lying side by side in the coffin are more than enough, in the coffin, you can see a noble lady wearing Song Zhai clothes, lying in it with a life.

Although Hu Yunxiu was named a concubine after her death, it was actually only out of the needs of the calendar, and Song Qinzong was still still young when she died, estimated by her age, about thirty to forty years old.

Yue Guanchao looked at the concubine in front of him carefully, her age was not much different from what they expected.

This thousand-year-old female corpse is wearing a Song Dynasty Zhai dress second only to the queen in the harem, Zhai Yi is a plain yarn in the single, and the snow-white neckline is slightly embroidered with gold silk fine lines.

Such wide-sleeved robes are mostly trimmed with vermilion satin on the cuffs, neckline, and hem edges, slightly wrinkled on both sides of the garment, and the dark blue satin material is embroidered with pairs of five-colored Zhai birds.

These clothes are all gathered in the middle waist in the way of "handing over the left side of the collar", and it can be seen that a white jade leather belt is gathered around the waist, and there are knees and large belts hanging under it, although they did not see the position of the back waist, they can also judge from the things outside the skirt, it is a big ribbon, a small ribbon, a jade ring, and a jade pendant.

As for the top of the head, it is wearing a dragon and phoenix crown with a flower hairpin, in order to show the identity of its elders, it also adds temples on both sides of the dragon and phoenix crown, which is luxurious, rich and extravagant.

This Concubine Hu's hands are slightly in the position of her heart, and it can be seen that she holds Jin Ruyi with both hands, and the extravagant golden light reflects the person's face from no blood to a little yellow.

Everyone focused on the face of the thousand-year-old female corpse, the Song Dynasty aristocratic women were more popular pearl makeup, which is a popular formal makeup in the court and the people, in the light makeup, the noblewomen will use the fish maw boiled out of the fish glue as an adhesive, the half pearl is glued to the temples, dimples, forehead and eyebrows, thus forming pearl makeup.

Although the common people could not afford to use pearls, they would also cut the cheekbones of washed snow-white fish into the size of round pearls and stick them on their faces as fashionable.

The concubine Hu in front of her is also wearing pearl makeup, with willow leaf curved eyebrows on her snow-white face like jade, a golden southern pearl in the center of her eyebrows, and a small pearl the size of a fish's eye surrounded by petals.

The position of the temples is like a crescent moon with a string of pearls, half of the red lips are painted with cinnabar, and the face is pale and bloodless.

Some people died, but not completely......